Xuebing Du
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
he wasn't even looking at me and he found me
h
YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸
No title available

seen from South Korea
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seen from United States
seen from Bangladesh
seen from Colombia
seen from India

seen from United States
seen from Trinidad & Tobago

seen from United States
seen from United States
seen from Uzbekistan
seen from United States
seen from United States
seen from Mexico

seen from United States
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seen from Malaysia

seen from Türkiye
@artwordsproject
(via Rayon de soleil Font :: Behance)
"It's OK" available at wallofart.com
"K" and "OH NO" available at wallofart.com
December
‘Évolués’ pose while having dinner at their house. Photos taken by the colonial administration during a ‘best home interior’ competition organized in Kinshasa (formerly Leopoldville), in 1953
"The évolués were expected to emulate the European lifestyle. White state agents would come to their homes unannounced to check they were properly dressed, their children went to school, their kitchen was clean, and their houses were tidied. Their houses had to resemble Belgian ones. But then, they also had to cut ties with their extended family and friends who had stayed in the village. It was no longer possible to see our nephews, uncles, aunts, grandparents, cousins … They became schizophrenic. … There was a separation inside Black people themselves."
Reflection
Can we pray.
Meditations In A Soulful Space
Title: My Brother’s Keeper Medium: 6mm Supawood Carving, Oil Based Ink and Acrylic Paint. Dimensions: 100cm x 150cm
A body and space for my brothers to share, to be soft to one another, a space previously held by the women in our lives. The healthy dialogue that begins in the past and continues through to the current stage of redefinition on what it means to be a man, an evolving human.
Ousmane Sembène, Senegalese director and father of African cinema
"It is good to be at Cannes, but I wish Africa would create something of its own. We should not be eternal guests. It is up to us to create our own values. To recognize them and to carry them throughout the world." —Sembene! (2015)
Clips from Caméra d'Afrique + Sembene! (2015)