Kiana Khansmith
Xuebing Du
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Kaledo Art
Discoholic 🪩
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PUT YOUR BEARD IN MY MOUTH
dirt enthusiast
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Origami Around
Alisa U Zemlji Chuda
will byers stan first human second
he wasn't even looking at me and he found me
taylor price
Show & Tell
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Sade Olutola
Not today Justin
2025 on Tumblr: Trends That Defined the Year
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@arghsigh
About Me
~ any pronouns
~ I am in my 30s
~ current fandoms : mainly bts, but still pretty into lotr/the hobbit, and a little into marvel/dc (justice league is on netflix so... rewatch??)
~ this blog is mainly for reblogging other people's art/ whatever I find amusing. if you are a bts blog and are confused why this blog followed you, that's cause this is my main
Colorbending: Avatar Color Wheel (remake)
Sometimes I just wish I could-
pins by Abprallen
they should make a version of socializing that doesn’t make you feel like you’re still the weird 12 year old kid that doesn’t know why she’s not normal like the other kids
gnawing at the steel bars of my enclosure which i built myself
I love how Avatar perfectly balances "the kids are going to save the world!" with "which is pretty fucked up, actually."
Wisdom in the tags.
Yet more wisdom in the tags!
Chocolate guy... What the fuck!?
He cannot keep getting away with it.
The way that most of Conan Doyle’s Sherlock Holmes stories’ most horrible villains are rich dudes that are abusive to women, in a time such as the 1880’s, compels me.
There’s a whole subset of Sherlock Holmes stories that could be labeled Asshole Guys Try to Control Women’s Money.
Yup, there’s a huge number of times where Sherlock Holmes is the ONLY person to take a young woman’s complaint or worry seriously and finds out someone is up to some serious evil. Holmes also shows a lot of compassion and empathy with the victims over and over again. (This is why I find “Secretly a woman” or “Trans” Holmes headcanons much more convincing than “sociopath” Holmes.)
I am never going to shut up about how much I specifically love The Adventure of The Copper Beeches because it is literally Sherlock Holmes listening to a young lady he does not know except as a potential client, agreeing with her that a potential job she has interviewed for that she thinks is SUPER SKETCHY is, indeed, sketchy as fuck and when she says she’s probably gonna take the job anyways because the money is good and she needs it going “OKAY I GUESS but for the love of god please write to us so we know you’re okay we will literally drop everything and jump on a train if you want us to”.
The job turns out to indeed be sketchy as fuck, she writes to them, Holmes and Watson drop everything and jump on a train when she asks them to. I read this story for the first time when I was twelve and it made a HUGE impression.
This is also the basis for a lot of speculation about Holmes’ family life. The idea that he has been a victim of abuse, or his mother was abused (or even murdered by his father.) There’s definitely SOMETHING that makes him very aware of how dangerous isolated families can be, and the dark things that can happen behind closed doors. Plus, of course, the motivation to devote himself to stopping crime. And yes, so much of it is of the personal type.
dude see this is one aspect of the original books i NEVER understand why modern remakes (cough cough) don’t go all in on. Like, in the 21th c we HAVE all the dumb forensic shit that made Victorian Holmes stand out, but we STILL DON’T HAVE uh….you know, compassion for women and minorities, or the willingness to believe them, adequate community support for domestic violence or hate crimes, etc. etc. which you’d think is exactly where a renegade consulting detective would come in handy. A good modern day Sherlock Holmes remake, instead of trying to convince us that Holmes is some super genius for being better than fingerprint analysis or whatever, could have him just be…a good person who helps out people the police can’t and won’t help. There you go. That’s how to write a relevant modern Holmes.
One thing that annoys me is how much the BBC version of Sherlock (and the fandom around it) focus on police cases or cold cases. In the stories, Holmes’ bread and butter cases had fuck-all to do with the police and in a few stories, he actively works around/against them, or outright lies to them. Of the many, many things I wish that show had done differently, this is one is particularly obnoxious since it’s such a gimme.
