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@angelstit
muse a is fresh out of prison, solitary confinement to be exact, and hasn’t truly seen the light of day for at least a couple of years. they’re adjusting to the real world; they barely speak anymore, and they haven’t experienced gentle human contact in what seems like forever. insert muse b, their new neighbor.
(November 29, 1976 – August 28, 2020)
THE NOTEBOOK (2004) dir. Nick Cassavetes
@cherrysolstice
TYLER POSEY Via — Instagram Stories (2020)
i want a plot where “we’re best friends but one drunk night we ended sleeping together but we chose to ignore it, and then i went away to college and i havent seen you in a while but wow wtf…you have a kid. and wtf it looks like me.”
* 𝙇𝙐𝙆𝙀 .
majority of the time, luke had no idea what he was doing — or what he really wanted. however, now that it was already out there, it would be stupid to take it all back, right? his hands came up to wipe over his face but he didn’t move to start the car just yet. ❝ i wasn’t planning on doing anything tonight! i wasn’t even sure if it was something i was gonna actually do. i’m just… i’m in a shitty place, alright? ❞ he ended lamely, having no idea how to explain how he felt and even if he did — he wouldn’t. luke didn’t like to talk. ❝ it’s nothing you DID, i’m just better off alone. ❞
𝖬𝖨𝖫𝖫𝖨𝖤 was starting to feel as if this whole thing should’ve just been a joke. here she was sitting in her now ex boyfriends car, waiting to go home so she could lay on her couch & spend the next couple nights stuffing her face with her favorite ice cream. she knew that she was going to dwell on their relationship & wonder where she had gone wrong. but that’s the thing, she knew that she did nothing wrong. ❝ 𝗍𝗁𝖺𝗍'𝗌 𝗍𝗁𝖾 𝗍𝗁𝗂𝗇𝗀 𝖺𝖻𝗈𝗎𝗍 𝗋𝖾𝗅𝖺𝗍𝗂𝗈𝗇𝗌𝗁𝗂𝗉𝗌, 𝗅𝗎𝖼𝖺𝗌 . . . 𝗂𝖿 𝗒𝗈𝗎'𝗋𝖾 𝗍𝗋𝗎𝗅𝗒 𝖿𝖾𝖾𝗅𝗂𝗇𝗀 𝗍𝗁𝖺𝗍 𝗐𝖺𝗒 𝖺𝖻𝗈𝗎𝗍 𝗒𝗈𝗎𝗋𝗌𝖾𝗅𝖿 𝗒𝗈𝗎 𝗌𝗁𝗈𝗎𝗅𝖽'𝗏𝖾 𝗌𝖺𝗂𝖽 𝗌𝗈𝗆𝖾𝗍𝗁𝗂𝗇𝗀 𝖾𝖺𝗋𝗅𝗂𝖾𝗋. 