Custom commission mural by Briony of @dontfeedtheunicornâ for Lost and Found in downtown Toronto. Produced and Brokered by Art+Industry.
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pixel skylines
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
NASA
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Kaledo Art
trying on a metaphor

Love Begins

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tumblr dot com

JBB: An Artblog!

oozey mess

JVL
let's talk about Bridgerton tea, my ask is open

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Claire Keane
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Alisa U Zemlji Chuda
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@artandindustry
Custom commission mural by Briony of @dontfeedtheunicornâ for Lost and Found in downtown Toronto. Produced and Brokered by Art+Industry.
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LIFE LESSONS WITH MALALA AND BARBIE
âOne child, one teacher, one book and one pen can change the world.âÂ
These are the words of Malala Yousafzai, who in 2012, at the age of 15, was gunned down by a masked attacker while travelling home from school with her classmates. Malala was shot with a single bullet that went through her head, neck and shoulder. Two of her friends were also injured in the attack. At the time, Malalaâs father was known as an advocate for education in Pakistan and became an outspoken opponent of Taliban efforts to restrict education and stop girls from attending school. Sharing her fatherâs passion for learning, Malala began writing a blog for the BBC under a pseudonym, fearing that her school would be attacked.
Malala and her father received death threats but continued to speak out. Around this time, Malala was featured in a documentary made for The New York Times and was revealed as the author of the BBC blog. Shortly after, the attempt on her life was made.
The Talibanâs attempt to kill Malala received worldwide condemnation and led to protests across Pakistan. In the weeks after the attack, over 2 million people signed a right to education petition, and the National Assembly swiftly ratified Pakistanâs first Right To Free and Compulsory Education Bill.
After establishing the Malala Fund in 2013, Malala was awarded the Nobel Peace Prize, contributing her entire prize money of more than $500,000 to financing the creation of a secondary school for girls in Pakistan.
âThe measure of any society is how it treats its women and girlsâŠ.â
By contrast, in 2012 I was a 28-year-old woman who was playing with Barbie Dolls. Albeit, I was using them as âmodelsâ for some lighting tests and as my photography subjects in place of real life women.
As a model myself for over 15 years, Iâd always been fascinated with the representation of women in visual culture, our own and foreign ones, since my job was inevitably linked to this  (mainly fabricated) reality. As a student, I decided to pursue this curiosity further, specializing in Visual Culture and Communications at the University of Toronto â studying the impact of cultural representation and its effect on industry, society and self-identity. Those two factors aside, Iâve always loved Barbie. When I was a kid I would play with them for hours. I wanted as many as my parents would allow. I loved them all and wanted them with different hair, different skin, different eyes, different clothes, and different jobs. I would set up scenes, scenarios and escape to a different world where they could do what they wanted and I, in turn, could too.
The Barbie Doll has become an iconic figure and powerful symbol of femininity, for better or for worse, and to this day is used by numerous artists to represent âfemalenessâ in pop-culture.  I mentioned this once in a class in University and another female student scoffed and said, âOh sure itâs easy for you to say that when you look like a Barbie DollâŠâ Embarrassed, slightly mortified, I didnât know what to say except, âNo I donât. None of us do. Thatâs the point, I think.â She scoffed again.
I hate that story. I never tell it to anyone. But that moment stuck with me. I realized a couple of things in that exchange:
1. Visual representation of identity in pop culture has a resounding impact on people throughout their lives but is experienced differently. 2. It has an impact nonetheless.
Regardless of how we feel about visual representations of identity, or lack of them, they ultimately make up the fabric of social âstandardsâ and in how a society views people, in relationship to each other. For example, if we live in a society where girls play with perfectly made up dolls, while boys play with toy soldiers do we end up in a place where beauty is the highest standard for women while strength and courage are the highest standards for men? Possibly. Â Iâm more interested in how to bend these notions. Which brings me to the concept behind our Malala Tees. After hearing Malalaâs story and following her journey for several years I couldnât believe her unbelievable courage, drive and absolute curiosity of life and thirst for knowledge. My mother is a teacher, my brother and sister-in-law are teachers, my cousin is a teacher and my entire life Iâve been fortunate enough to be surrounded by curious people who pride themselves on learning and in passing on knowledge to others that need it most.
