Freedom FROM religion is mandatory.
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@arinrowan
Freedom FROM religion is mandatory.
Love character relationships that can only be described as "whatever the fuck these two have going on"
obviously the earlier french texts plays out differently than le morte d’arthur but i like to imagine the reason kay doesn’t bully lancelot when he shows up to camelot exceptionally awkward and with no name is because he learned his lesson with gareth
lancelot wont give his name and kay starts sweating looking at gawain and his brothers to see if this is another one of them
everyone pleasantly surprised by how kind kay is being to the new horribly awkward young knight and how much he has changed while kay’s actually just doing the mental calculations of how not to get chewed out by morgause again if he turns out to be her kid
al-hashimi’s storyline ending with her crying on the roof of the parking garage is so good.
it shows that the job is just fucking impossible. it’s not a robby specific issue. robby isn’t the only one having a breakdown on a roof after managing the shift. he’s not ill-suited to the position, the position is not tenable for anyone!
al-hashimi had a stellar day in regards to what she could control. she used her unique skills to intubate that young kid when everyone sort of froze, she got the prisoner better care, she connected with the staff after she was met with resistance initially.
but she started having breakthrough seizures. this setting, and being in a leadership position in it, does something to your brain. it takes away your progress. it makes you cry on roofs.
jack, robby, and baran all have the same breakdown at the end of the day. that is the only rational reaction to being the main decision maker in that department. the collapse is not a robby or a jack issue, it is inherent to the responsibility.
No but the Hunger Games really said "what do you hate more- the atrocities or the people who commit them against you? Because like it or not there IS a difference. If you hate the people who commit acts of pure evil more than you hate the acts themselves, what will stop you from becoming just like your enemies in your pursuit of justice? What will keep you from commiting those very same acts against THEM when the opportunity arises? And what then? The cycle of pain and suffering will never stop. Round and round it'll go. Nothing will ever change. But. BUT. If you hate the atrocities. If you hate the vile, senseless acts MORE than you hate the people who did them to you. If you are able to see that evil is evil regardless of who does it... The cycle ends with you. No, you may never get justice. But you will never be responsible for making others, even your enemies, suffer the same crimes you have. The atrocities will never be committed by you, never by your hand. And that's the way you change the world. It's the ONLY way" and that's why I am sure it will never stop being one of the most relevant works of fiction ever created
Bob Denver, Tina Louise, Russell Johnson, Alan Hale Jr., Dawn Wells, Jim Backus, and Natalie Schafer in the Gilligan's Island episode entitled Up at Bat, originally broadcast by CBS on September 12th, 1966. A dream sequence spawned after Gilligan gets bit by a bat and erroneously concludes he's going to turn into a vampire, the show managed to spoof Dracula movies, the Sherlock Holmes franchise, and the Batman TV series all at once.
the she-ra reboot makes this video relevant again which means we are in the best timeline
the kids these days dont know this masterpiece…they will learn
the Masters of the Universe remake makes this video relevant again which means we are in the best timeline
Luke Skywalker put away his targeting computer to destroy the Death Star so I don't need AI to help me write an email.
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)
Ipomoea lindheimeri.
One reason I say the Republic of Moldova would need to want reunification more is that they have had one albatross around their neck since the USSR fell, and that would be Transnistria.
However, Russia has fumbled their handling of Transnistria SO FUCKING BAD that it's actually helping Moldova sort out the place. Which is good, because nobody wants Transnistria. They offered it to Ukraine, and Ukraine built barricades at their border with Transnistria. Not even Russia wants Transnistria, and they gave that place free gas for years. Moldova has Transnistria by technicality, but it's not doing them any favors. And nobody in Romania would touch that place with a ten foot pole. Pretty sure only Transnistrians want Transnistria, but they literally do not have what it takes to be self-sufficient.
a lot of ATLA college AUs put Katara in a medical course, specifically Nursing, which is cool. But I'd like to put her in Anthropology or Sociology.
Anthropology, specifically Cultural Anthropology, because of her deep appreciation and understanding for other nations' cultures, especially her own.
Sociology because of how well she connects with other people and understands the situations they're in.
maybe im a little biased cuz im majoring in Social Studies but i hope u get the point XD
She's triple majoring
Her first advisor, Pakku, STRONGLY advised her against it (specifically he advised her that she could certainly double major in the "soft" sciences but medicine required more dedication than he'd yet seen from --gendered pause as he looks at the cheery HR reminder poster hung just opposite of his desk-- students like her.)
