āSome people fight invisible wars for fear of being rejected, never realizing that on the other side of the glass there are no weapons, only open doors. But open doors only wait for those brave enough to knock with their cards on the tableāØļø

#extradirty

if i look back, i am lost

pixel skylines
will byers stan first human second
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JVL

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blake kathryn
Sade Olutola
š
wallacepolsom
Misplaced Lens Cap

gracie abrams
I'd rather be in outer space šø
Cosimo Galluzzi
Cosmic Funnies
KIROKAZE
taylor price
2025 on Tumblr: Trends That Defined the Year

romaā
seen from Morocco
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seen from Morocco
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seen from Türkiye
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seen from United States
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@angel-b-torture
āSome people fight invisible wars for fear of being rejected, never realizing that on the other side of the glass there are no weapons, only open doors. But open doors only wait for those brave enough to knock with their cards on the tableāØļø
A few nights ago, I dreamt of that house again, along with people Iāve never seen in my life. There was also a young man, someone Iād never met, yet felt like Iād known forever. He was a friend of mine. The house keeps getting stranger... there are even stairs leading to a room containing a corpse that sometimes seems to come back to life. To get to this house, I either have to swim, diving into very deep water, or take a train. Iāve taken it before... there was even a restaurant on board, like a McDonaldās. But if I miss it, thatās the only way. There is another route, too, but itās dangerous and full of unsavory characters. I have so many strange dreams. Sometimes, they leave me with a lingering sense of dread. I once even dreamed of flying in a strange contraption. That was a rather unusual dream, because I hate flying.
Chemistry first, sex can wait...
Random Xpressions
But alchemy is even more important...
The Cremator (1969, dir. Juraj Herz)
āØļø
This glorious armor by Hysteria Machine.
i don't like to be told what to do but i'm also submissive
Yeah.
Atelier Von Behr
Mine, for sure.
License to Live (1998, dir. Kiyoshi Kurosawa)
Remorques (1941), dir. Jean GrƩmillon
Gas Food Lodging(1992, dir. Allison Anders)
āIām always finding humans at their best and worst. I see their ugly and their beauty and I wonder how the same can be both.ā
ā Markus Zusak
my biggest red flag is how mean i can be when i'm overstimulated