We take education for granted. We forget not everyone has access to it. We forget that some people, simply because they were born a girl, are either systemically or forcibly refused access to it. If only we could be reminded of this more so that we practice gratitude for those that teach and for the ability to learn; so that we speak out against those who discourage and block education, while doing what we can to support access to it.
If the Barbie Doll has become the most iconic symbol of femininity in the world then surely a 15-year-old survivor of violence against women, advocate for education, Nobel prize winning, celebrated author and fierce young woman can be as well.
So I reached out to my good friend Sean Siford, a loud, tattooed, punk rock loving vegan and most unassuming feminist youâll ever meet, who happens to be one of the most bad ass designers I know, and asked him if he could design a tee with the name âMalalaâ written across the chest in vintage Barbie font.
A few days later the Malala tees were born, with $10 of EVERY shirt sold donated to the Malala Fund, helping to fund girlsâ education. Last year on International Womenâs Day I worked with the Malala Fund on licensing the documentary âI am Malalaâ and held a private screening at Soho House Toronto to a small group of 60. This year, along with the help of the Rebel Mamas, weâre giving away a free Malala Tee to raise awareness. We want to hear some of your favourite school/learning memories and why you think girls (and boys!) education is so important.
Share your story with us using the hashtag #rebelmamaformalala on Instagram or Twitter for a chance to win! (A winner will be chosen and announced on March 8 â International Womenâs Day!)
If youâre interested in ordering a Malala tee check out www.artandindustry.co Connect with Ariane Laezza on Instagram // Follow Art And Industry on Instagram
*** Follow THE REBEL MAMA on: Instagram | Facebook | Twitter *****SHOP THE REBEL MAMA*****
First black woman in space Mae Jemison and NASA spacesuit team manager Sharon McDougle working together at Johnson Space Center in 1992. (NASA)
Kill the Flame
I donât even know where to start here. Â Itâs Saturday night. Iâll start there.
Itâs Saturday night and this week Donald Trump was elected President of the United States of America. I had to re-read that sentence a few times. And, I just stared into space for a few minutes pondering that fact. Iâm still not sure what to make of it.
On Thursday the world got news that Leonard Cohen had passed on the Monday prior. I cried as I wrote that sentence.
Two seemingly unrelated realities. But to me, as for many others Iâm sure, the timing of these two events is so eerily profound.
 ** Later this evening Saturday Night Live would open to a powerful rendition of Hallelujah by Kate McKinnon in character of Hillary Clinton **
When I first heard the news of Mr. Cohenâs passing, two days after the tensely anticipated U.S election, my initial thought was this:
How poetic.
The death of a  ______________ The birth of a  ______________
I had my own thoughts, but I will let you fill those blanks in.
Because what Iâve learned in the last few days, more than Iâd imagined, perhaps naively so, is that we all interpret the reality of the rise of Donald Trump for ourselves.
For the most part, we collectively discredit Trump as outlandish, arrogant, immature, and his comments as racist, misogynistic, xenophobic and hateful.
For the most part.
To my dismay, and again, to my naivety, too many seem to have sided with Trump, regarding him as a âbreath of fresh airâ in this âoverly sensitiveâ and âpolitically correctâ world. And then there are those who claim to disapprove of his prejudiced speech, attempting to draw a line in the sand between themselves and the man who said them, as if their support of him does not, by action, attempt to discredit the effects of this divisive discourse â effects that have already resulted in a spike in racist, sexist, homophobic and xenophobic incidents throughout the country.
 SIGH
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That's how it goes
Everybody knows
Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long-stem rose
Everybody knows
 In 2008 I saw Leonard Cohen live in Toronto. My mother had asked me to go with her. She lived in Montreal in the 1960s, was about a decade younger than Cohen and for a young, bohemian woman in Montreal at the time, I donât doubt the impact his poetry had on her. In fact, I remember her excitement that night, the look in her eyes. The impact his word â and voice â had on her, were not lost on me.
As a Montrealer myself, I was well aware of the pride my birthplace felt for Mr. Cohen. As an adult that appreciation grew into an understanding that helped me through some difficult times. Â Now, I felt the world was going through a difficult time, and yet we had lost a light in the darkness.
