CROWS IN THE ATTIC
                          PROLOGUE                     A CRACK IN THE STONE
               Yes, yâknow the devilâs got your number                    And heâs knocking at your door.                   â  Willy Russell, Blood Brothers. Â
Darkness falls suddenly, swiftly.   Tonight is the night; a group of five teenagers make their way down the street barely noticing the uneven pavements that coloured their childhood. The bottles of alcohol clink loudly together, the wind tearing at their blue-and-white striped plastic bags, a cloud of cigarette smoke following wherever they go. The five of them chatter, laden with rucksacks, their laughter bouncing off the houses that frame either side of the cracked road. They scream and joke, pointedly ignoring looks from aggravated neighbours who know to stay quiet; thereâs little point in saying anything, the backlash is never worth the bother with most kids.   Turning the corner out of their own territory, the small group moves on, each knowing where they are going, where they will spend the night; one last celebration before the school year starts again.   Thereâs a house like it in most areas, abandoned, left to the kids and their graffiti; in their case, this one is further from home. Their noise follows them like pollution, hanging over the immediate surroundings until finally, almost twenty minutes later, the place in question breaks the skyline. It hasnât been lived in for years, the garden is overgrown with weeds and the grass itself, an unhealthy yellow, comes just up to the shins. A brown sheet of metal covers each of the downstairs windows and once, covered the door but since then someone has broken in - squatters, probably. Silence falls over the group, three boys and two girls taking in this abandoned wreck.   âIs it cold or is it just me?â A dark-haired girl asks.   âItâs definitely you.â The other answers instantly.   âBethâs scared!â A blonde boy laughs.   âNo, Iâm not! Itâs just cold!â    Perhaps if they werenât already laden with alcohol, the group would have noticed what Beth did - the sheer difference in temperature. But then, perhaps, they wouldnât have; theyâre just teenagers, after all.   âI could keep you warm?â Another boy grins broadly.   âIâd sooner die of hypothermia but thanks, John.â She projects a brightness into her voice that she doesnât really feel.   âAre we just gonna stand here all day or are we gonna continue this party?â The third boy - Max - speaks up, brandishing his bag like a trophy, his free hand grasping the other girls. He doesnât wait for an answer, he just pushes forward through them, his girlfriend trailing behind him.   âAre we really gonna stay here?â Rebecca asks, âIt looks like thereâs going to be spiders.â   âAnd dust, lots of dust,â Beth chimes in helpfully, glad that someone might dislike this idea as much as her. âI mean, where are we gonna sleep?â   âWho says anything about sleep?â Max cuts across, John sniggering behind them.   Rebecca eyes the house with uncertainty but her steps still fall in time with the boys. âPromise me if I want to go home youâll take me, Max.â   John and their friend - the one with the cocky grin - Liam begin to whistle.   âRebeccaâs got him whipped!â   âMax!â Rebecca can see her boyfriend wavering, not wanting to be shown up by his friends. âPromise me!â   Max rolls his eyes at his friends, âSure babe,â he says lightly, âwhatever you want. Now can we please get inside before someone calls the police.â   Any mumbles of complaints are ignored as the group comes together, forcing those in front to step forward until finally, they are over the threshold. The floorboards are broken, ripped up in some places, the discoloured wallpaper is peeling off and there are the obvious markings where pictures had once hung down the passageway. Torches burst down it, each teenager holding up their own phone to light the way; cigarette butts and empty beer bottles already litter their path.   âI think I just saw a rat,â Beth pipes up.   âTell me you didnât just say that.â Rebecca breathes.   âShe didnât just say that,â Max pulls Rebecca further in, the obvious leader of their little group, âletâs check out the living room.â Slowly the five of them pick their way through the passage until they get to the living room. The furniture surprisingly enough is almost untouched. Over the years the colour of it has faded and the cobwebs are thick enough to imagine giant spiders living in the crevices of the cushions.   Each of them drops their rucksack in the middle of the floor, John plonking unceremoniously next to his own belongings begins to unpack its contents and the others follow suit - Beth and Rebecca take more care, laying down jackets where they will sit. Bottles upon bottles are unpacked and dumped between John and Max before being passed out among the rest. Liam pulls out what the older generation describe as âwhacky-baccyâ. With the roach of it between his teeth the male lights it and that thick pungent smell immediately fills the room.   Liam passes around candles and the girls take them, Beth wordlessly snatching Liamâs lighter out of his hand, nose wrinkled with disgust at the smell. âHas anyone ever told you that stuff stinks?â She asks, lighting the candle in her hand. âAnd how many of these did you bring?