I wish people would stop asking me where I think Iâm going to be in 5 years. I donât have 2020 vision.
We only have seven days to left reblog this joke

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Not today Justin
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Color Me Curious
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I'd rather be in outer space đ¸

shark vs the universe
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$LAYYYTER
hello vonnie

Product Placement
EXPECTATIONS

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NASA
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@apricotsands-blog
I wish people would stop asking me where I think Iâm going to be in 5 years. I donât have 2020 vision.
We only have seven days to left reblog this joke
âThe City Watch Guard Simulator: Drag & Drop Gameâ
@townsenta :D
for they are coming back;Â at last, the promise has been made.
One of my favorite things about The Elder Scrolls is that these different races with different cultures and lifespans are living side by side and actually INTERACTING. Humans and elves sharing history, each seeing a totally different view of it and yet still building communities together.
In TES youâve got Altmer living all over Tamriel. Calcelmo and Nurelion are both very old, and yet both have no qualms about sharing their lives with humans a fraction of their age. Clearly centuries are no barrier to love, or learning.
Thereâs Dunmer in Windhelm who were alive during the Red Year, and many who were born well after. How do their views of the situation differ? I could easily see the older Dunmer being grateful still to the sanctuary Skyrim granted them, while the younger Dunmer are angry about the situation theyâve grown up in. I could also easily see the opposite, where older Dunmer are bitter about the home they lost and younger Dunmer look to build a better future.
Savos Aren talks about the Great Collapse as if he was there. He could have been. He may be the only person in Winterhold who actually witnessed the city fall into the sea.
And for the humans, history must seem so much more immediate. The Oblivion Crisis is something that happened generations ago, and also something that your neighbor was experience. When the Dragonborn has faded into legend for the Nords, there will be Altmer left alive who knew them.
Itâs just really awesome.
The Skyrim, the Dragonborn is twice described as "doom-driven". What does that mean?
I always took it literally, as in âdriven by the prospect of doom.â This means, to me, that the Dragonborn is both attracted by âcertainâ death quests and that thereâs a foreboding that his or her actions will eventually lead to his or her doom (that is, if youâre a negative person that doesnât know the Dragonborn can just reload last save). Joking aside though, hereâs a forum about it with some good ideas, and also the specific times the Dragonborn was called doom-driven. Thanks for the ask. :)
I always assumed it was in reference to Shor/Lorkhan, what with him being the âdoom drumâ. The Dragonborn is Doom-Driven, the final Shezarrine, following the story beats laid out by Lorkhan.
We all start with innocence                                                          but the world leads us to guilt  ( x )Â
ASSASSINâS CREED: BROTHERHOOD
I thought my work was done. I was wrong. Once more, I must venture into the fray. By recruiting enemies of the state, we arm those who have been disarmed by the Borgia. The greed, the corruption, the tyranny my enemies have spread will burn to the ground. From the ashes of vengeance, a new Rome will rise.
"I want them to hurt. If you're really here, I'll frigging die to spit in their faces."
BLACK WATER
the silent shadowâs tale (a spirit, a memory and twisted ghosts)
a corvo attano fanmix // listen
ASSASSINâS CREED
I applied my heart to know wisdom, and to know madness and folly. I perceived that this also was a chasing of the wind. For in much wisdom, is much grief; and he that increaseth knowledge, increaseth sorrow.
Been working on this project on and off. It started off as just Venatori!Dorian, bc Gereon and Calpernia made me crave even more sympathetic evil Vints. Then it became a double sided Dorian tarot card bc more Dorian plz. Then I got drawn in by Cullen plot bunnies, of how he could have just as easily NOT been recruited to the Inquisition, and how he could have stayed in the Order even as it fell apart around him.
Mostly I wish there was a lot more fic with Dorian trying to be a badass evil Vint while failing utterly because deep down he is the most sweet and precious cinnamon roll.
my night manager (who is a gay man) and i sometimes sit down and exchange stories and tidbits about our sexuality and our experiences in the queer cultural enclave. and tonight he and i were talking about the AIDS epidemic. heâs about 50 years old. talking to him about it really hit me hard. like, at one point i commented, âyeah, iâve heard that every gay person who lived through the epidemic knew at least 2 or 3 people who died,â and he was like â2 or 3? if you went to any bar in manhattan from 1980 to 1990, you knew at least two or three dozen. and if you worked at gay menâs health crisis, you knew hundreds.â and he just listed off so many of his friends who died from it, people who he knew personally and for years. and he even said he has no idea how he made it out alive.
