
Kaledo Art

roma★
art blog(derogatory)
No title available

#extradirty
TVSTRANGERTHINGS

if i look back, i am lost
ojovivo
Jules of Nature
Keni
we're not kids anymore.

No title available
macklin celebrini has autism
Not today Justin

pixel skylines

tannertan36
Lint Roller? I Barely Know Her
Alisa U Zemlji Chuda
Game of Thrones Daily

Kiana Khansmith
seen from Canada
seen from Türkiye

seen from United States

seen from United States

seen from United States
seen from United States
seen from Morocco

seen from Morocco
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
@anniegravity-blog
The Truth About Facebook
We all know the usual questions: is Facebook bad, is it good? To what extent does it contribute to our economy? How does it feature in criminal profiling? And so on and so forth. Perhaps we should take a step back and stop thinking exclusively about the black and white pros and cons of something, but rather about what it actually is, what it stands for, how people interact with it and how it has featured in the development of society.
The truth is that Facebook could serve as the most revolutionary and evolutionary phenomena of the modern world of enhanced communication and globalisation. Knowledge is at the tips of our fingers, one click away from enlightenment. Ideas could spread freely and creativity could be prized. But why does it fail to do just this? Why aren’t ideas at the centre Facebook? Why aren’t Facebook communities evolving around open sharing of new possibilities? The answer is: people are bored and when people get bored, they cannot think outside their own lives. It seems that Facebook is dominated by this kind of attitude. It has therefore become a machine that feeds itself with gossip and slander and seems only to be able to perpetuate itself into this spiral.
It’s the same thing as always. Something starts out as innovative, full of potential, but instead it is turned into a commercial market. Facebook has sold itself. That’s why it is corrupted. The initial drive for creative sharing is lost beneath the frenzy for money-earning.
Writing About Writer's Block
[Photograph of my mind from the CAT scan.]
I watch the blank curser blink; on, off, on, off, on, off, perpetually, like that dizzying ticking motion my existence makes when it wishes to remind me of its neglect and my punishable negligence. I seem, then, to find myself stuck in some kind of translucent, gelatine pyramid and all light deceives any sense of direction, criss-crossing the mundane with the insane until my gloopy life is so caught up in its own heavy substance that the content itself has leaked out, stainlessly, has disappeared without a trace of ink. It is as if some fragment of an idea is sitting, hiding away, camouflaged in some mysterious sector of my unconscious, appearing to disappear into a shape that couldn’t hold its form, but poses as a mask masking a mask. Something is amiss when I am so sickeningly grounded, when the gap between fantasy and reality closes and I am stuck outside the voluted void, observing my observance, instead of living on the fringes of my dreams.
Presumptuous Assumptions
They put my brain through the machine and I came out as something-something-something. Then they sold me to the sellotape people for a can of L’Oreàl hairspray, as if that were all I was worth: an meagre bicubic gradient inside an advertisement within an advertisement. If only they had listened. If only they had seen the truth before the apoalypse came. If only they had believed me when I told them it was the purple people who had made the crop circles and that the purple people were the private investigators of the sellotape people and that the sellotape people were the mind engineers of the lobotomers, who were the lobotomers of the lobotomised and that the circle would never meet, no matter how vicious. But oh! The sellotape people!
The sellotape people! How aggressive they were when they conditioned all the kids in the one dimensional system. How they duct taped their mouths! They were the ones who deprived them of articulation. They were the ones who moulded and moulded and moulded and if you didn’t stick, you were smudged, like me, smudged until my brain burst and my open mind was filled with stuff from outside the box that no one wanted: flashbulb pixels stamped on the insides of my eyelids and my own built-in soldering iron that liked to lacerate the flesh of my brain just for fun so that the gelatine time warp held me right where I was in case I should melt and transform from dream to reality by closing my eyes and layering your pathetic existence with liquified conundrums until you become so vague, I'd be sure I thought you into oblivion after you put my name in brackets right next to the unfilled space you couldn't possibly see.
Regurgitation of the Imagination
I paint the appearance of drug addiction on my fingernails: deep purple like a blueberry cold as the night. You stood by, watching the rage dye my aura the colour of the deepest turmoil known to man and I dived in spinning head-first into the spiral, because no matter my paranoid logic, I was reckless with a cool head, but reckless all the same. There was madness in my every vein that clouded every ounce of self-respect with Clingfilm suffocation. I was a spinning gyre on perpetual motion and the centre didn’t hold because there was nothing to hold. And so the ground beneath my feet deteriorated with any sense of reality in my vision and I became a floating translucent wave, pounding calm tranquillity into everything that came to be in the reflective concept of a dream, the lamina flow on the next dimension of existence. Every day was a beautiful day above the clouds, but the clouds deceived me when they posed as nets. I fell through. Everything fell through, real or surreal, excretion and cohesion, fused in incoherency, I hit the surface so hard, my metaphorical death still rings through my bones like battery acid and I grope thin thoughts for an answer to a question I don’t know how to phrase because words never suffice when it comes to speaking the truth.