â   âYou should try it sometime,â he offers her the blazing, fat-ended roll and shrugs as she wordlessly brushes it away. âOh, enough to light up the room.â   âI asked him to bring them,â Max spoke up, his oddly angular rucksack in his lap, arms around it, âBecause I brought a surprise, fresh off the internet.â His grin turns mischievous. With a flourish, he yanks open the bag and pulls a wooden board from it in one smooth motion before setting it on the floor in the middle of them all.   âIs thatâŚ.what I think it is?â Beth asks, having just sat down on Rebeccaâs right-hand side.    âOh cool,â Liam leans forward, the polished wood gleaming under the candleâs light, each black letter of the alphabet, the neatly carved or written - heâs not sure - âyesâ and ânoâ options. âIâve never seen one of these.â   âExcept in shit horror movies,â John is interested too, his drink held lazily in one hand.   âArenât these meant to be dangerous?â Beth asks, frowning at the harmless board and the planchette.   âDunno unless we try and this is the perfect spot to find out,â Max argues.   âBecause itâs super creepy in here?â   âIâve always wondered what constitutes super creepy-â   âShut up John,â Rebecca snaps, cutting him off.   âEveryone put your finger on this -â Maxâs finger touches the wooden planchette, itâs circular bit of glass magnifying the plain wood it rests on. âPass me that,â he practically rips the funny-shaped cigarette out of Liamâs hand and takes a few large pulls, before breaking into an abrupt coughing fit.   Liam, already glassy-eyed and squinting breaks into a fit of giggles. John plucks it out of his hand, shouting something that sounds very close to âwussyâ before taking his own tokes. The three boys put their index finger on the wooden slate, the girls following after.   âWhat now?â Rebecca whispers as Max uses his free hand to throw back half a bottle of beer in one go, his cheeks flushed red.   âI guess we start.â Max strains his answer, eyes settling on each friend in turn. âAre there any spirits here?â He asks, his voice climbing in volume. Around them, the house is deadly silent, still as if even the rats have stopped moving. âWeâre here to talk to you-â   John breaks off into sniggers. âWeâre here to talk to you? What you gonna offer them tea and crumpets next?â The whole group laughs, drowning out whatever reply Max might have.   âShut up!â Max suddenly shouts over the rest of them and obligingly everyone falls silent. With her hand connected to the planchette, Rebeccaâs free one grasps Bethâs and though her boyfriend is sitting mere inches away - so that their legs brush when either of them moves - itâs her best friend she looks at for comfort.   Seeming to read her mind, Beth pulls a face. ââŚI dunno about this.â   âScared again?â There was no tease in Liamâs voice, it was a clear challenge.   âNo, itâs just stupid.â   âJohn doesnât think itâs stupid, neither does MaxâŚWhat about you Rebecca?â    All eyes fix on her. Maxâs and Bethâs are the most important; the boyfriend she worked so hard to get and her childhood friend before she knew the other three idiots existed. âI think we should drink, smoke and talk.â It was the best middle-ground she could find; Beth would understand, she always did.   âSo I just wasted thirty quid for nothing?â Max raised his eyebrows at them. âCâmon, donât be boring - whatâs the worst that could happen?â   Beth and Rebecca look at one another and the boys, apparently used to these silent conversations chatter among themselves, wondering if the board will work.   âI will if you will,â Rebecca whispers to her best friend.   âWe shouldnât mess with this stuff,â   âIf we get freaked out then we just stop, right?â   âI supposeâŚâ   âWeâll go home,â Rebecca can see sheâs winning, âIâll stay at yours, we can just leave the boys here,â She squeezes Bethâs hand, âCâmon, school starts on Monday, itâs traditionâŚâ   âThe tradition doesnât include Ouija boards,â Beth canât resist pointing out but one pointed look from Rebecca and sheâs sighing. âOkay, fine,â she hisses, âfor tradition.â   âWeâre in.â Rebecca pipes up.   âWell hallelujah, put your hand on this,â Max answers, his eyes flickering over the other four. âNo messing around this time, alright?â Each person nods, five fingers on the planchette once again. âIs there anyone here that wants to communicate with us?â Of course, nothing answered. âIf there is, use us, weâre here to listen.â   For a few uncomfortable moments, there was nothing. Everyone looked at each other, the threat of uneasy smiles curving the girlâs mouths - until the planchette jerked. Rebecca pulled her hand back with a little scream.   âThatâs not funny,â Beth shot at Liam.   âPut your hand back on!â Max urged and Rebecca wasnât really sure why she did. As soon as she reconnected, it moved again, slowly but surely edging forward toward the block-lettered âHELLOâ.   âWhoâs doing that?â Rebecca found her voice.   âItâs not me,â Liam was quick to defend himself.   âItâs spelling something!â John breathed, eyes wide with amazement and sure enough, the block of wood kept moving. âI-T-S-M-EâŚâ   âI swear to god, Liam, you need to stop right now-â   âItâs not me, idiot!â   âProve it!â   âEveryone takes their hands off on five, deal?â Liam demands, âOne, two, three, four, five.