Come Closer: Digital Media and its Power to Unite
Before this class I didnât use Twitter or Tumblr. Therefore, I had no idea about the indubitable power of hashtags. Of course weâve all used them to add single words or short phrases to supplement a longer thought, but I didnât realize their power as a tool to create unity, to provide a platform that unites people working towards a common goal to improve the world. Tying into this, Iâve always considered myself a feminist. Iâm an Egyptian-American female, so believe me when I tell you I know about sexism. But sexism in relation to Middle Eastern countries is no surpriseâthe overwhelming sexism and misogyny in this country, however, is.
              The way I learned this was through the use of feminist hashtags. Feminist hashtags create, according to Dixon, âa virtual space where victims of inequality can coexist together in a space that acknowledges their pain, narrative, and isolationâ (p. 34). They are helping to redefine feminism in our modern age of digital media. Itâs an incredible concept, that we can find a way to gather people from all corners of the world to discuss an issue instantly. I was pretty mind-blown by this concept, and so off I went to explore hashtag feminism. On Tumblr I searched up the hashtag #YesAllWomen; I couldnât stop reading. There were contemplations, personal accounts of abuse and just so many posts that tell the world what itâs like for women in our society. I was able to see the different groups Dixon explained in her article. There were the normative claims which âconcern how women should be viewed and treated and these claims draw on the premise of justice and moral positionâ (p. 36). A very simple example comes in the form of several posts about the real definition of feminism. The definition of feminism has been twisted nowadays, as many ignorant people have this idea that feminists are a bunch of crazy lesbians who want to castrate all males. These real definitions,however, simply state that men and women should have equal rights; they are built on the simple basis of fairâs fair. Another simple one concerns the idea that women have the right to say no, and should never be considered to be âasking for itâ. Descriptive claims, meanwhile, âconcern how women are viewed and treated, alleging that they are not being treated in accordance with the standards of justice and morality invoked in the normative claimsâ (p. 36). This is exemplified by personal narratives (which Dixon mentions are terribly important in the feminist hashtag movement). There were many posts about women who were stalked, terrorized, assaulted and harassed by men. Iâd certainly say these women are not being treated in accordance with the standards of justice and morality. The feminist hashtag has provided a way for women to share their stories in a world in which their voices can easily be lost. And thatâs how I learned the power of the hashtag.
              I have a friend who is OBSESSED with Demi Lovato. She posts frequently on social media (Facebook, Instagram) and if itâs not a selfie, itâs a post about an upcoming concert, videos and pictures from old ones, and posts that say how inspiring and strong Demi Lovato is. I didnât get it. How can a person be so invested in a stranger, and love a person they havenât met? It was Click, Lee, and Holladayâs article that enlightened me. They mentioned âimaginary relationshipsâ, in which fans display âintense admirationâ for a media figure (p. 362). Fans will speak of their idols as though they have a relationship with them, as though they are their sister, guide, friend, and/or mentor, and they function as âan ideal self-image the fan wishes to developâ (p. 362). The authors explain that this identification with a media figure begins with actual social relationships, then develop emotional and patterned behaviors, until they eventually incorporate the celebrityâs values into their own attitudes and behaviors (p. 362-363). I went through her Facebook profile, which was filled with Demi posts: a screenshot of Demi answering her question, a screenshot of a radio station tweet telling her sheâs qualified to meet Demi, pictures from concerts, and, most recently, a picture of herself alongside one of Demi in which she has her hair, outfit, and sunglasses mimicking Demiâs with the caption âTwins????â. She wants to be Demi inside and out. She also has posted acknowledging that people think her obsession is strange but that Demi brings her âthe most genuine happiness into my life and Iâm forever thankful for this happiness that I want to be permanentâ. Also, I came across a video on YouTube in which the girl makes her own music video for Lady Gagaâs song âApplauseâ in which she incorporates Lady Gagaâs looks and mannerisms. Whatâs compelling about it is that sheâs not terribly skinny, yet sheâs wearing any clothes or makeup that she wants. For example, in one scene, sheâs wearing a two-piece. I think this shows that as a âMonsterâ she feels comfortable in her own skin. In a sense, sheâs empowered when sheâs emulating her idol, and she dances however she wants, exploring her creativity.
 Dixon, K. (2014). Feminist Online Identity: Analyzing the Presence of Hashtag Feminism.
Click, M., Lee, H., &Holladay, H. (2013). Making Monsters: Lady Gaga, Fan Identification, and Social       Media. Popular Music and Society.