Aunt "Is working on her eighth doctorate as they speak" Wu, on the other hand, has predicted GREAT things for her, and they've been having a blast maximally overloading her credits each semester
Ecology Major who pivoted into Civil Rights Law.
If a fantasy world has an ancient tree of wisdom, that means it must also have young trees that are dumb as shit. Just giving terrible advice like, "the evil wizard is kinda hot"'
okay. rude.
I have question about dragon x imu Universe
What's if: dragon couldn't save his son(luffy) when he escaped with shanks.
How do you think Luffy's life will change? We knew before he met shanks he was very lonely and even after eat the devil fruit he admit after he feels more happier than before.
How imu gonna manipulate his son, to bring back his beloved.
First of all, any world where Imu raises Luffy from the start is going to make a Luffy that looks very different from canon Luffy and that makes me sad. :( So sad. Super duper sad.
Second, Dragon is more likely to throw himself off of a cliff than get separated from a baby Luffy in that personal hell, seeing how he outright says that Luffy is his greatest weakness in canon.
But let's do a thought experiment. Shift things around a bit.
Let's say, Dragon gets away with Luffy. Luffy goes to Garp, goes to Dawn Island, becomes no longer baby. Dragon goes on to do Revolutionary stuff, staring wistfully off at the East here and there.
Then somehow, somewhen, the secret of Luffy gets up to Imu level. Time to grab the bait baby!
But hm. No Beloved. Also, very difficult to get a hold of said Beloved, when he keeps running from the God Knights and other Imu messengers. Grr. Alright, just the offspring, until Imu can finally pin Beloved down properly. The offspring that stays in the palace, because no way Imu is risking losing that.
A young Luffy is Lonely. He's also highly empathetic. Like canon Luffy is definitely selfish, and I think that Luffy as a Celestial Dragon would be more so, but in this case, it's limited by the empathetic qualities of "seeing other people get hurt makes me feel bad." Like baby Luffy was an angry little kid, so I see him end up hurting people as a result of that, but hurting people doesn't make the loneliness go away.
Also he can pick up that most people are afraid to be around him. That also feels Bad. And telling Imu/Parent/whatever Imu demands to be used doesn't fix that problem, it only makes it worse. So, lonely. Luffy is Lonely.
He also likes stories. This is something Imu actively encourages, Imu likes stories too! Stories of the outside world wouldn't be banned or anything, it's merely telling Imu's child about the world Imu rules over, and is the child's too.
But Luffy is Luffy. Luffy hears these stories and thinks, "I want that." Or wants the chance to meet the people in those stories. More selfish, he's going to act. More aware that telling Imu doesn't get him what he most want, he keeps it secret in his Luffy way of proclaiming he's going to see the world and Imu patting him on the head, saying "when you're older."
Luffy gets into something. Luffy gets into the world below. Oh boy.
Two paths that would be fun to take:
Ends up on Dawn Island. Ends up around Ace and Sabo, whoops. Luffy comes off of clueless but also young enough that Ace just rolls his eyes and goes, "how stupid are you" but Sabo is more familiar with some of the holes that he personally had to deal with as a former noble and thinks "wait, did some noble kid get lost out here? Well he doesn't want to go back, so whatever."
SHANKS. He ends up among Shanks and his crew and the very fun situation of them having to fight off the God Knights like Roger and his crew did for Shanks is a possibility.
Either way Luffy has fun exploring the world as a small but strangely durable child while Imu is losing mu's mind AGAIN. But moreso because Imu is actually attached to the child this time as more than just Beloved bait.
@sroloc--elbisivni @triscribe Thoughts to add? Mostly because the question is built off of your AU's defined canon, hah.
not terrible many thoughts because i am in agreement with you that a world where Imu raises Luffy results in someone who just. Isn't Luffy Anymore, and that's too sad for me to contemplate. I think one of the biggest changes I could see coming out of Luffy in the thought experiment you outline is a guy who is just as creative about how he wants to approach the things he wants as canon but is more likely to be SNEAKY about it, which. F for respects to whoever has to deal with him then. i do love in scenario 1 you pitch the element of 'sabo seeing someone he's pretty sure is a fellow runaway noble kid Not Going Back'.
the secret to life is always having something to look forward to
to anyone saying there's nothing to look forward to, I'm not saying it has to be anything spectacular or huge. it could just be a song or a book that will release in a few days, a tv show, anything!! no matter how small it seems it can keep us going