â Instantly, the five of them take their hands away and like nothing strange had happened, the board and its marker were still. Looking at one another, barely beginning to understand what they were playing with, each made the mistake of putting their fingers back on.   âAre you trapped here?â Maxâs voice cut through the room and everyoneâs eyes dropped to the Ouija board and it responded, the movement smoother now. No. âDo we know you?â No. They held their breaths ââŚWho are you?â   âWe should stop,â Beth suddenly starts to urge, pleading with them all. âThis isnât right.â   âTheyâre answering!â John cut across any argument that might have started. Every set of eyes fixed on the Ouija board, watching the planchettes movements as it edged towards each letter. âI-AM-THE-END.â The magnifying glass settles definitively on the letter D, showing no further signs of moving.   âThatâs it!â Rebeccaâs voice breaks the stunned silence. Her untouched bottle is set on the floor beside her. âIâve had enough, Iâm going home.â She fixes Max with a meaningful stare but the boy falls short of her expectations and with an aggravated sigh, she turns to Beth - to trustworthy, reliable Beth. âLetâs go.â   Beth doesnât need much encouragement. She is as pale as a sheet as she gets to her feet.   The front door slams shut, loud enough to make both girls scream, and then, of its own accord, the planchette starts moving again.                        I-A-M-C-O-M-I-N-G                        I-A-M-C-O-M-I-N-G                        R-U-N-R-U-N-R-U-N.   âMake it stop!â   The boys are already moving the planchette off its own course to move it across to the block letters on the bottom-centre of the board. Only, when the rest of them take their hands off it, the wooden block moves again, displaying the same message. Rebecca grabs the other girlâs hand and tugs her out of the room toward the door - itâs shut. Completely, irrevocably shut. Despite any good sense the pair of them have, they try to pry it loose.   âWeâre locked in!â Rebecca screams over her shoulder, unable to hide the rising hysteria in her voice. Desperately she tries to pry the door open, making her fingers bleed with the effort. âMAX!â A great crash comes from the living room and though both girls are shaking with fear, there are no words or questions; their friends are in that room - they are already turning back.   They only get halfway down the passage when the boys burst out of the door at the same time, elbowing each other, all in a rush to escape.   âWeâve gotta get out,â All of the colour is gone from Johnâs face - Max and Liam look the same.   âThe doorâs closed!â Beth almost shouts as a dry sob leaves Rebecca.   âGet out of my way!â Max, none too gently, pushes both girls aside and with all the confidence of a teenager puts both hands on the rusted doorknob and turns, yanking with all of his might. âHelp me!â He shouts to the other boys and glad for something to do, they run to his aid. None of them seem to realise itâs already too late.   âWhat about the back door?!â Beth is off like a shot and though Rebeccaâs legs feel like jelly, she stumbles after the other girl, through the passage and into the kitchen. All the drawers are opened, rusted pots and pans spill across the sides and everything else is strewn over the floor, concealing most of the shattered tiles. As for the back door? It doesnât give, either, it remains stubbornly closed. Swearing in frustration, Beth tears away and tries one of the windows.   In the house, something moves. It can hear the five teenagers downstairs, their panicked footsteps. It doesnât understand their words, only the fear that weaves through them, the kind that makes voices crack, that makes flesh delicious. A quiet gurgling accompanies it, lost easily amongst the noise below. Its five fresh meals have gathered near the stairs, five thundering hearts clustered together. Three loud crashes at once, five screams and then five sets of footsteps - heading in different directions.  If it was capable, it might smile at its own cunning, instead, it moves soundlessly forward - drawn to those sounds like a moth to the flame - and then, completely disappears.   Rebecca climbs the stairs, taking two steps at a time; anything to get away from the chaos below. She is met with the bare passageway, the thing that hunts her and her friends gone without a trace as if it had never existed.   Shaking, unable to force herself to turn around, Rebecca can only move forward, avoiding the gaps in the floor, praying to God that she might find an exit. With one hand against the wall to steady herself, she moves, not noticing the black drops on the floor. There are four rooms and each door is closed, the house has fallen completely silent but fear stops Rebecca from considering what that may mean - sheâs almost certain she can hear her friends trying to be quiet.   Holding her breath, a trembling hand grasps one of the doorknobs and turns it, pushing it slowly open and revealing the room beyond. It might have belonged to a little girl once, judging by the faded pink frills that line the rotting sheets but Rebecca doesnât notice that. Like a miracle she sees an open window, practically crying with relief until her eyes are immediately drawn to a messy pile beneath it.  Amongst the torn strips of clothing, spattered with a dark, stiff-looking red, are bones and chunks of flesh. Stumbling backward, hitting the floor, Rebecca scrambles, pushing herself from the gruesome sight and towards the door on her backside.   