Cosimo Galluzzi

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@amongsthewaves
i dont even have guilty pleasures anymore i just like stuff and if people have a problem with that they can go fuck themselves
giovedì alle 12:00 / 21:00 quest'anno sarà finito e sarò o un phd candidate oppure libera di cercare un'alternativa all'accademia. chiaramente nei momenti di massimo sforzo mi torna la nausea verso quello che sto facendo - perché allora esiste la concreta possibilità del fallimento e sono costretta a chiedermi: ma è davvero per questo che ho investito tanto tempo ed energie? cui prodest? nei momenti tranquilli, invece, mi sento una grande privilegiata. penso che mi piacerebbe tornare indietro e poter imparare a guardare il mondo attraverso altre lenti, senza rinchiudermi in quelle del pensiero logico e astratto. da qui, dalla torre in cima alla quale mi sono arrampicata con fatica e frustrazione, sembra contare solo ciò che è concreto e dimostrabile, non l'elemento poetico e mistico; solo il biologico e non il culturale, che invece ammette mille prospettive e contraddizioni. per l'impresa a cui ho legato già tanta parte della mia vita, tertium non datur. osservo da lontano il panorama di tutto il sapere che potrebbe rendere questa esistenza più ricca e piena di significato, tutti gli spunti con cui realisticamente mai verrò davvero in contatto, e mi sento un po' triste. il mio progetto di dottorato mi sembra un mucchietto di sabbia: aggiungo una manciata in cima e qualcosa scivola via dai lati, le fondamenta si inabissano un altro pochino e l'altezza della costruzione resta uguale. rivalutare giovedì, mettere via tutto fino a dopo l'esame.
“That immense framework and planking of concepts to which the needy man clings his whole life long in order to preserve himself is nothing but a scaffolding and toy for the most audacious feats of the liberated intellect.”
— Friedrich Nietzsche, On Truth and Lies in a Nonmoral Sense
The Garden of Eden with the Fall of Man (also known as The Earthly Paradise with the Fall of Adam and Eve), (Detail), (c. 1615), by Sir Peter Paul Rubens (Flemish, 1577 – 1640) and Jan Brueghel the Elder (Dutch, 1568 –1625), oil on panel, 74.3 cm (29.2 in) x 114.7 cm (45.1 in), Mauritshuis, The Hague
rotterdam heemraadssingel amirite
Title: Black Bull Artist: Mochizuki Gyokusen (Japanese, 1834-1913) Date: second half of 19th century Genre: animal study Medium: Two-panel folding screen, ink, color, and gold on paper Dimensions: 153 cm (60.3 in) high x 170.2 cm (67 in) wide Location: Minneapolis Institute of Art, Minneapolis, MN, USA
Once you start noticing how the incapacity to handle discomfort affects how people live their lives it's actually pretty shocking how it ruins pretty much every conceivable aspect of existence. Interpersonal relationships, romantic and platonic. Career and education opportunities. Your politics Your willingness to go anywhere. The kind of food you eat. The kind of art you expose yourself to and your ability to read it. It's never just one thing, it touches everything, and once you notice it it's like suddenly being able to see germs or something. Just this horrific catastrophe people look at you askance for screaming about. As I grow older and see what became of my friends and peers who could not learn to handle discomfort, the more I'm like. This is a genuine societal issue
Increasing my discomfort tolerance has also been one of the greatest assets to improving my mental health.
Everything used to be 20 dollars and now that I finally have 20 dollars everything is now 200 dollars
another reason this is the only social media site i give a fuck to actually use is because you're allowed to add links to text instead of just having to paste a url into the body of your post like some kind of caveman.
i would rather see the information for an event handwritten in sharpie on a paper towel than see another AI generated flyer
Santa Maria della Salute (1904) by John Singer Sargent
Does anyone care if the boulder is happy does anyone imagine the boulder to be happy? Or is everything about that other guy
Persepolis (2007)