The timing.
We lost so many great artists this year. The end of an era, I would think to myself, after hearing the news of each.
If you are the dealer, I'm out of the game
If you are the healer, it means I'm broken and lame
If thine is the glory then mine must be the shame
You want it darker
We kill the flame
Leonard Cohen may have been from Montreal but he lived in L.A. My family and I moved to Los Angeles in the 1980s, only to return a few yearâs later. The reason? Our parents wanted to raise us Canadian.
Now, I donât write that with any sort of disrespect to my American friends - none at all - in fact, for many years I lamented the fact that we left California⊠on purpose!
But now, as a 32 year old woman living in Toronto, the city I love and call home, I am struck with the magnitude of my parentsâ decision to have us raised as Canadians â in Canada.
We are not America. So American politics shouldnât affect us, right?
Not so simple.
The reality is that American Culture, Politics and Finance have such a great and dynamic impact on the world at large. As Canadians, we are ultimately bound to American culture â whether or not we, or they, admit to it or not.
So this week, more than any other, we feel that proximity to our southern neighbours and, for better or worse, the magnitude of their election.
Where will things go from here?
They may get worse before they get better. But, ironically, the one thing getting me through this week is the profoundness of chosen words from our Poet Laureate of Loneliness himself, Leonard Cohen; a Montreal who found solace in American Culture. As so many of us do.
 I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah
RIP Leonard Cohen - the world has lost a great soul today <3
Like a bird on a wire Like a drunk in a midnight choir I have tried in my way to be free Like a fish on a hook Like a knight from an old fashioned book I have saved all my ribbons with thee And if I have been unkind I hope that you will just let it go by And if I have been untrue I hope you know it was never to you Like a baby stillborn Like a beast with his horn I have torn everyone who reached out for me But I swear by this song By all I have done wrong I'll make it all up to you I saw a beggar leaning on his wooden crutch He called out to me "Don't ask for so much" And a young man leaning on his darkened door He cried out to me "Hey, why not ask for more" Like a bird on a wire Like a drunk in a midnight choir I have tried in my way to be free
Doll Study.
Arts & Architecture, Matthieu Venot
One Night Only Musical. The greatest musical never written. Branding work by Toronto based Oryx Agency.Â
A King is Born
Happy Birthday to you, sir! The King - Elvis Presley.Â
Singapore Deconstruction Carsten Witte
M.I.A., "Borders" Self-directed by the artist. Appearing on her forthcoming studio album, Matahdatah.
Read How M.I.A. Is a Lifeline in Times of Terror By Toronto based writer Anupa Mistry on Pitchfork
Hereâs an excerpt from her post:
â...we live in cities and states and countries and on the Internet, and our borders are closing in on us. Many of us are struggling on multiple fronts. If you hear her words as polemic, it seems crude. But if youâre asking yourself the same questions, it can feel like a lifeline. And just for a minute, I felt heard.â
Dead natural, Tristan Pigott
Ego > Image? Paintings by Tristan Pigott:
âMy paintings convey how human ego is translated into image, by juxtaposing realistic painted figures before a surreal backdrop. The narcissism typically associated with portraiture is given a satirical undertone. My paintings playfully mock the importance we place on image and perception. The abstract composition of the work displays the difference between performance and reality.â
Solar System: 5 Things To Know This Week
Our solar system is huge, so let us break it down for you. Here are 5 things to know this week:Â
1. Make a Wish
The annual Leonids meteor shower is not known for a high number of âshooting starsâ (expect as many as 15 an hour), but theyâre usually bright and colorful. Theyâre fast, too: Leonids travel at speeds of 71 km (44 miles) per second, which makes them some of the fastest. This year the Leonids shower will peak around midnight on Nov. 17-18. The crescent moon will set before midnight, leaving dark skies for watching. Get more viewing tips HERE.