At first, she doesnât register the other screams. She canât hear anything over her own terror as that pile sears itself into her memory. Then, an entirely new sound breaks the barrier; a shriek unlike anything else. It tears through the air, inhuman and deafening and as though someone has lifted a blockade on her senses, now Rebecca hears the cries of her friends mingle with it.   Frozen and vulnerable, she canât bring herself to move; there is nothing except the awful sounds echoing through the house. Downstairs is a flurry of activity, it seemed as though a stampede has suddenly ripped through the place and maybe this is what jolts Rebecca into movement again - back into real life. She gets to her hands and knees, she can hear John begging, his voice closer than the screams. Or maybe her friends have stopped screaming now, she canât hear Max or Liam.  One thing she canât do, though, is convince herself none of this is real.   Using the wall for support, Rebecca somehow hauls herself onto her feet. One cautious step after another she moves forward; a mere ten paces packed into eternity. Through the banisters, she can make out an all-too-familiar shape. Her knees almost give out there and then, a gasp catches in her throat. You have to see. Another step, closer, further down and toward the pool of blood against the last step. PleaseâŚ.   John is lying by the front door, propped against it, hands limp at his side. His shirt is drenched with blood, his neck twisted at an odd angle. A hand goes to her mouth and Rebecca practically stumbles down the last five steps, crashing to her knees in front of him.   âJ-John?â Her voice is small, unrecognizable to her own ears. He doesnât answer. John will never talk again. The tears come in earnest, creating tracks down her skin. Beth. Max. Liam. She tears away from the mess of her friend and, a few feet from him lays Maxâs head. His body is nowhere to be seen. âM-MaxâŚ..BETH?! BETH!?â She doesnât think that screaming is probably the worst thing to do. In fact, she doesnât think anything at all except her friendsâ names, like a mantra whispered in times of need.   Blood pouring from her shoulder, Beth limps into view. Her colour has completely disappeared and her eyes are drooping but in that moment Rebeccaâs relief is so enormous she doesnât drink in those details. All she can see is that her friend is alive. âL-Liam?â Rebecca asks, rushing to close the space. All Beth can do is shake her head.   âI-Itâs okay, itâs ok-ay,â she hiccups through her tears, her hands finding Bethâs wounds.   âNo,â Beth gasps, âItâs not, theyâre all dead.â She isnât crying, her voice is flat.   âTh-the window,â Rebecca urges, âThereâs a window upstairs.â She puts Bethâs good arm across her shoulders. âWe h-have to go. We have to leave.â She doesnât hear Bethâs reply, sheâs already moving, trying not to look at the remains of Max and John on the way. âJ-just donât look,â Rebecca breathes to her best friend as they edge up the passageway, towards the stairs.   Fine beads of sweat trickle down Rebeccaâs forehead as she tries to support Beth. Now with their backs to the remains of John and Max, she forces the other girl to take the first step up. Only fourteen more steps. Beth begins babbling then, about monsters, about the Ouija board as Rebecca fights to get them both up the stairs.   Finally, at the top, Rebecca is panting from the effort. Bethâs head keeps lolling as though she canât keep it up. The house is completely silent; maybe they can make the jump. Maybe they can still get out. Rebecca just knows that she canât stop, that she canât leave Beth behind. The door of that one room remains open, mere feet away and for one foolish moment, Rebecca feels hope blossoming in her chest. We can make it. We can. By this point, sheâs practically dragging Beth as they approach the threshold of the bedroom.   That rancid pile still remains, proving to Rebecca that she didnât lose her sanity. The buzzing of flies registers in the quiet of the house, laying their eggs among the decay. The window opposite them is unboarded, the glass that held the frame is shattered and above all, itâs open. Fresh tears spill over Rebeccaâs cheeks. âL-look, Beth,â she whispers to her friend, heart pounding its joyful tune; Alive, alive, alive. âItâs open, we, we can go h-home.â Readjusting her best friendâs position, Rebecca pushes forward. âWeâre almost there.â Beth will have to go first, she knows that; she just has to hope that the fall doesnât bring any more injuries. âWeâre almost there.â   âAre we?â Beth finally speaks.   âJust a little furth-er, I promise, then weâre sa-safe.â   Then, the sickly gurgling starts again; the sound that nobody had heard before. Itâs coming from all directions, guttural, animalistic even. Bethâs getting harder to hold up, her legs keep buckling, slowing their progress and Rebeccaâs tugs become desperate again. âBeth,â Thereâs no hiding that level of terror, Rebecca doesnât even try. âYou have to stay awake, we have to go!â Behind them, the door slams shut.   For the final time that night, the house is filled with screams.    Â
This chapter is dedicated to: Dezaray aka @oblivionsdream  for bringing our characters to life and joining us on this journey.













