IUAV entri | Carlo Scarpa | 1984 | Campazzo dei Tolentini | Venezia Big mama

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Peter Solarz
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Love Begins
let's talk about Bridgerton tea, my ask is open
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Sweet Seals For You, Always
YOU ARE THE REASON
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One Nice Bug Per Day

Kaledo Art
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oozey mess
DEAR READER
Claire Keane
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@andreabellincampi
IUAV entri | Carlo Scarpa | 1984 | Campazzo dei Tolentini | Venezia Big mama
Alberto Campo Baeza - Between cathedrals, Cadiz 2009. Photos © Javier Callejas Sevilla.
A small garden (Un piccolo giardino a Gibellina) Gibellina, Sicily, Italy; 1984-87
Francesco Venezia
Taken from “Francesco Venezia: L’architettura, gli scritti, la critica”, Electa, Milano (1998)
Max Dudler | Folkwang Library | 2012 | Berlin
Lacoonte | Agesandro, Atenodoro di Rodi e Polidoro | I sec. a.c | musei Vaticani | Roma
The dark side
Colosseo | Raffaele Stern | 1806 Roma
Villa Além | Valerio Olgiati | 2014 Portogallo
Apartment High Rise | e2a | Via
In contrast to the conventional tower block with its central core, generic sequence of spaces, and peripheral load-bearing columns, a primary zone with a roughly structured space is created through the separation of these core functions; this serves as an expandable “residential base.” Because the individual cores connect to the façade, and as such directly access the exterior, it is possible to execute an extremely low-tech building. For example, the bathrooms are naturally ventilated and daylight reaches both the core zones and the open interior spaces. The four cores are comprised of the main entrance with support functions, two separate bathrooms, and a kitchen with an adjoining terrace. In between, the remaining space is free for the individual owners to shape as they wish.
We deliberately renounced the stacking as a generic interpretation of suburban, single-family home gardens. The high-rise conveys much more the central principles of a home – panoramic views, open space, interior-exterior relationships, and privacy – in an urban interpretation. The primary advantage of this typology is the potential of spatial sequencing and individual design options for each platform: whether a family, a couple, or a single person – we developed an unfettered, interpretative space, in which the deliberately unfinished form creates a basis for individual design ideas.
CATTIVERIA !!!
Luigi Moretti Strutture e sequenze di spazi Rivista Spazio Model of the inner spaces Basilica di S.Pietro, Vaticano
Mausoleo Fosse Ardeatine | architetti Giuseppe Perugini, Nello Aprile e Mario Fiorentini, scultori Mirko Basaldella e Francesco Coccia | 1949 Roma
atmosphere | personal work | Andrea Bellincampi
Project for a theater in the ruins of Gibellina (Teatro all’aperto ai Ruderi di Gibellina) Gibellina, Sicily, Italy; 1990
Francesco Venezia
Taken from “Francesco Venezia: L’architettura, gli scritti, la critica”, Electa, Milano (1998)
dark side of Parthenon
Edmund Texier, Tableau de Paris, 1852. (1852 Paris apartment building. Cross-section image, showing apartment hierarchy.)
atmosphere | personal work | Andrea Bellincampi
atmosphere | personal work | Andrea Bellincampi
atmosphere | personal work | Andrea Bellincampi