Technically, all we're doing is singing falsetto. At some level, we are doing something everyone can do. It does feel and sound extremely rarified. For people who have never heard it before — and I love this — it has a sort of novelty about it that is very exciting. I think that quickly turns into an engagement with the material itself. That's what I love about being a countertenor; I can sing for people who don't know anything about opera and there is something shocking about it for them, but it allows them to pay attention in a way they might not if it were, say, an operatic sound they've heard before.
Anthony Roth Costanzo ‘04, on being a countertenor. Read story on nj.com