I looked out over the tinfoil city, the pale moon glistened over each make-shift shape: silver gothic spires, oil rigs and glass hospitals. I wonder if it’s make-believe or just unbelievable, if the security cameras should really make me feel so insecure and whether I’m one of those neglected bags on an airport conveyer belt that will later be removed and destroyed for its simple, unquestionable existence. Speaking of such things, maybe I’ve destroyed and removed myself with my own built-in kill switch. Perhaps I’ve evacuated my brain to the Department Corrections and have been put on the blacklist for a much anticipated lobotomy.
Irrational Epiphany
They must have given psychology plastic surgery. They must have done! There’s no other way all this could be possible. How would you account for the missing cog? My paranoia is rational! I tell you! I have every right to worry about the personality crash cards they have for the rehabilitation of the lobotomised children churned out by the “education system”. Isn’t that rational? Isn’t it a projection of the deepest cognitive construction of my mind, claiming to lie dormant beneath the restructured layers of mechanical sanity, but resurfacing over and over like a shrieking old landlady? And somehow it occurs to me that my brain uses my brain to analyse my brain! What a conundrum! So that’s the unconscious discomfort, complaining about the over-polished state of its conscious mask, plastic and cloned like the prosthetic meat of a McDonalds hamburger Happy Meal, fried frankly, sizzling incessantly, baking burningly; a face like boiled meat and your brain is soft as fudge. So, in the midst of the spiral, I pick the tainted thought up before it disappears with the sun, neither at the beginning nor at the end and I hold it there for a short moment of over-looked phenomena. I take the opportunity to indulge myself in obscurity before the notion is solidified by a dictionary definition. Somewhere, sometime ago, it all must have made perfect sense.
The Freedom of Expression
We live in a society, where orthodoxy is valued more than religion. It’s convenient. We crave convenience.
If we all go to Plastic Beach to collect our plastic brains, go to Clare’s, to buy our plastic uniform, go to school to develop a plastic soul, we will all be turned out perfect, plastic people with a perfect, plastic packaging to be injected into the plastic processor that ejects and rejects us like food. If we follow the leaders of WWII, the alcoholics, psychopaths and murderous obsessive compulsives, we can burn in the ovens, we can be herded into gas chambers like cattle, shaven, sterilized, shorn. We can work, buy, consume, die. Live happily and die blindly, because the lies we’ve been told and the contrived clones we’ve become, have been set firmly, stiffly, rigidly on a conveyer belt, to be wheeled into the Lobotomy Room, where we’re analyzed, scrutinized, re-organised, de-moralised, psycho-marginalised, lobotomised, de-hippocampused, terminated and exterminated.
Sometimes, when I was little, I’d stand outside that Lobotomy Room and listen the freakish noises that escaped the cracks between the steel doors; the screams, the twist of rubber, the metal, the crunch of bone, the splatter of blood and the eyes. I could hear the frying sound; the sizzle, like hamburgers in McDonald’s, discharged, wrapped and ready; the necks of their souls collared and tagged, colour-coded and tight; tight enough to suffocate, loose enough for rationed breath. I remember, how, hours later, they would emerge, first the patient, a line of blood still visible across the forehead and behind them, the moustached face with a metre stick, the dinosaur-lipped blonde with a notepad, the parents, noses bundled in handkerchiefs and then the fat guy in the suit with a rather ostentatious gold medal draped about his shoulders that always made me think he were some generous, benevolent man, who had performed some outstandingly selfless acts for the sake of the human race; some hero, who could actually imagine another alternative to our predicament; put the hyper kids on Ritalin, anti-depress the depressed and mould all the rest. That was it; a plastic, processed, packaged nation, greasy, straight and ketchupped as chips, addressed to Everyone, The World, The Universe, The Lie. It was perfect. It was convenient.
If we continue to treat eachother like cattle, it will not be long before the farmers slaughter us for meat. If we continue to slander, it will not be long before we lose our sentiment. And when we lose our sentiment, what will we be then? The artist’s soul will shriek its last mournful cry within the depths of dysfunction, before melting into oblivion, where its body will be mechanically electrocuted into an elation, of sorts, that involves no self. The dream is life after death, but the reality is death after life. If heaven and hell do, in fact, exist, it would be in the passions of our hearts, not so much in a residing existence outside our bodies. The fact that we’re trapped in our own skin, might suggest some responsibility for the sandwiches we chomp and likewise, for the values we hold. Stifling someone’s muse is like sticking needles into the eyes of an artist, or baptizing your child in cocaine and calling it “Prances”. It’s like growing a set of shit-crusts around your lips. Frankly, it’s