Antonius Block (played by Max Von Sydow) is a crusader, who has returned from years of war. While resting by the seaside with his squire Jöns (played by Gunnar Björnstrand) he is visited by the angel of death. That is, because black pleague is ravaging the land. Not eager to leave, he challanges death to a honourable game of chess over his life. This game goes on until the very end of the movie.
This is a world, in which hope, and hopefulness is in constant battle. As the movie continues, we are introduced to our second cast of main characters, jugglers, or jesters, if You will. They represent the hope, that is left in this world, with their young baby boy, named Mikael. The love, between Jof (played by Nils Poppe) and Mia (played by Bibi Andersson), is something, that cheers you up from the darkness of previous images.
Antonius goes to visit a church, with his squire, the reason being, that he does not believe in god because god never shows himself, he never reaches his hand out.
Through the iron bars, we can see a hooded figure, who listens to the knight's confession.
"I want to confess as honestly, as I can, but my heart is empty. And the emptiness is a mirror... turned toward my own face. I see myself in it, and it fills me with loathing and horror. My indifference to my fellow men has cut me off from their company. I live now in a world of phantoms. Aprisoner of my own dreams."
"-Yet you don't want to die."
"-Yes, I do."
"What are you waiting for?"
"I want to know..."
"You want a guarantee."
"Call it what you will. Must it be so cruelly inconceivable, to know God from one's senses? Why must he hide in a fog of half-spoken promises and unseen miracles? How can we believe the believers when we don't believe ourselves? What will become of us, who want ot believe, but cannot? And what of those, who neither will, nor can believe? Why can I not kill off this God within me? Why must he live inside me in this painful, humilitaing way, when I want to tear him out of my heart? Why does he remain a mocking reality that I cannot shake off? You hear me?"
"-I hear you."
"I want knowledge! No faith, or conjecture, but knowledge. I want God to reach out his hand, show his face, speak to me."
"But he is silent."
"I cry to him in the darkness, but sometimes it feels, like no one is there."
"Perhaps no one is there."
"Then life is just senseless horror. No man can live facing death, knowing that everything is nothingness."
"Most people give no thought to death or nothingness."
"One day they'll stand on the far edge of life, peering into the darkness.
"Ah, that day."
"I understand, what you mean. We carve an idol out of our fear and call it God."
"You're upset."
"Death visited me this morning. We're playing chess together. This reprieve will enable me, to attent to an urgent matter."
"What kind of matter?"
"My whole life has been nothing, but futile wanderings and pursuits, a great deal of talk without meaning. It's all been in vain. I say that without bitterness, or self-reproach, knowing, that most men's lives are the same. But I want to use my reprive for one meaningful act."
"So that's why you're playing chess with death."
"He's a skillful strategist, but I haven't lost a single piece yet."
"How will you outwit him?"
"Through a combination of bishop and knight, that he hasn't caught on to yet. With my next move I'll charge his flank."
"I'll remember that."
Says the hooded figure, who reveals himself no other, than death.
This gives you a taste, of what's the dialogue like in this movie.
After that we are shown bits from the lovable jesters, who perform a song, which gets cut off, because the sinners enter the village. This is one of the most powerful moments in the movie, when the sinners come through the gate, carrying large heavy crosses, limping, and whipping themselves. It really shows the way, how hope and hopefulness is in constant battle, and it seems, that hopefulness is beginning to win.
The image of bloody, dusty beaten up people some in monk robes, some bare chested kneeling in dirt in the middle of a village, leaves such a powerful impression...
After that Jof goes to the inn, where he gets into a fight, but doesn't fight back, and starts dancing on the table, as the other men laugh over him. He is then saved by Antonius's squire Jöns.
While all of that happens, we see the portrayal of hope. The little family of jesters. When Antonius is talking to the wife of Jof. Talking about their son. And Jof returns after the incident in the inn, you can see the love and hope. Antonius offers the jesters, to transport them through the woods to his castle, and they accept. While going through the woods, they meet with a group of warriors, who are transporting a witch to be burned, when Antonius sees this, and watches into her eyes, he realizes, that all, the looking for God, pursuit for happiness, was nothing, as he sees emptiness. "Emptiness in the moonlight" As says Jöns.
When they continue their journey, they set up a camp, and the chess game continues, but Jof sees it, and escapes from the devilish visions.
Antonius, of course loses to death in his chesss game, but death does not take him instantly, and says: "I'm glad, when next we meet, you and you compansions' time will be up."
During the game of chess, Antonius knocks over the pieces, but death knows where all the pieces were, and where they should be. Throughout the course of the chess game, Antonius asks so many questions, yet gets so few answers, about God, or life after death, about the devil or hell. This shows, that death does not know, and is only a mystery for the mortal soul to discover.