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ellievsbear
Cosimo Galluzzi
Sade Olutola
sheepfilms
bliss lane
Lint Roller? I Barely Know Her
RMH
art blog(derogatory)
Cosmic Funnies
The Bowery Presents
Doug Jones
let's talk about Bridgerton tea, my ask is open
Phantogram Three
@theartofmadeline
Noah Kahan
❣ Chile in a Photography ❣
Color Me Curious
Discoholic 🪩
seen from Malaysia
seen from Malaysia
seen from Malaysia
seen from Germany
seen from Malaysia
seen from Malaysia
seen from Poland
seen from United Kingdom
seen from Chile
seen from Australia
seen from Malaysia
seen from Germany
seen from United States
seen from United Kingdom
seen from Egypt
seen from United States
seen from Singapore
seen from India
seen from Japan
seen from United Kingdom
@andyouaremysunshine
picture this: me in the south of france on a balcony, in a slip dress, long beautiful hair blowing in the soft breeze, sipping a glass of fine wine. i’m accomplished and have documented my life in journals. the love of my life inspires me and we vacation here occasionally.
Perhaps travel cannot prevent bigotry, but by demonstrating that all peoples cry, laugh, eat, worry, and die, it can introduce the idea that if we try and understand each other, we may even become friends.
Maya Angelou (via passport-life)
Nice | France
Paris | France
À bout de souffle, 1960
Audrey Hepburn by Yousuf Karsh, 1956.
Continuing with the GIFs… Brigitte Bardot is the object of a friend’s affection, in THE TRUTH (1960).
Jamie Lee Curtis at home with mother Janet Leigh in 1978,
Marilyn Monroe boarding a flight at Miami International Airport on her way to Mexico on February 21, 1962.
Betty Grable, Marilyn Monroe & Lauren Bacall in How to Marry a Millionaire (Jean Negulesco, 1953)
Brigitte Bardot in her best film, noir thriller THE TRUTH (1960). For some reason this movie produces the best GIFs. Bite-sized bits of vintage cinema.
Jean Seberg in Bonjour Tristesse, 1959
“It’s a lie. It’s a bunch of sad strangers photographed beautifully, and all the glittering assholes who appreciate art say it’s beautiful ‘cause that’s what they wanna see. But the people in the photos are sad, and alone. But the pictures make the world seem beautiful, so the exhibition is reassuring which makes it a lie, and everyone loves a big fat lie.”
Closer (2004) dir. Mike Nichols
“Please believe that I would do anything to see you happy. So, I do the only thing I can… I release you.”
Carol (2015) dir. Todd Haynes
December 1st
