amyredmage

amy or hazel she/her/hers an exciting new kind of "Childrens Computer Game" complaining blog

[amyredmage]

mfdoom if he rapped about sinkdog:

mfdoom: when i was broker than a broke sink dog i always kept an l to smoke with sinkdog #sinkdog

[junundra]

made a smash 3ds clip compilation thing. you should watch it

[junundra]

new smash montage(?) i made. hoping to make something bigger on my channel later

[amyredmage]

marisa: i am marisa kirisame from touhou 2

[garliccmonster]

patricia

[junundra]

anyone remember this hidden gem? do you remember the secret level where blorbetty fucks sloppy style?

[garliccmonster]

holy meow

[garliccmonster]

whatch my ytp, finde my pages.

[garliccmonster]

something silly i found

[garliccmonster]

Drats! Not again

[garliccmonster]

AAAAAAAAAAAAAAAAAAARRRRRRRRRRRGHHHHH

[junundra]

this python shit is easy

[pocket-deer-belly]

people love calling things "so misogynistic it's gay" as like a silly goof but like you know that's not actually a good thing right

[pocket-deer-belly]

this was in reference to how people talk about naruto in particular but i'm glad people immediately mentioned like 4 different things in the notes

[amyredmage]

obviously the chief issue with masashi kishimoto being a misogynist is, yknow that he is a misogynist and that this tangibly effects people in his life and is materially bad and, yknow, also, on less important fronts, a comic book shooting itself in the foot narratively for little reason other than a generalized disdain for women and by extension its female cast isn't unique or even particularly interesting. buuuuuuuuuuuuuuut. i do think the *extent* to which narutos back half increasingly falls into a narrative black hole driven almost entirely by the authors sheer disdain for most of his characters is kind of wild. its not a particularly clever observation that masashi kishimoto kind of doesn't like women very much and this is reflected in naruto. but i dont think ive read any other long running comic series where this much of the narrative direction is driven by general disgust torward around half of the worlds population. one of the 3 ostensible main protagonists is quietly written out of the story half way through to become a ninja doctor (girl ninja job) after which point youre lucky for her to just be, yknow, around. and this is after part 1 spent most of its length sidelining her to begin with. then shes only really that important again when she sets about killing sasuke (because her entire character arc revolves around a crush she had on an internationally wanted terrorist when she was 12, same as every other woman in naruto.) which then quietly goes nowhere when naruto shows up and actual serious plot starts happening again. kishimoto cant even commit to the punitive framing of her revenge quest because that would require giving the shit about anyone other than the male protaognists. anytime anyone who isnt naruto or sasuke and ESPECIALLY a woman threatens to be interesting kishimoto quickly gets bored and moves on. Its kind of a magical experience in some ways. sakura even loses her inner monologue which is like her one actual character trait and her outward characterization is just played entirely straight for the vast vast majority of the series. it starts out dire and just gets worse as the series goes on. uniquely miserable reading experience. say what you will about how eiichiro oda designs and writes women but at least theyre allowed to take up narrative space at all. in a more just world the bizarre incredible misogyny of naruto would be one of the like top 5 most known things about it but yea it really is just like a WACKY FOOTNOTE people bring up when talking about how they didnt like how the relationships were kinda poorly handled in the ending or talking about naruto and sasuke having homoerotic subtext or whatever. naruto would be so good if it were good.

[amyredmage]

art thief eminem

its fun for me just to rob the louvre

[amyredmage]

[junundra]

im playing with png files again

[amyredmage]

its such an iconic skyrim moment™ that the first thing ralof tells you to do after leaving helgen is to split up and its immediately followed by several important scenes that only play correctly if you follow ralof for the next 30 minutes

you would think after 5 morbillion rereleases of this game they would fix issues like "the first main quest literally just doesnt work correctly" but to this day most playthroughs still start with my character having the knowledge that they have to go to whiterun psychically beamed into their head

bonus points for ralof strongly suggesting you go to ulfric for help with the dragons and then you go to windhelm and theres literally zero follow-up, its just a hook for the stormcloak questline because bethesda didnt entertain the possibility that you would do things like "listen to the words characters say" instead of just following quest markers