Xiao Wu (1997)
taylor price

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Not today Justin
Mike Driver
The Bowery Presents

Jar Jar Binks Fan Club

Origami Around
Fai_Ryy
Monterey Bay Aquarium
hello vonnie
RMH

titsay
we're not kids anymore.
KIROKAZE

#extradirty

Discoholic 🪩
Cosimo Galluzzi

izzy's playlists!
seen from Mexico
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seen from Malaysia
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seen from Germany
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seen from Côte d’Ivoire

seen from Chile

seen from Ecuador
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seen from Türkiye

seen from United States
seen from United States

seen from Malaysia
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seen from Germany
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seen from Türkiye
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@apicella
Xiao Wu (1997)
Mountains may depart (山河故人) dir. Jia Zhangke
Mujeres al borde de un ataque de nervios dir. Pedro Almodovar
empty space in Cidade de Deus
details in Love and Anarchy, Lina Wertmüller
City of God, 2002
dir. Fernando Meirelles, Katia Lund
Mountains may depart (2015) dir. Jia Zhangke
The Lobster (2015) dir. Yorgos Lanthimos
The Anto War (La guerra degli Antò)
dir. Riccardo Milani
Love and Anarchy, or rather: this morning at 10, in via dei Fiori, in the well-known brothel...
dir. Lina Wertmüller
Fascists don’t spring up someday like mushrooms all in one night. No. Fascists are the padroni’s offspring, inventions of the padroni. And they began earning more and more, so much that they had to put their fortunes to use. And that’s how war was invented. So we were sent to Africa, Russia, Greece, Albania and Spain. Did they pay? We’re the ones that paid. The proletariat, the peasant, the workers.
1900 dir. Bernardo Bertolucci
Monica Vitti in Red Desert
dir. Michelangelo Antonioni (1964)
Pietro? Pietro! È il papà che ti parla. Ho bisogno ancora di un mese e mezzo, dammi un mese e mezzo.. devo fare quel documentario sulle elezioni, ti ricordi? Voglio filmare la campagna elettorale della destra e quella della sinistra, del centro sinistra, del centro centro sinistra. Loro ci insultano, però noi non dobbiamo reagire, per carità. Noi dobbiamo rassicurare i cittadini. Aprile, Nanni Moretti
Seven Beauties (Pasqualino Settebellezze), 1975
dir. Lina Wertmüller
Ju Dou - 菊豆 dir. Zhang Yimou
Goodbye, Dragon Inn (2003) // dir. Tsai Ming-liang