unnecessary. We should all exult in the exuberance of our own verbosity; pronounce mouthfuls of logorrhoea in our daily intervals of life. Eject a clear thought, unpunctured by the children chanting TV jingles. Why? Because it’s beautiful. And if, for one moment, we can escape the horrors of humanity that patronise us to buy soda, buy soda, BUY SODA, we might just be able to save a hungry child in Africa, not so much through che-chingeling charities, but through the thought. First we consume the rain forest, then we consume each other and it won’t be long before we all just explode, popping plastic particles all around the membrane of our remaining souls, if we still have souls by then, that is. It is important to give the gifts of human treasure, before we’re so genetically modified out of our minds that the only thing that drives us to live, is convenience. It’s kind of sad, pathetic even, that humanity is on the brink of being quelled out of its own being. Sooner or later, we’ll all be dependent on life-support screens, we’ll be grown and reared in greenhouse gases and the brightness we one wore around our eyes will physically deteriorate, leaving above or heads, the white strip lights , that sap at our already flat energy, with someone screaming in our faces and ramming our mistakes down our throats, as if we don’t already know that what we’ve become is something so internally wrong, that our expressions are falling apart like dry make-up.
In the meantime, we will be spasticated, elasticated consumers, inhaling lies like lithium, too dumb to denounce the Ministry of Brainwashery, too fickle to rise above our own blotch, too artificially happy to utter a mutter against the ultimate cutter; the two pairs of knives that each pair of eyes combine to make society. We’ll be baked like buns, pumped with sugar canes and a little cherry on top, if we’re good. And all will be fine, as long as the doctor continues to stuff our brains with cotton and we continue to dig those L’Oreàl ads, because we are just so unconditionally “worth it.”
Absinthe
Sometimes I think that love Is absent from the ground floor Of my biran. It results in this curious indifference; A calm, but inconceivable, Uninhibited pain Intoxicated by a deathly silence Fueling the throbbing shadows Of my ghastly frame. This is what insanity is: Endless reflections of disconnections Until I am further away than I can see, The foundations of my Self, Molten by acidic tears of Depthless disgust. Numerous layers Of artificial sobriety Become the only way to cope With drunken nightmares Full of faulty truths, Condensed in blurry images of reality. Sometimes even poetry can't digest it, And my mind unravels like knit-wear, Falling through misconceptions of time, As if space were splitting in two, Leaving only a volute void To feed with meat and bones And trapped transcendent souls. And all of this in the name of love.
Leaving Cert Material
You have collapsed Into your comfy coffin With one last sigh of relief That "oh, thank fuck It's over." So, you have died. That much is clear As the drool hits the empty page; A slow, deliberate splotch. And static silence stuffs it With the echoes of the storm That passed you over to oblivion. You look on At your vegetablised corpse, Assuming a recovery position. Judgement Day has past And you wait, silently, In the Waiting Room Of waiters weighing the souls And doctors CPRing the remains After the Examination Operation Was performed to Re-mould your brains By adding up the marks, Stitching up the scars, Scratching blood-red scabs On your art pieces That will later be incinerated After you have been discharged From the Room of Doom Where the meaningless labour Of thousands is seeled In plastic sheathes, Stamped, labelled and Dispatched off to some Place in Athlone For more judgements Because this is Judgement Year! And the remnants Lie in a basket Like torn up fragments of torture Scrambled and fermented Full of pages and pages of Irish notes All in a porcelain bowl Of bitter bile. And now you await, silently, Your designated afterlife Into which you can launch Your empty soul Because, afterall, life goes on, Does it not?
Intellectual Sensations
How odd analytical logic is! I observe my observance. And somehow it seems to make such sense to gather up the connections of your thoughts. The abstract actions seems perfectly tangible. I come to ponder the legitimacy and possibility of psychoanalyses. I don’t know how it is possible for psychologists to suggest a Big Connection at a crucial healing point and give a prescription: the aid of a single word or sentence that changes everything: all the connections.
When people like Christopher Nolan direct Inception, the characters go down, rather than out. To me, connections and thoughts are wisps in incoherent spirals, like the patterned nests of mini mosquitos in the sky, and there’s no chance of tracing them together with words and phrases that enable you zoom out just that next level to witness the entire craft of existence. It is a pity. It’s a pity that I never seem to able to expand far enough in epistemological experience in order to paint human philosophical existence so that the future can exist as one with history: a bridge to a parallel universe of peace, freedom, tranquillity and understanding in connections. United, but not uniform, united to burn brighter together so that it defies our own existence’s space and time and our epistemic knowledge will be infinite, as we know it. Infinite until it has surpassed its logical time and transforms into something new. Humanity is frightened of transformation and my lone striving for Überrealität will inevitably tear me apart, but I look forward to that moment.