There were very few actual murder cases in the Canon, and Holmes handled them either one of two ways:
Option one: The murder victim was innocent while the killer was an abusive bastard, see Speckled Band. Conclusion, arrest and have the killer charged (Or in the case of Speckled Band, indirectly murder him yourself then shrug and go home)
Option two: The victim was murdered to protect someone that the victim was abusing, or for vengeance, see Boscombe Valley, Devil’s Foot, Abbey Grange. Conclusion, Oops, I don’t know who the killer is, I am suddenly incompetent, oh look a pheasant.
#my favorite murder in holmes canon#is when they straight up witness a lady murder her blackmailer#do nothing except destroy his other blackmail material#and then straight up lie to lestrade about it#sherlock holmes#more of this in modern adaptations pls (via @cactusspatz )
Also I love the idea of Holmes being a childhood abuse survivor, as an abuse survivor myself. It explains so much about him. Imagine if you will, he grows up isolated in the suburbs of London, witnessing his father just absolutely terrorize himself, his mother, and his elder brother. As a grown-up, he wants to help people in that situation and stop people from getting trapped in shitty marriages.
He’s compassionate and kind to the people he helps because underneath it all, he’s trying to be the person he needed when he was scared and helpless.
How dare you leave this Jason Todd discourse in the tags.
Day 29 - Psychosomatic Bullshit
Found the post!
fun fact: tigers also contract their muscles to make a slow tiger into a fast tiger
i got that dog in me
look. look at this beautiful sword meme. i’m going to cry
@petermorwood
I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swords…
…Ancient Greek Xiphoi…
… and a Roman “Mainz-pattern” gladius…
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…
…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…
…but may also have had the secondary function of being a saw.
A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
There’s no doubt about this one either.
The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.
Here’s a Circassian kindjal, forged wiggly…
…and an Italian parrying dagger forged straight then ground wiggly…
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…
Just a very flexible one…
If you want more odd blades, Moghul India is a good place to start…
i could not ask for a better addition to my meme post than blade education thank you so much
Always gonna reblog. :)
best m/f dynamic is a flamboyant bisexual show-off desperately in love with an extremely practical girl who’s difficult to impress 🤩
so many things try to emulate the Beatrice/Benedick relationship and so few of them get it right bc they’re like ‘oh it’s about the banter’ and YES, obviously, but if you make it JUST about the banter you’re going to fail! it’s about the RESPECT!!! it’s about the scene after Hero’s shaming where Benedick drops the banter entirely and sits there with Beatrice as she rages and weeps and then chooses to side with HER instead of the boy’s club that he’s been hanging out with for the entire play, both because he loves her and because she’s RIGHT!
like, it’s not some impulsive thing to make her like him, and it’s not just talk; he asks her if she’s sure and then he agrees and then he remains cold and determined when he meets Claudio and Don Pedro and they try to get him to joke around with them like old times. i think that’s one of the things that gets me the most; that there’s a scene that you half-expect to fall into that same sort of joking, where Claudio and Don Pedro are specifically like, “Huh, we inexplicably feel kind of sad after ruining this woman’s life and reputation, I bet Benedick will cheer us up!” and he just. utterly refuses to engage. and it’s so powerful and it’s such a tonal shift and such a strong indication of just how much he loves and values Beatrice and!! anything that gets the banter but doesn’t get that completely fails to understand their relationship! THB!!
“Kill Claudio.”
If Beatrice is right to believe Hero about her innocence, then that is, socially, the appropriate action. Claudio called off a wedding. Bad enough, but he did it publicly. He did it at the altar. He completely and utterly destroyed Hero’s chance of marriage -and marriage isn’t just love, it’s financial security and social support, and that’s before getting into Hero being the last heir of her house. Even if Claudio recants, Hero’s damaged goods.
And Hero has no male relative who can defend her honor. Her father and uncle are old -and even they believe the accusation at first, to the point that her father then tries to kill her in a church. She has no brothers, no cousins, no friends, no one to say “as a man, man to man, I will defend her good name and make you eat your words.” She can’t go to court and press charges for slander. There is nothing she can do, nothing Beatrice can do.
And Benedick, who has been making jokes about how marriage is just misery while your harpy wife cheats on you for the entire play, when asked “do you really believe that is all women are for; was that banter or are we friends?” says “we’re friends. And I let this happen too and I will make it right” and then he fucking delivers.
