Works In Progress Not Perfection

[esotericy]

Keanu Reeves feeding some Koi Fish in Japan 1994

[esotericy]

Keanu Reeves talking about his viral meme in 2010. You will regret not waching

[pierppasolini]

My Own Private Idaho (1991) // dir. Gus Van Sant

[dughole]

u want to build a fire. the thing that river phoenix’s character in my own private idaho confesses his love in front of only to get cruelly rebuffed by internalized homophobia nepotism boytoy keanu reeves,

[centuriespast]

Cover for a Copper Light Switch in Herkomer’s House, Lululaund, Bushey Hubert von Herkomer (1849–1914) Bushey Museum and Art Gallery

[annaabhau]

This looks like Jar Jar to me?!

[archatlas]

Really Big Coin Skrekkøgle

This is our Really Big Coin. It is big because it makes other things look small when photographed next to it. Actually, it is a 20:1 replica of the EUR 50-cent, you see it being milled out here. We needed to do quite a bit of sanding, lacquering and smudging to obtain the desired look and some climbing to get into required shooting position (you need to get up real high to take good pictures). The result is a short series of photographs, attempting to visually scale down real-sized objects.

Images and text via

[aberrantkenosis]

what the fuck

[annaabhau]

[hellboundheart]

just fell to my knees

[ca11istee]

❤i literally can’t❤

[3000s]

poor things the world must be so scary for them

[jamesusilljournal]

Andrei Tarkovsky Polaroids

[davidlynch]

The Mirror ‘Зеркало’ (1975) dir. Andrei Tarkovsky

[freeartzombie]

This excerpt is from the documentary ANDREY TARKOVSKY - A POET IN THE CINEMA, directed by Donatella Baglivo.

[keanublogkcr]

Keanu laughing while saying the movies he’s been in is so cute & funny lmfao

[annaabhau]

Is THIS my meta thesis………..

[annaabhau]

[circularnarrative]

babe wake up new pics of keanu smoking and drinking a coke just dropped

[pajamasecrets]

cinematic parallells - ted theodore logan / neo

[dogdayafternoon1975]

“Throughout his career, Reeves has eschewed obvious transformation in favor of something trickier and more subtle. What has allowed him to remain a star, 30 years later, is a blend of virility, vulnerability, and an aura of mystery, hearkening to a bygone era of stardom that contradicts the current moment, which requires stars to seem endlessly accessible; his sheer joy for the medium that makes him a cinematic sensualist; his racial dimensions as a star; and his gimlet-eyed understanding of the female gaze.

These qualities are unique in the current market of stardom in Hollywood, allowing him to straddle various cinematic contexts with ease — mainstream romantic comedies, somber indie flicks, gloriously decadent action flicks.”

“Why We Can’t Stop Watching Keanu Reeves, 30 Years On”

by Angelica Jade Bastién (x)

(Film Analysis Hours)