2. Back to the Beginning
Our Dawn mission to the dwarf planet Ceres is really a journey to the beginning of the solar system, since Ceres acts as a kind of time capsule from the formation of the asteroid belt. If youâll be in the Washington DC area on Nov. 19, you can catch a presentation by Lucy McFadden, a co-investigator on the Dawn mission, who will discuss what weâve discovered so far at this tiny but captivating world. Find out how to attend HERE.Â
3. Keep Your Eye on This Spot
The Juno spacecraft is on target for a July 2016 arrival at the giant planet Jupiter. But right now, your help is needed. Members of the Juno team are calling all amateur astronomers to upload their telescopic images and data of Jupiter. This will help the team plan their observations. Join in HERE.
4. The Ice Volcanoes of Pluto
The more data from Julyâs Pluto flyby that comes down from the New Horizons spacecraft, the more interesting Pluto becomes. The latest finding? Possible ice volcanoes. Using images of Plutoâs surface to make 3-D topographic maps, scientists discovered that some mountains on Pluto, such as the informally named Piccard Mons and Wright Mons, had structures that suggested they could be cryovolcanoes that may have been active in the recent geological past.
5. Hidden Storm
Cameras aboard the Cassini spacecraft have been tracking an impressive cloud hovering over the south pole of Saturnâs moon Titan. But that cloud has turned out to be just the tip of the iceberg. A much more massive ice cloud system has been found lower in the stratosphere, peaking at an altitude of about 124 miles (200 kilometers).
Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com
Khaled Takreti, Les Enfants de la Syrie, 2013, acrylic on canvas, 106 X 196 cm | Courtesy Ayyam Gallery
Art of War
War is often a time of darkness, anger and confusion, leaving many of those involved with unanswered questions, fragmented emotions and a push for survival. With the current situation in Syria and neighbouring countries, the numbers of those affected continue to rise; with the long-term implications of war and conflict unknown, but mostly grim.
Art is a method of exploring and making sense of these fragmented ideas and feelings while attempting to communicate the subtleties, atrocities and glimmers of hope of an otherwise complicated reality to ourselves and to others. It can also act as a sort of time stamp of important events, thereby allowing for an examination of the collective consciousness of a people.Â
With the conflict in Syria as a catalyst for a greater conversation about Foreign Policies, Religion and Ideologies, the following Syrian born artists explore the notion of identity, culture and traditions against the backdrop of war in their home country.
- Ariane Laezza
Ammar Al-Beik, âAdamâ, 2008, UltraChrome ink print on fine art paper, series of 7, 180 x 110 cm.
Ammar Al-Beik, The Lost City 1, 2008, Archival Print on Canvas, 108 X 180 cm, Edition of 3 | Courtesy Ayyam Gallery
Safwan Dahoul, Dream 80, 2014, acrylica on canvas, 180 x 200 cm | Courtesy Ayyam Gallery
Houmam Al Sayed, Moukaffan, 2014, Ink on paper, 110 x 80 cm | Courtesy Mark Hachem Gallery
Tammam Azzam, 'Matisse' and âDaliâ Syrian Museum series
Khaled Takreti's "Bang, Bang, Bang," 2014
Will this ever get old? Probably not. <3Â
FEAR IS BORING, AND OTHER TIPS FOR LIVING A CREATIVE LIFE
Elizabeth Gilbert shares 11 ways to think smartly about creativity.
Creativity is a tricky word. Consultants peddle it, brands promise it, we all strive for it, often without really knowing quite what âitâ really is. Put simply, thereâs a lot of snake oil around creativity. But now hereâs author Elizabeth Gilbert (TED Talk, Your elusive creative genius) to cut through the guff with her distinctly refreshing take on the topic. For her, weâre all creative souls already, we just need to figure out how to harness inspiration and unleash the creative spirit within. Here, she shares her best pieces of advice for living a meaningfully creative life.
1. If youâre alive, youâre a creative person.
2. Youâre not a genius, you have a genius.
3. Make something, do something, do anything.
4. Stop complaining and get to work.
5. Frustration is not an interruption of the process, frustration is the process.
6. Let go of your fantasy of perfection.
7. You canât get rid of fear, but do remember that fear is boring.
8. If something is authentic enough, it will feel original.
9. If youâre in the arts, you donât need graduate school.
10. Creative fields make for crap careers.
11. Curiosity is the truth and the way of creative living.
via ideas.ted.com