Using tape, paper, and sculptural elements, Debra Weisberg explores the boundary of drawing. She recently created a 22-ft long installation, commissioned for the Facebook Cambridge Office.
“All of my work is rooted in drawing, which I define, following anthropologist Tim Ingold, as ‘an indelible record of the pressure of the fingers on the pencil that makes it, driven by impatience, control, or anxiety of the maker… an archive of the maker’s muscle.’ For me, the act of drawing is dynamic, improvisational, and mutable inside any installation.”