it was really interesting because he said before the aids epidemic, being gay was almost cool. like, it was really becoming accepted. but aids forced everyone back in the closet. it destroyed friendships, relationships, so many cultural centers closed down over it. it basically obliterated all of the progress that queer people had made in the past 50 years.
and like, itâs weird to me, and what i brought to the conversation (i really couldnât say much though, i was speechless mostly) was like, itâs so weird to me that thereâs no continuity in our history? like, aids literally destroyed an entire generation of queer people and our culture. and when you think about it, we are really the first generation of queer people after the aids epidemic. but like, when does anyone our age (16-28 i guess?) ever really talk about aids in terms of the history of queer people? like itâs almost totally forgotten. but it was so huge. imagine that. like, dozens of your friends just dropping dead around you, and you had no idea why, no idea how, and no idea if you would be the next person to die. and it wasnât a quick death. you would waste away for months and become emaciated and then, eventually, die. and i know itâs kinda sophomoric to suggest this, but like, imagine that happening today with blogs and the internet? like people would just disappear off your tumblr, facebook, instagram, etc. and eventually youâd find out from someone âoh yeah, they and four of their friends died from aids.â
so idk. it was really moving to hear it from someone who experienced it firsthand. and thatâs the outrageous thing - every queer person you meet over the age of, what, 40? has a story to tell about aids. every time you see a queer person over the age of 40, you know they had friends who died of aids. so idk, i feel like we as the first generation of queer people coming out of the epidemic really have a responsibility to do justice to the history of aids, and we havenât been doing a very good job of it.
Younger than 40.
Iâm 36. I came out in 1995, 20 years ago. My girlfriend and I started volunteering at the local AIDS support agency, basically just to meet gay adults and meet people who maybe had it together a little better than our classmates. The antiretrovirals were out by then, but all they were doing yet was slowing things down. AIDS was still a death sentence.
The agency had a bunch of different services, and we did a lot of things helping out there, from bagging up canned goods from a food drive to sorting condoms by expiration date to peer safer sex education. But we both sewed, so⌠we both ended up helping people with Quilt panels for their beloved dead.
Do the young queers coming up know about the Quilt? If you want history, my darlings, there it is. They started it in 1985. When someone died, his loved ones would get together and make a quilt panel, 3âx6â, the size of a grave. They were works of art, many of them. Even the simplest, just pieces of fabric with messages of loved scrawled in permanent ink, were so beautiful and so sad.
They sewed them together in groups of 8 to form a panel. By the 90s, huge chunks of it were traveling the country all the time. Theyâd get an exhibition hall or a gym or park or whatever in your area, and lay out the blocks, all over the ground with paths between them, so you could walk around and see them. And at all times, there was someone reading. Reading off the names of the dead. There was this huge long list, of people whose names were in the Quilt, and people would volunteer to just read them aloud in shifts.
HIV- people would come in to work on panels, too, of course, but most of the people we were helping were dying themselves. The first time someone Iâd worked closely with died, it was my first semester away at college. I caught the Greyhound home for his funeral in the beautiful, tiny, old church in the old downtown, with the bells. Iâd helped him with his partnerâs panel. Before I went back to school, I left supplies to be used for his, since I couldnât be there to sew a stitch. I lost track of a lot of the people I knew there, busy with college and then plunged into my first really serious depressive cycle. I have no idea who, of all the people I knew, lived for how long.
The Quilt, by the way, weighs more than 54 tons, and has over 96,000 names. At that, it represents maybe 20% of the people who died of AIDS in the US alone.
There were many trans women dying, too, btw. Donât forget them. (Cis queer women did die of AIDS, too, but in far smaller numbers.) Life was and is incredibly hard for trans women, especially TWOC. Pushed out to live on the streets young, or unable to get legal work, they were (and are) often forced into sex work of the most dangerous kinds, a really good way to get HIV at the time. Those for whom life was not quite so bad often found homes in the gay community, if they were attracted to men, and identified as drag queens, often for years before transitioning. In that situation, they were at the same risk for the virus as cis gay men.
Cis queer women, while at a much lower risk on a sexual vector, were there, too. Helping. Most of the case workers at that agency and every agency I later encountered were queer women. Queer woman cooked and cleaned and cared for the dying, and for the survivors. We held hands with those waiting for their test results. Went out on the protests, helped friends who could barely move to lie down on the steps of the hospitals that would not take them in â those were the original Die-Ins, btw, people who were literally lying down to die rather than move, who meant to die right there out in public â marched, carted the Quilt panels from place to place. Whatever our friends and brothers needed. We did what we could.
