Artemisa (Elsanna fanfics)

🕯🌺♥♛♉

[drtsantos]

[greengableslover]

PORTRAIT OF A LADY ON FIRE | PORTRAIT DE LA JEUNE FILLE EN FEU (2019) dir. Céline Sciamma

[thosefuzzyfeelings]

[schizografia]

Noémie Merlant

[pensoakspaper]

Céline just said in an interview I did with her, that you can’t tell a love story until it’s already over

PORTRÄT EINER JUNGEN FRAU IN FLAMMEN | Noémie Merlant und Adèle Haenel im Interview | FredCarpet 

Note: Céline’s interview hasn’t been uploaded yet by FredCarpet but it immediately brought me back to her Hamburg Film Festival #FFHH19 talk, which was transcribed in part by @morningmightcomebyaccident​ in this post

“I think to tell a love story, if you want to tell it, it has to have ended. Otherwise you can’t tell it, I think. Because it’s not received. In Occidental culture, the great tale of love is always about mutual love but impossible, from Romeo and Juliet to Titanic to Portrait of a Lady on Fire. It’s not about us being masochistic. It’s not about us wanting to suffer on screen. It’s a tale. It has to end so that you can actually tell it. I think it’s the same in life. I don’t think it’s really different. I think it’s really easy to talk about the beginning of the love story with your friends, it’s the best conversation you can have. It’s really difficult to talk about your love story while it’s going on, no? But you can talk about it when it’s over, I think. I don’t know. Maybe I’m not right. But I have the mic.”

[tenemos-que-hablar]

Noémie “look at Adèle just because” challenge (ArcLight Collider FYC poalof screening and Q&A // Jan. 8, 2020)

[tenemos-que-hablar]

Q: But in the end, the movie was about a man, you know? It was like a man was the reason why you both got together and he was the reason that you split.

Yeah, because in real life, this is what it is, you know? We know as women, we are spread out in the world. We are the only oppressed people that would not be a population. People from a particular nationality that would be oppressed, they live together, they can rebel. As women, we are spread out among couples and families and our oppression is very intricate with our love story, our family’s stories. That’s the way it works. We know that if we just regard the world, that we are going to be turned into objects again once we are not together anymore. This is how it works. We don’t make a happy end that would calm the world and say “no don’t worry, thank you for letting us be alive.” No, no. You are not letting us be alive enough.

Adèle Haenel discusses the “not-so-happy ending” of Portrait of a Lady on Fire with FredCarpet || published March 6, 2020

[takemetoohigh]

[takemetoohigh]

Is there anything that you ever have from projects that you like to keep forever, to remind you of the experience?

[takemetoohigh]

(x)

[takemetoohigh]

[tibbyschlegel-deactivated202102]

Portrait of a Lady on Fire (2019) dir. Céline Sciamma

[olennastyrell]

In solitude, I felt the liberty you spoke of. But I also felt your absence.

Portrait de la jeune fille en feu (2019), dir. Céline Sciamma

[persimmongal]

you’re in her dms, i’m on page 28 of her copy of orpheus and eurydice. we are not the same.

[filmreel]

What is it? A piece that I love. Is it merry? Not merry, but it’s lively.

Portrait de la jeune fille en feu (2019) dir. Céline Sciamma

[dyke-o-matic]

Thinking about how Portrait of a Lady on Fire said that even if an encounter is brief, the love surrounding it can be lasting and it enriches your life and changes you and that’s never a tragedy

[honeybabymp3]

hope it’s nice where you are.