Mark Rothko, Untitled, 1969, Acrylic on paper, 1,825 x 1,225 mm (sight)
almost home

roma★
Sweet Seals For You, Always

Love Begins
taylor price

bliss lane
noise dept.
Noah Kahan
Lint Roller? I Barely Know Her
TVSTRANGERTHINGS

if i look back, i am lost
untitled
2025 on Tumblr: Trends That Defined the Year
Cosimo Galluzzi
Today's Document

Origami Around
Stranger Things

pixel skylines
h

@theartofmadeline

seen from Malaysia
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@animus-intj-blog
Mark Rothko, Untitled, 1969, Acrylic on paper, 1,825 x 1,225 mm (sight)
Katsushika Hokusai
Flowers
Thank you so much for the nice feedback on Fi vs Fe post. Here’s introverted thinking and extraverted thinking!
Anaïs Boudot
The Art of Ray Morimura
Ray Morimura is a graduate of Tokyo Gakugei University, where he studied oil painting. Originally his works were geometric-style abstractions. But later he was inspired by Shigeru Hatsuyama and Sumio Kawakami, and began to study woodblock techniques. Unlike most other Japanese woodblock printmakers, he uses oil-based inks to create these detailed images.
His technique is to carve both 6mm thick plywood blocks and 3mm thick blocks laminated with P-tile, a flooring material. The “linocut” process permits quite complex designs, which are printed on mulberry bark kozo paper. Essentially each color requires a separate block, and separate inking. Some blocks are printed with solid colors, while others include bokashi or a gradation of color. Of his work, Morimura says “printing demands total concentration as a single hair or dust can ruin a print. I usually clean my studio thoroughly and wait to begin the printing process until after midnight when it is quiet. With prints one can never be certain of the outcome until the final print is completed. There is always the unexpected, which makes it all the more intriguing. As with Zen and ink paintings, I hope something spiritual, in a contemporary sense, can be expressed in these landscape works.”
Learn more about Ray Morimura here.
See more ARCHy here.
GEORGIA RUSSELL
From the series Traces of silence oil on paper 22x30
Mount Atago in Kyoto, Japan
Zhang Daqian
Minu Sozi, Dear sea…
Wah Wing Chan, Élégance
Cy Twombly
Hero and Leandro - 1985
@ www.cy.wombly.info
#paintings #scottbergey #abstractart
Yohji YAMAMOTO rewind/FORWARD………………No.3
Cognitive bias.
It’s better to know as much as possible about them that collide headlong with them. Surely you would like check out the high-res picture.
By Jm3 (Own work) [CC BY-SA 4.0], via Wikimedia Commons
h-t HP