Sweet Seals For You, Always

Discoholic 🪩
Not today Justin
I'd rather be in outer space 🛸
YOU ARE THE REASON

shark vs the universe
let's talk about Bridgerton tea, my ask is open
TMBGareOK. The Official They Might Be Giants tumblr
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ
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titsay
The Bowery Presents
The Stonewall Inn

@theartofmadeline
official daine visual archive

Love Begins

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@andromedaesresolve
Crazy thing about #healing #recovery Small Victories is when you'll have some shit going on that's like, saying this would involve admitting how you used to be doing. You know? Like hey guys good news I'm gonna change my bedsheets this year
That's the thing about Doing Really Bad you kinda keep it to yourself. And then you start doing a little better & when you try to tell people this the vibe is like "what do you mean you were living in the sewer this whole time are you good?" while you're standing there like Yeah that's not the important part never mind that. I'm literally out of the sewer
goodnighttt
@creekfiend was very kind in sharing some writing resources with me, and I thought I'd pass along the kindness by listing them down below.
N.K. Jemisin's article 'Describing characters of color in writing'
Mary Anne Mohanraj's article on approaching characters of colour
Renee Harleston's article How to 'Write Characters of Color Without Using Stereotypes'
Working with Colour, a resource site for writers
the book Writing the Other by by Nisi Shawl and Cynthia Ward, which had a description that cut deep, because I've definitely fallen into this trap out of fear:
and then a video recommended by @sheprd (thank you!) about pitfalls in descriptive language
if anyone else has more resources to add, feel free to reblog with them! this is something I want to learn more about.
I was talking yesterday about how I should probably change the skin colour of a character in a not-yet-written book, because that character is a large, aggressive dragon-shifter and I was worried about her being read with unintentional and offensive subtext.
I haven't gotten my hands on Writing the Other yet (it's still in the mail!) but from reading my way through these articles and watching the Princess Weekes video, I now understand that 'white-ifying' a character you're worried about is a lazy and cowardly solution. so, if I do ever finish the book Eres loses Everything, I'll keep her as is, do my best to be thoughtful, and hire a sensitivity reader to pick out any blind spots.
thank you to everyone who passed on resources, I really appreciate it!
here are a few more resources I've found, if anyone’s interested:
Writing Diversely FAQ
Writing With Colour blog
A conversation between many writers on writing diverse characters
Four Tips to Help You Incorporate Diversity and Inclusion in Your Writing
A Medium Article: "Yes, You Should Be Afraid to Write “Diverse” Characters"
adding another resource to the list! the website WritingTheOther.com is a treasure trove of articles, videos and podcasts, with online classes available.
"stress" by yoan capote - made of bronze and concrete
literally feels like a myth that there are people who don't struggle with basic tasks like getting out of bed or going to the shops or seeing a friend for coffee. how does everything not feel like a painstaking chore for them. how do they have the physical and emotional energy every single day
Follow the money behind America's data center boom. Track 2,300+ projects, PAC spending, and the politicians who sign off on it.
Amazing site.
I discovered 27 data centers near me I did not know about, 9 of them currently under construction.
why did i get the eating disorder hotline for deedee megadoodoo
it really is kind of interesting how attached people are to the idea of the improvised line and the genuine reaction in film. nearly every single famous moment or line has some sort of claim floating around that it wasn't in the script and was either made up on the spot by an actor or was sprung as a surprise on the actors to get their 'real' reaction. you know, sometimes people do come up with good lines in advance and write them down, and sometimes people can pretend to be have a convincing emotional response on screen
do i have to play warhammer 1-39999 first to understand 40k
no revenge because I forgot what you did #memoryloss
“Mary Magdalene is the madwoman - angry mad - in Christianity’s attic. She was hidden there because of an open and not fully appreciated secret, and its implications, at Christianity’s core: that the male disciples fled and the women did not.”
— Jane Schaberg, “The Resurrection of Mary Magdalene”
Wait. So the Trump administration really cut funding to the program that would research and respond to the spread of New World Screwworm past the Darién Gap because they blamed it on climate change, and left the joint international program to Mexico and the Central American Countries... And are panicking now that it's reached Texas, and only now that the flies have already made it all the way from Panama to Texas are they building New facilities to produce the sterile male flies needed to eradicate the pest?
I'm sorry to everyone who lives on the entire continent.
America is Trump's pump and dump scheme. If he's not getting a third term then he'll break the country for whatever poor soul has to clean up his mess.
New World screwworm had been eradicated from the US since the 1960s, Elon Musk brought it back in a year.
Notably, DOGE cut the funding a few days before the US resumed imports of cattle from Mexico... the imports that had been suspended because of the screwworm outbreak in Mexico. So we've had a year of importing cattle from Mexico during a screwworm outbreak without monitoring the outbreak that we already knew about. Mexico's outbreak is pretty bad btw, and cases have been found not just in cattle and dogs but also humans. I assume the rest of Central America too. Not that many people seem to give a fuck about them ig.
Fan fic writers act like they’re a marginalized class and not tumblr search result terrorists
that's a happy ending, kindness in action can do some good here and there.