𝗈𝗋 𝗒𝗈𝗎 𝗄𝗇𝗈𝗐, 𝗍𝗋𝗒 𝗁𝖺𝗏𝗂𝗇𝗀 𝖺𝗇 𝖺𝖼𝗍𝗎𝖺𝗅 𝖼𝗈𝗇𝗏𝖾𝗋𝗌𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝗆𝖾 𝖺𝖻𝗈𝗎𝗍 𝗁𝗈𝗐 𝗒𝗈𝗎'𝗋𝖾 𝖿𝖾𝖾𝗅𝗂𝗇𝗀. 𝖻𝖾𝖼𝖺𝗎𝗌𝖾 𝖾𝗏𝖾𝗋𝗒𝗈𝗇𝖾 𝗄𝗇𝗈𝗐𝗌 𝗍𝗁𝖺𝗍 𝗋𝖾𝗅𝖺𝗍𝗂𝗈𝗇𝗌𝗁𝗂𝗉𝗌 𝗐𝗂𝗅𝗅 𝗇𝖾𝗏𝖾𝗋 𝗐𝗈𝗋𝗄 𝗈𝗎𝗍 𝗂𝖿 𝗍𝗁𝖾𝗋𝖾'𝗌 𝗇𝗈 𝗋𝖾𝖺𝗅 𝖼𝗈𝗆𝗆𝗎𝗇𝗂𝖼𝖺𝗍𝗂𝗈𝗇 𝗁𝖾𝗋𝖾. 𝗂𝖿 𝗒𝗈𝗎 𝗇𝖾𝖾𝖽 𝗌𝗉𝖺𝖼𝖾, 𝗍𝖾𝗅𝗅 𝗆𝖾 𝗍𝗁𝖺𝗍. 𝗂 𝗐𝗈𝗎𝗅𝖽'𝗏𝖾 𝗊𝗎𝗂𝗍 𝗌𝗍𝖺𝗒𝗂𝗇𝗀 𝗈𝗏𝖾𝗋 𝖺𝗍 𝗒𝗈𝗎𝗋 𝗉𝗅𝖺𝖼𝖾 𝗂𝖿 𝗒𝗈𝗎 𝗐𝖾𝗋𝖾 𝗍𝗋𝗎𝗅𝗒 𝖿𝖾𝖾𝗅𝗂𝗇𝗀 𝗅𝗂𝗄𝖾 𝗍𝗁𝗂𝗌. 𝗂 𝖽𝗈𝗇'𝗍 𝗐𝖺𝗇𝗍 𝗍𝗈 𝖻𝖾 𝗍𝗁𝖺𝗍 𝗉𝖾𝗋𝗌𝗈𝗇 𝗐𝗁𝗈 𝗃𝗎𝗌𝗍 𝗀𝗂𝗏𝖾𝗌 𝗎𝗉 𝗈𝗇 𝗌𝗈𝗆𝖾𝗈𝗇𝖾 𝖻𝖾𝖼𝖺𝗎𝗌𝖾 𝗍𝗁𝖾𝗒'𝗋𝖾 𝗀𝗈𝗂𝗇𝗀 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗌𝗁𝗂𝗍 𝗍𝗁𝖺𝗍 𝗍𝗁𝖾𝗒 𝖽𝗈𝗇'𝗍 𝗐𝖺𝗇𝗇𝖺 𝗍𝖺𝗅𝗄 𝖺𝖻𝗈𝗎𝗍. 𝗂 𝗐𝖺𝗇𝗍 𝗍𝗈 𝖻𝖾 𝗍𝗁𝖾 𝗀𝗂𝗋𝗅 𝗍𝗁𝖺𝗍 𝗆𝖺𝗄𝖾𝗌 𝗒𝗈𝗎𝗋 𝖻𝖺𝖽 𝖽𝖺𝗒𝗌 𝖻𝖾𝗍𝗍𝖾𝗋. 𝗍𝗁𝖺𝗍'𝗌 𝖺𝗅𝗅 𝗂'𝗏𝖾 𝖾𝗏𝖾𝗋 𝗐𝖺𝗇𝗍𝖾𝖽 𝗐𝗂𝗍𝗁 𝗒𝗈𝗎. ❞
2x02 / 3x26 / 5x05
@cherrysolstice
Wolfgang Novogratz for Avenue Twenty-Four Magazine (September 2019)
Euphoria (2019—) Created by Sam Levinson
* 𝘿𝘼𝙎𝙃 .
to what did he owe this pleasure ? he always found himself in situations where madeline loved to get right on every nerve he ever had . “ what do you want from me ? ” the words slip from his pink lips , cooly . “ really , mads . i stay out of your way . i don’t bother you ; hell i’m here with a completely different girl and you’re still not happy . what the fuck is wrong with you ? ”
𝖬𝖠𝖣𝖤𝖫𝖨𝖭𝖤 often wondered why she was still so hung up on a man that had given up on her ages ago. maybe it was the simple fact that madeline was always so used to getting what she wanted that she wasn’t ready to actually let him go. but she knew deep down there was more to her feelings. dash was always the one she had the most fun with. she found herself always able to be herself around him, bitch or no bitch. ❝ 𝗐𝗁𝖺𝗍'𝗌 𝗐𝗋𝗈𝗇𝗀 𝗐𝗂𝗍𝗁 𝗆𝖾 ? 𝖽𝖺𝗌𝗁 𝗐𝗁𝖺𝗍'𝗌 𝗐𝗋𝗈𝗇𝗀 𝗐𝗂𝗍𝗁 𝗒𝗈𝗎 ? 𝗐𝗁𝗒 𝗐𝗈𝗎𝗅𝖽 𝗒𝗈𝗎 𝖼𝗈𝗆𝖾 𝗁𝖾𝗋𝖾 𝗄𝗇𝗈𝗐𝗂𝗇𝗀 𝗍𝗁𝖺𝗍 𝗂'𝗆 𝖺𝗅𝗐𝖺𝗒𝗌 𝗁𝖾𝗋𝖾. 𝗐𝗁𝗒 𝗐𝗈𝗎𝗅𝖽 𝗒𝗈𝗎 𝖼𝗈𝗆𝖾 𝗁𝖾𝗋𝖾 𝗐𝗂𝗍𝗁 𝖺 𝖽𝗂𝖿𝖿𝖾𝗋𝖾𝗇𝗍 𝖿𝗎𝖼𝗄𝗂𝗇𝗀 𝗀𝗂𝗋𝗅 𝗄𝗇𝗈𝗐𝗂𝗇𝗀 𝗍𝗁𝖺𝗍 𝗂𝗍 𝗐𝗈𝗎𝗅𝖽 𝗆𝖺𝗄𝖾 𝗆𝖾 𝗆𝖺𝖽 ? 𝗂𝗍'𝗌 𝗅𝗂𝗄𝖾 𝗒𝗈𝗎 𝖽𝗈𝗇'𝗍 𝖻𝖾𝗅𝗂𝖾𝗏𝖾 𝗍𝗁𝖺𝗍 𝗂 𝖺𝖼𝗍𝗎𝖺𝗅𝗅𝗒 𝗁𝖺𝗏𝖾 𝖿𝖾𝖾𝗅𝗂𝗇𝗀𝗌 𝗁𝖾𝗋𝖾. 𝗂 𝖿𝗎𝖼𝗄𝗂𝗇𝗀 𝗅𝗈𝗏𝖾𝖽 𝗒𝗈𝗎. ❞