[archivalwork]

Audience gathers around a piece at What Survival Left Behind, an art exhibit in Al-Bureij refugee camp c. May 2026

Exhibit for visual arts by young Palestinians Asian; Middle East, Palestine, Gaza; May 2026 Photo by Abdel Kareem Hana

[archivalwork]

Edvard Munch, The Sun Europe; Norwegian c. 1911-1916 Oil on canvas, dimensions: 455 x 780 cm

[archivalwork]

Embroidered Silk Shawl Asia; West Indian, Gujarat c. late 1800s–early 1900s Embroidery: Silk thread on silk ground; overall: 216.5 x 182.9 cm

[archivalwork]

Pillow cover fragment, embroidered Mediterranean; Greece, Cyclades Islands c. 16-1700s Embroidery: silk on linen tabby ground; overall: 47 x 46.4 cm

[archivalwork]

Edvard Munch, Nude & Paris Nude Artist Norwegian, painted France; Paris c. 1896 Oil on canvas, average ~80.5 x 60.5 cm

[archivalwork]

Lorenzo Tugnoli, Portraits of a Palestinian Diaspora See pt. 2 Italian; Palestine, Gaza, December 2025 Digital black and white photographs

[archivalwork]

Max Miedinger; Eduard Hoffmann, Neue Haas Grotesk Note on type found in frontmatter to Guy Debord's The Society of the Spectacle, ed. pub. 2021. Typeset c. 1961 via rallovallo

[archivalwork]

Limited Edition Series 1 ViviCam 7500i, Vivitar co. North American; United States, 2006 Multipurpose digicam with internal mp3 player Ultra-compact point and shoot; digital; 9.7 x 5.1 x 1.9 cm

[archivalwork]

Mexican tamal (cornhusk) dolls North American; Mexico, Jalisco c. 2025-26 Corn husk and textile; overall: 5x6 inches  via Muertolandia

[archivalwork]

If, in physics, there's something you don't understand, you can always hide behind the uncharted depths of nature. You can always blame God. You didn't make it so complex yourself. But...if your program doesn't work, you cannot hide behind and obstinate nature. There is no-one to hide behind. A zero is a zero. A one is a one. If it doesn't work, you've messed up.

Discipline in Thought, Edsger W. Dijkstra on the responsibility of the programmer Dutch television interview, 2000

[archivalwork]

Max Miedinger; Eduard Hoffmann, Neue Haas Grotesk Note on type found in frontmatter to Guy Debord's The Society of the Spectacle, ed. pub. 2021. Typeset c. 1961 via rallovallo

[archivalwork]

FujiFilm FinePix C10 stock sample Heinrich M. for Pixabay Images; October 2016

Focal Length: 6.8 mm Aperture: f/3.9 Exposure: 1/34 sec ISO: 200

[archivalwork]

What Survival Left Behind, art exhibition for young Palestinians at al-Bareij refugee camp in Gaza city Middle East, Palestine; May 2026

Qita Mish Bilqa describe themselves as "a youth visual art initiative and exhibition from Gaza led by young artists reflecting the rise of art from the rubble into light and creativity." via instagram.

[archivalwork]

Composite of Romanian gymnast Nadia Comăneci, 14, on beam 1976 Montreal Olympic Games

Comăneci, at the time only fourteen, was the first gymnast in Olympic history to receive a "perfect 10," the highest possible score in the gymnastic competition. During the routines that followed, she scored 7 perfect 10s. The all-around champion, the young teenager returned to Romania with three gold medals, as well as a silver and a bronze.

[archivalwork]

Rosalie Ritz, Angela Davis on Trial North American; United States c. 1971-72 Courtroom sketches; graphite and liquid color on wove paper

[archivalwork]

Palestinian boy plays near Bilal Raamadan's section of What Survival Left Behind; visual art exhibit of Palestinians' work held at Al-Bureij camp c. May 2026

Asian; Middle East, Palestine, Gaza; 2026 More from Bilal Raamadan on Instagram [art.bilal_raamadan]

[archivalwork]

Nader Alanqar, The Sun Still Shines on Gaza Middle Eastern; Palestine, Gaza; May 2026 Digital cell phone photograph

Nader is 18 and trying to survive in Gaza. Donate to his father's cancer fund