frieda lepold
noise dept.
Fieri Frames
h
Not today Justin
Claire Keane
Doug Jones
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
TMBGareOK. The Official They Might Be Giants tumblr
untitled

Product Placement
Fai_Ryy
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

No title available
The Bright Sessions
The Bowery Presents
Game of Thrones Daily
taylor price

ellievsbear
seen from Azerbaijan
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seen from Türkiye

seen from Venezuela
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seen from Nepal
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seen from United States
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@arhythmos
frieda lepold
📍 Taiwan
Lisa Brice (South African, b. 1968, Cape Town, South Africa, based Trinidad and London, England) - Untitled (After Vallotton) (detail), 2021, Paintings: Ink, Gouache, Synthetic Tempera on Canvas
Sydney Smith (Canadian, b. Caledonia, Nova Scotia, based Halifax, Nova Scotia, Canada) - Kitty in the Window, 2022, Paintings
The moon dressed as Saturn.
Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth
Mona Hatoum is a Palestinian artist. From Artform’s 2021 Rape is a Border:
Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undress—strip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened “screening.” This word’s very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldúa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United States–Mexico border an “open wound” where “the Third World grates against the first and bleeds.” All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.
im just someones weird sister
René Burri
Cuadra San Cristóbal, Mexico City 1969
you're in the habit of denying yourself things.
if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.
but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?
what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.
and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.
you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.
so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.
it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.
sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.
oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.
Odakyu Shinjuku Mylord (1984)
1984
“I urge you to please notice when you are happy.”
— Kurt Vonnegut (via lonequixote)
Mallorca, Spain 1958
from Victoria Semykina’s “Old Azerbaijan” illustrations for Baku Magazine (2015-2016).