antwerpsanonymous

[morsure]

[fakemargiela]

morsure:

maison martin margiela spring summer 1994 in street special edition vol 1&2, photography ronald stoops

[in-the-name-of-raf]

Raf Simons | AW 2001-02 | Riot Riot Riot

[rafsimons-archive]

Dries Van Noten & Raf Simons for the Wall Street Journal.

[jinxproof]

Maison Margiela F/W 1992

[dekonstruktivisme]

A.F. Vandevorst autumn / winter 1998-99

Hirofumi Kurino: “Having seen a fashion show too many, I sometimes feel exhausted. It all seems a big waste to me then. I presume others must have the same feeling but still, they always seem ready for another show. I am fed up with this craze, this talk about fashion, the irresponsibility of journalists just chasing news. This ‘fashion for fashion’s sake’ is quite meaningless. But there are moment of magic. Many people will agree with me when I mention the three A.F. Vandevorst shows, in 1998 and 1999. Knowing these were their first presentations, we were more than amazed; I felt healed, saved, rescued.”

[cotonblanc]

Garment Reproduced From A Doll’s Wardrobe, Martin Margiela, Spring–Summer 1999

[dekonstruktivisme]

Street Special edition vol 1&2, Maison Martin Margiela by Marina Faust

[jinxproof]

Margiela F/W 2002-03

[9th]

[PHOTO OF A PHOTO BY RONALD STOOPS]

[bandtshirt]

[dekonstruktivisme]

Left from top: Coyote: I Like America and America Likes Me (1974), Joseph in fur coat, hygiene-beutel, Joseph Beuys.

Right: A.F. Vandevorst for Studio Voice, February 1999, vol. 278, Japan.

Katharina Prospekt: The Russians by A.F. Vandevorst.

[maryjopeace]

I DON’T WORK FOR MONEY I WORK FOR ART | CONCEPT MAISON MARTIN MARGIELA | PHOTOGRAPHY ARCHIVES MAISON MARTIN MARGIELA, MARINA FAUST AND JONATHAN HALLAM | i-D NO.269 | SEPTEMBER 2006 | STRIP-PROJECT | JULY 2016

[rafswerk-deactivated20221217]

“Revelation”

Kirsten Owen by Richard Bush for Dutch Magazine No. 39, May/June 2002

[in-the-name-of-raf]

Raf Simons | SS 2002 | Woe onto those who spit on the fear generation… The wind will blow it back

[dekonstruktivisme]

[antithesi]

161216

[jarrodrc]

Maison Martin Margiela for Hermes, A/W 1998

[ankosv]

maison martin margiela spring summer 1997 by ronald stoops

[dekonstruktivisme]

Raf Simons autumn—winter 1998—99.

Raf Simons organised his elaborately orchestrated show, called ‘RADIOACTIVITY’ in the Moulin Rouge in Paris on Friday January 23rd 1998. 

The collection was inspired by: Kraftwerk, Laurie Anderson, Vanessa Beecroft, Ceremony the 80’s New Wave and Punk. The show was a continuous alternation of classic and trash. Make-up and Hair: The head group of the models had dyed black hair and pale faces. The faces of the Kraftwerk part were made up in white, with bright red lips. Four spider-men appeared with a spider-web on their faces.

The silhouettes: Tight, strictly classical, shapes with influences of Punk, New Wave and historical costumes. The coats had a sharp form and shiny zippers. A group of female models appeared wearing slim classic jackets, bodysuits, tights and high heeled shoes and with shiny motorcycle helmets on their heads, all in black. Colours : Black, Grey and red (Kraftwerk shirts).

[bandtshirt]

[dekonstruktivisme]

Left from top: Coyote: I Like America and America Likes Me (1974), Joseph in fur coat, hygiene-beutel, Joseph Beuys.

Right: A.F. Vandevorst for Studio Voice, February 1999, vol. 278, Japan.

Katharina Prospekt: The Russians by A.F. Vandevorst.