Arte and Educación @arteandeducacion - Tumblr Blog

Roberto Lugo

Armed And Dangerous: W.E.B. Du Bois, 2018. White earthenware and china paint, 19 x 19 x 2.5 in.

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Roberto Lugo, who grew up in Kensington and teaches pottery at Temple University, makes pottery in public spaces in hopes of inspiring local residents to pursue art.

artfoli

Undine Rising from the Waters, 1880’s, by Chauncey Ives (1810-1894)

chintzmann

Very proud to present this little piece I’ve been working on for my pattern portfolio. Hope you guys like it :)!

bogfox

“The New American Gothic” by Criselda Vasquez (@crisssvasquez on instagram, signed prints available!)

zuzoq-deactivated20230823

Vancouver artist Andy Dixon

acolorfulresistance

Palm weavings. Sept. 2017.

latinocaribbeanartists

“Based in the Caribbean & Latin American literary genre of magic realism, Palm weavings evokes the wonder of finding the extraordinary in the ordinary. Alongside its vivid imagery, the stereotypical illusion of the tropics is deconstructed through the palm. Continuously masked and reframed, the weaving process also mimics the constant reconstruction of the Caribbean under the tourist gaze.”

- Aliyah N.C.

sosuperawesome

Stained Glass Art

The Sweet Karma Bar

#Etsy #Stained Glass

bogfox

“The New American Gothic” by Criselda Vasquez (@crisssvasquez on instagram, signed prints available!)

notaqueensphotoblog

tiled virgen

oaxaca, mexico

thedailypersian

Persian Tiles

ginamat

αμοργός

alwaysonthegooo

latinocaribbeanartists

“Like elsewhere in the colonies, the colonial representation of Jamaica and Jamaicans was typically reductive and exoticized. These stereotypes took on their modern form in the context of early tourism, as is exemplified by the ‘native market woman’ or ‘native man with a donkey cart’ imagery in the late nineteenth- and early twentieth-century photographs, postcards and illustrations.”

— Veerle Poupeye. Jamaican Art and Changing National Imagery: From the Affirmative to the Critical. (via alynaomie)