a perceptive reader of something inexplicable

hey hi, cinematography hah?

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the green in “Kiki’s Delivery Service”, 1989 dir. Hayao Miyazaki

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“Far from the Madding Crowd”, 2015    dir. Thomas Vinterberg 

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Avatar: The Last Airbender (2005-2008) cr. Michael Dante DiMartino and Bryan Konietzko

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quarantine moodboards with Charlie Chaplin 

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the "Alien" (1979) // dir. Ridley Scott

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Charlie's Angels (2000) dir. McG

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"Your name" (2016) - 君の名は // dir. Makoto Shinkai

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grim reality of "The Gold Rush" pictured by Charles Chaplin, 1925

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House, M.D. (2004-2012) cr. David Shore

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the cold side of the animated series "Over the Garden Wall", 2014 created by Patrick McHale

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btw welcome my new crush from the "Alien" - John Hurt (whom you might've also known as that old guy selling wands in Harry Potter)

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fear and anxiety shown through the close-ups in the "Alien", 1979 dir. Ridley Scott

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fantastic 𝓮𝓿𝓮𝓻𝔂𝓽𝓱𝓲𝓷𝓰 in “Fantastic Mr. Fox”

- 2009, dir. Wes Anderson

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here’s me in ikea any time I get there (and my extremely irritated friends)

“Safe Men” (1998) // dir. John Hamburg

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The cold and warmth of the “Room”, 2015

dir. Lenny Abrahamson

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Okay guys so here’s an important detail in the “Moon” (2009) that i really like. 

In the first scenes we’ve got an “Earth perception” of the things happening to the main character - he believes he’s coming back, that his home is Earth and that technically he’s not alone.

But when it hits Sam Bell that he is a clone, that all he’s gone through was just about the Moon - cold, grey and lonely, - we observe the opposite picture. The Moon is closer to us than the Earth and we’re finally taking things as they are.

(the 3rd screen shows Sam Bell in the scene just before the Earth shot, the 4th - before the Moon one)

Why those are not just 2 pictures of the Earth and the Moon? 

Because when we’ve got Earth in the foreground, Sam Bell still has some concerns about his presence at the base. So the Moon just can’t go away.

Same thing about Earth in the background. We’ve got to see that it is far-far away, but the main character is still connected to it. I’m not super good at explaining things, but i guess you’re all super cool and smart so you got the point. 

I mean, I really like the fact that we’ve got something more than just a nice picture of space. This scene has an artistic sense and plays an important role in opening up the character’s mental state. 

So yeah, it seems pretty cool to me.

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the light work in "Your name" animated film makes me cry - 君の名は, 2016 // dir. Makoto Shinkai