OK, thatâs it, thatâs all I can write. I keep crying. Go read some history. Or watch it, there are several good documentaries out there. Donât watch fictional movies, donât read or watch anything done by straight people, fuck them anyway, they always made it about the tragedy and noble suffering. Fuck that. Learn about the terror and the anger and the radicalism and the raw, naked grief.
I was there, though, for a tiny piece of it. And even that tiny piece of it left its stamp on me. Deep.
2011
A visual aid: this is the Quilt from the Names Project laid out on the Washington Mall
I was born (in Australia) at the time that the first AIDS cases began to surface in the US. While I was a witness after it finally became mainstream news (mid-85), I was also a child for much of it. For me there was never really a world Before. Iâm 35 now and I wanted to know and understand what happened. I have some recommendations for sources from what Iâve been reading lately:
And the Band Played On: Politics, People and the AIDS Epidemic by Randy Shilts is a seminal work on the history of HIV/AIDS. Itâs chronological and gives an essential understanding of all the factors that contributed to the specific history of the virusâ spread through the US and the rest of the world, the political landscape into which it landed (almost the worst possible)*. Investigative journalism and eyewitness account. Shilts was himself an AIDS casualty in 1994.
AIDS at 30: A History by Victoria Harden
The Origin of AIDS by Jaques Pepin for the science of it all.
Moving Politics: Emotion and ACT UPâs Fight against AIDS.
The Secret Epidemic: The Story of AIDS and Black America.
Larry Kramer is a pretty polarising figure and he had issues with the sexual politics of gay New York to begin with (see: Faggots) but heâs polarising for a reason: heâs the epidemicâs Cassandra. Reports from the Holocaust collects his writings on AIDS.
I donât think I can actually bring myself to read memoirs for the same reason I canât read about the Holocaust or Stalinist Russia any more. But I have a list:Â
The AIDS Generation: Stories of Survival and Resilience
The Quilt: Stories from the Names Project
Body Counts: A Memoir of Politics, Sex, AIDS, and Survival by Sean Strub
Borrowed Time: And AIDS Memoir by Paul Monette
Read or watch The Normal Heart. Read or watch Angels in America. Read The Mayor of Castro Street or watch Milk. Dallas Buyers Club has its issues but itâs also heartbreaking because the characters are exactly the politically unsavory people used to justify the lack of spending on research and treatment. Itâs also an important look at the exercise of agency by those afflicted and abandoned by their government/s, how they found their own ways to survive. Thereâs a film of And the Band Played On but JFC itâs a mess. You need to have read the book.
Some documentaries:
Common Threads: Stories from the Quilt (1989) [hard to find]
How to Survive a Plague (2012)
We Were Here (2011)
Everyone should read about the history of the AIDS epidemic. Especially if you are American, especially if you are a gay American man. HIV/AIDS is not now the death sentence it once was but before antiretrovirals it was just that. It was long-incubating and a-symptomatic until, suddenly, it was not.
Read histories. Read them because reality is complex and histories attempt to elucidate that complexity. Read them because past is prologue and the past is always, in some form, present. We canât understand here and now if we donât know about then.
*there are just SO MANY people I want to punch in the throat.
The Road to Riverwood
[hq] - [hq] - [hq] - [hq]
âYour generation would probably âlivetweetâ the apocalypseâ you say, and you laugh You mean it as an insult, and I understand, Or you donât because the word lies awkwardly on you tongue, stumbles as it leaves your lips, air quotes visible You meant it as an insult, so you donât understand, when I look into your eyes and say âYesâ Because we would. It would be our duty, as citizens on this earth to document itâs end the best way we know and if that means a second by second update of the world going up in flames, or down in rain, or crushed under the feet of invading monsters so be it. It would mean a second by second update of âI love youâ âIâm scaredâ âAre you all right?â âStay closeâ âBe braveâ It would mean a second by second update of the humanityâs connection with one another, Proof of empathy, love, and friendship between people who may have never met in the flesh. So donât throw the word âLivetweetâ at me like a dagger, meant to tear at my âteenage superiorityâ Because if the citizens of Pompeii, before they were consumed by fire, had a chance to tell their friends and family throughout Rome âI love youâ âIâm scaredâ âDonât forget meâ Donât you think theyâd have taken the chance?
Sometimes it hurts when people scorn internet cultre (via herrsassyfras)
This is amazing
(via desuke-dragonqueen)
humans are kinda cute we pass stories down generations to instill a sense of wonder in people weâll never know and we have little bells on our houses to tell each other that weâve arrived and we shiver when we get cold and we have an endless amount of curiosity and if the night sky is clear our first instinct is to look up at the stars and think about going on big adventures
I want to hug this post
Skyrim + elements âłÂ air | earth | water | fire