Time to be Unfair
Right from the beginning of Campaign 4, Murray had been one of my ultimate favourites, right up there with Bolaire and Occtis. Often she surpassed them as I really enjoyed her hilarity and ability to really get into the meat of what was going on. She made some very frustrating missteps with her interpretations of the data that she insisted upon pushing on the group, but on the whole I was happily along for the ride. The museum gala was a masterpiece of strategy she stunningly pulled off to save King Gus.
Then the convergence happened, and I hit the brakes big time.
Please note that I am in a Mood. I may come back and edit this heavily, or delete it entirely when Iâm not seeing it through this haze of ouch. I loathe sticking the boot into certain characters as sometimes itâs seen as a condemnation of their players or whatever group - minority or majority - they represent, and I know poor Marishaâs been through it before. I am talking about Murray, who has done a few things lately that irked me and lowered my opinion of her, the character. Ye gods, I should just delete this now.
Honestly I get it. As a Marisha girly who has loved her previous characters, Murray falls in the shallow end, literally. Her dynamics with others feel rather transactional at times. She flip-flops on how she treats others, primarily Azune. Going to him after Tallbarrel & Kora info then later sees him as a potential enemy. You mention the towels as a positive but I see it as intentionally setting herself up as Murray is a 20 int character and off of that action she uses it to later hit on Kattigan who was actively bleeding, missing a finger and had 2 of his dead friends at his feet. Itâs pretty insensitive to me she even said the date comment. She didnât talk to Hal about including Hero in her schemes prior to the convergence. She has taken credit for others works several times as you stated and I wonder if thereâs more to that element of her with Pimleyâs remarks towards her having changed and not holding any leeway as a serious criminal anymore. Part of me wonders what Murrayâs goals are because so far everything we know about her has been to elevate her status in society and no one from her old life (friends, family, contacts) have remained at her side unless she holds power in the dynamic (again, look at her dynamic with Azune and her constantly framing Blix as a kid).
I get that Murray isnât as well fleshed out as other characters considering Marisha (the player and her creator) basically had 2 weeks to do so but itâs hard for me to take her character seriously sometimes and not roll my eyes at what Murray is doing.
Also small grain of salt; not in love that the moment we get body diversity in a female character sheâs constantly being used for bits. We get it, Murray is large chested, can we develop her personality though instead of making the same joke and making her overly horny to a point of cringe? And yes, itâs cringe. Marisha herself said the moment she saw the art for Kattigan Murray would want to climb him like a tree. Their interactions are partially forced & meta-gamey because character interactions might be played differently if the art wasnât seen before the first session/revealed organically at the table for the first time and Murray keeps pursuing Kattigan despite being confused if he reciprocates/understands, which any respectful person with common sense would take the hint and back off. Instead Murray says along the lines of âKattigan being blind or deafâ and if demeaning someone for not appreciating your advances is your go-to response it doesnât make you look good in my opinion. C4 plot and themes already make Romanceâąïž feel smaller and more of a back burner thing, but trying to curate one-night-stands for a horny desperate PC is a new found peeve for me especially when Brennan preformed such behavior with Pimleyâs advances in the bathroom and Murray was repulsed by it. So again, her pursuit of Kattigan is another superficial dynamic she wants to transactionally benefit from with little to no consideration of the other person involved.
And again. I love Keyleth, I love the Vaxleth romance. Itâs what got me hooked on CR to begin with. I love what Marisha did with Beauregard and Beauyasha. Iâm actually surprised sheâs doing an investigator archetype character again because I think she really did well with Beau (especially with her being a martial monk and not the typical 20 int wizard). I think there was a lot of potential for Laudna, she was a difficult build for mechanical play being sorlock support caster and Marisha certainly clutched up for the plot demands of C3 but the personal character arcs and individual story did suffer in my opinion. I will forever stand on the Rejection angle, I think Laudna needed to come into her own before getting into a romance with Imogen. Actually, my biggest gripe/hesitance with Fjord & Jester was how one sided it felt for the longest time as Iâm personally not into those type of romances, so yeah, I donât dig the sex obsessed one-night-stand-ifyied endless pursuit vibes Murray is giving off in regards to Kattigan. Definitely feels weird, especially with it not being reciprocated, and on the lines of objectification if not fetishization of a darker skinned character. And if it would bother you with the genders swapped: a male PC saying that stuff to a female PC of color, it shouldnât be considered #girlboss #girlpower
Murrayâs behavior is definitely weird and concerning compared to Marishaâs former campaign and mini-series PCs. I donât really see what Murrayâs endgame goal/post campaign satisfaction is meant to be other than just Here To Handle Plot & Mechanical Needs, Meta Above Table Note Taker Analysis, and Iâm genuinely more curious/interested in what character Marisha wouldâve created with more time & consideration instead of what we currently have with placeholder âMurray-Brennan screamed Wizard at me-Magânessonâ because the things that could be interesting about her character are maybe too confrontational for this campaignâs need of collaboration and plot heaviness limiting reflection.







