Anya✌🏼 @anya-ip21 - Tumblr Blog

Страдание и боль всегда обязательны для широкого сознания и глубокого сердца. Истинно великие люди, мне кажется, должны ощущать на свете великую грусть Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth

Преступление и наказание, Фёдор Достоевский Crime and Punishment, Fyodor Dostoevsky (via rowan-odubhghaill)

Fabio Ferrone Viola

Cocaine USA Flag, 2016Mixed Media39 4/5 × 64 1/5 in101 × 163 cm

The flag is entirely made of pressed Coca Cola cans and inserted into the texture of the fabric. The artwork comes from the research that the artist has always done on American symbols and their origins. The white stripes, are a clear reference to the amazing and disproportionate consumption that is made in particular in the United States.

Jennifer Packer, A Lesson in Longing, 2019

Blessed Are Those Who Mourn (Breonna! Breonna!), 2020

“I’m interested in the co-dependency of humans existing in spaces,” the artist states in the exhibition’s text. “I’m interested in the environment as much as the figures that sit within it.”

Anushka Kempken

Environment: Teamwork, 2020 Mixed Media on Woven Fabriano, 39 2/5 × 39 2/5in, 100 × 100 cm;

Environment: Abundance, 2020 Mixed Media on Woven Fabriano, 39 2/5 × 39 2/5in, 100 × 100 cm;

“Anushka sees her work as a continuation of the organic harmony seen in nature and life. Her art making process is a series of intuitive decisions that result in a mess or harmony of individual stories that come together. A process of chaos and order.”

https://www.artsy.net/show/axis-art-gallery-anushka-kempken-weaving?sort=partner_show_position

ROBERTO LUGO

Street Pot: Zora Neale Hurston and Alma Thomas, 2021 Glazed ceramic, slip, and china paint 20.5 x 17 x 17 in

https://www.wexlergallery.com/roberto-lugo/

Sharif Farrag, Sore Eyes, Tasting Strawberries, 2020. Glazed porcelain, 13½ x 10

Abu Foul Jug, 2019. Glazed stoneware. 64 x 31 x 30 inches

Installation, Drawings and Vessels, 2020

http://ghebaly.com/work/sharif-farrag/

Josh Blackwell’s ‘Neveruses’ Report Progress installation, 2017, plastic bags, colorful wool yarn, silk thread and patterned cloth

https://www.selvedge.org/blogs/selvedge/crafting-with-plastic

Dana Hassan, If Not Now, When?,Acrylic, conte, graphite, markers and ink on a concrete-coated canvas, 2019, 90 x 55 x 6cm Lebanon

https://www.artofresilience.art/gallery/if-not-now-when/

“Cities age just like us. We tend to think of our cities as robust structures withstanding natural disasters. In reality, their urban skin is aging, accelerating dysfunction of their tissues and maintenance of their normal functions. In this crumpled abstraction of Beirut, I went skin deep exploring one of the oldest cities that, according to a legend, has been demolished and reconstructed seven times.”

Anita Punwani, EAR-TH Shattering, Photograph, 2019, 16 x 11 cm

United Kingdom

https://www.artofresilience.art/gallery/ear-th-shattering/

The artistic techniques employed in this piece are inspired by “Japanism”, an artistic movement in which many European artists became fascinated by and desirous to celebrate Japanese aesthetics. Using this style often punctuated by fine graphic lines, Punwani seeks to express the fleeting quality of the present, the impact of the cycles of nature, and the importance of being in harmony with the natural in order to understand future environmental changes.

Pitsho Mafolo, Redefining Life, Mixed media on paper, 2019, 186 x 166cm Democratic Republic of Congo

https://www.artofresilience.art/gallery/redefining-life/

Pitsho Mafolo is a mixed media artist who weaves his African heritage, and personal life of relocation, into his works. Focusing on what it means to be resilient on an individual level in the face of environmental and social challenges he illustrates characters who are stretched into finding new ways to define their lives.

Justin Wood, March Towards Extinction, 2017 Natural debris from Hurricane Irma, video projection Dimensions variable

https://www.artofresilience.art/gallery/march-towards-extinction/

“Houses completely destroyed. Massive piles of wreckage and debris everywhere. I started transforming this ugly mess into monumental site specific works by video projection mapping various houses, boats, debris piles and trees. The project became a nightly routine and I started to sell prints of the photographs in an effort to raise money for the recovery.”

Jaynie Gillman Crimmins, Equanimity, 2021

“I fabricate objects with meticulous handmade details that contrast with the banality of their materials. By repurposing solicitations, safety envelopes and catalogs that are difficult to recycle (because their inks have high concentrations of heavy metals), my work explores consumerism and waste through a repetitive practice mirroring domestic tasks.

Shredding these marketing tools breaks down their physical and ascribed composition so I can roll, fold, sew and fabricate the shreds into intimate sculptural reliefs. Process, surface and texture reshape formulaic messages into forms based upon impressions from recollections and observations. Conventional, impersonal messages become personal, domestic and cultural narratives.”

#paper #eco art #waste #sculpture

Grayson Perry, Matching Pair, 2017

Huge inspiration!!

#grayson perry #ceramics #glaze

Tschabalala Self, Origin, fabric, acrylic, 2018

One of my favorite pieces ever. Ever since I saw it at Crystal Bridges Museum.

https://hyperallergic.com/669618/tschabalala-self-sensual-stories-of-race-sex-and-power/

From one project to the next, Self reinvents herself and reimagines how to portray the human body.

7 distinctively different precedent projects

Bellow are seven artists that have caught my attention

Topic: Internet affecting our focus, our attention spans, our mental health; meditation/mindfulness; psychology; willful ignorance...

MEDIA-DRIVEN exploration:

Caroline Kaufman, textiles, thread, tufted art, 2020

http://www.carolinerosekaufman.com/

Caroline Kaufman: Textile and Fiber Artist

New York City–based textile designer and artist Caroline Kaufman creates experimental textiles, collages, and paintings in an exploration of the intersection between color, texture, and pattern. Themes that bubble up include nostalgia and memory, childhood methods of creating, and time—rendered in multifaceted, multilayered woven art.

Yonil, The Path, screen print, 2021

And cover art for Soluciones Vol.1

YONIL is a Tel Aviv based artist, illustrator and graphic designer.

“I like to call my style illustrative collage because it is very random in nature.”

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