[meyerlansky]

HALF MAN (2026) ↳ 1x01 | 1x06

[lousolversons]

"You look gorgeous, so you do, huh? I tell you, if I wasn't family, I'd get up and underneath that kilt right away." | HALF MAN - S01E01

[newloverofbeauty]

Francis Bacon: Two Figures (1952). Detail

[wulfhalls]

ep1 // ep2 // ep3 // ep4

[holoship]

[ladiesofcinema]

Hacks (2021-present) Par for the Course (S03E06)

[amorousfrenzy]

"my brother, he tossed himself off a roof! my sister buried me alive! my daughter was my sister was my throw pillow when he wouldn't look at me kindly" son or "i hate everything about you and the giant shadow you cast which seems to turn with the sun whichever way i'm walking" daughter

[rylandsgrace]

[amorousfrenzy]

[amorousfrenzy]

it’s all about hannibal waxing poetic about god, not because he’s religious but because god’s a source of amusement for him, and a sort of affirmation even, of his own control and power (e.g the church collapses) and because “defying god, that’s his idea of a good time”, and up until the moment he meets will, the concept of surrendering to something bigger than himself is foreign to him. and it’s about hannibal saying god is “matchless in his irony” and how, by the end of the show, that really proves true because hannibal does surrender to something (in this case, someone) bigger than himself and he does find his god and it’s one that loves to defy him right back

[amorousfrenzy]

[amorousfrenzy]

Hannibal / Hieronymus Bosch, The Garden of Earthly Delights (right panel, details), c. 1490-1510

[amorousfrenzy]

The mirrors in your mind can reflect the best of yourself, not the worst of someone else.

[ishowdespair-deactivated2026012]

liberals be like he bombed a country…. without congress approval

[diasporaslippage]

Liberation in Restraint, @lukashdii discusses getting tied up by shibari artist @marie.sauvage , all captured by @bleumode

[amorousfrenzy]

Lord Byron, Childe Harold's Pilgrimage (Canto III, XXXII) | Stanley Kunitz, The Testing-Tree

[manny-jacinto]

SEVERANCE (2022–) #02.09 ‘The After Hours’