AMANDA KUSAI

A 22 year old wanderer & her visual diary. find her elsewhere @amandakusai

[eatsleepdraw]

[annadovgan]

[amandasutiono]

Sun protection thetaable.com

[kusai]

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Movement.

[wetheurban]

SPOTLIGHT: Selfies by Arvida Byström

Stockholm based photographer Arvida Byström's style is immediately recognizable: filled with pink, glitter and all things feminine mixed with a subversive, couldn’t-care-less attitude that combines her ’90s aesthetic with a very modern take on femininity, sex, gender and identity.

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[amandasutiono]

Brothers and reminiscences of their grandma’s home.

I love the lingering feel of old homes. The way they embody a distinct character and are burried with a million stories one can only imagine unravelling.

[amandasutiono]

She is magic, she nurtures, she loves, she is still and sometimes fierce

She isn’t afraid even though she is vulnerable

For what is given to her she gives back in multitudes, life.

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(on nature and feminism. By Amanda Kusai)

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An obligatory post (with text) of my first ever experience with 120mm film, I prepared for the worst scenarios of scans coming back with light leaks and unacceptable incorrect exposures to the human eye, but im just so overjoyed they turned out quite pretty. I used a rolleiflex 2.8f and kodak portra 400 film in the above images.

I explored the subject of mother nature and how it relates to feminism in the most subtle of ways.

I am forever grateful for my life partner who gave me the endless drive and support to do this, also to my friend for his support and creating the film community amongst our generation (in indonesia) who have forgotten about the raw beauty of film.

[kusai]

Boobie vitamins 🍬 #thetaable

[kusai]

Helping hands 🌸🍃

[kusai]

Beautiful interracial faces #oddportraits #thetaable

[amandasutiono]

Planet venus

[yasmine-ines-deactivated2015042]

By Yasmine Ines

[tommyzee]

[amandasutiono]

Eat yo veggies

[rzmryn-deactivated20240214]

Every artist, when it comes to his own work, remembering the role of chance, fatigue, external distractions, knows what the critic says to be a lie, knows that it could well have been otherwise. The sense of inevitability that a great work of art projects is made up not of the inevitability or necessity of its parts but of the whole.

Susan Sontag, 1965 (via noceans)

[amandasutiono]

The handy project #02

[amandasutiono]

The handy project #01