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@asasewrites
Stereotypes kill. Even the good ones. Stereotypes end careers, or prevent them from ever getting started. Stereotypes hide real discrimination, and excuse real violence. Stereotypes change the fate of nations, usually for the worse. So hit ESC on the macro in your head and think, dammit. And the next time you find yourself trying to justify a stereotype, or downplaying a stereotype as a good stereotype, recognize what it is you’re doing. You’re being a bigot. You’re killing people and helping to make the world worse than it already is. You are the problem. Now fix it.
N. K. Jemisin (via awake-society)
Secret Wars #6 (2015) // Marvel Comics
Spider Pockets!
Story: Jonathan Hickman, art: Esad Ribic
Get it now here
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194/365 Blue creative block
Dark Green Forever 21 Shirts, Eggshell Zara Pants | “For the love of Prints” by mygotwos - via chictopia
Bumblebee (Karen Beecher) from DC Superhero Girls
Dark and Light-skinned Characters, Black Villain and Avoiding Colorism
I’m writing a book that happens on many different planets. On the main characters home planet, the light colored people and the dark colored people live in separate places of the planet that are far away from each other. The government on this planet is trying to create the perfect human, they don’t care about skin tone, they want to create a person who has the best skills to survive in any situation.
They put 4 light skinned kids and 4 dark colored kids from each planet and put them through competitions to judge their skills. Each person was chosen for their individual talents. The government, called the Ward, has power over all the other planets and they suppress the cultures. The main character learns about all these different cultures as she goes through the competitions and decides to help them get away from the Ward.
My question is what is the best way to portray this without making it seem like the light colored people are the only people that can run the government and the dark colored people are only good at a few things. There is another person that is fighting against the Ward to make life better, but he does it in the wrong way. He blackmails these people into helping him, but the person is never seen. He sends out one of his workers, a dark skinned man, but I don’t want to make him seem evil because he’s black. How can I do that??
First of all: sorry for the long wait! You’ve got an interesting concept here which deserves some extra attention. It’s something which holds a lot of potential to address some sensitive and even taboo subjects and make people think while reading a thrilling story. It’ll also be a difficult project to write and could become a heavy read. Good luck!
On Avoiding Colorism
The best way to avoid being colorist in your writing is to fully develop your characters, give them agency and be respectful in their development (their talents, characteristics, etc.). When you write them don’t write one group better than the other. When The Ward is being colorist towards them, or anyone for that matter, show through your characters or narrative that this is problematic.
On Fighting The Ward The Right/Wrong Way
I’m assuming from the way you wrote it that this Black person fighting The Ward the “wrong” way that he is a villain in your story, but I wonder. Is he really? To explain my thoughts as clearly as possible, I’ll begin with The Ward.
The Ward is your main villain. They are oppressing people on several planets, suppressing cultures and aspiring to create the “perfect human”. You cannot pretty them up. They are evil to the core. When “perfect human” comes into play, it’s an automatic invite for racism, ableism, sexism, etc. The whole works. It’s eugenics. That is why they will care about the people’s skin color too. As scientists, they will think about how the amounts of melanin will affect the person in question in any given situation, since it determines at least in part how well they can handle direct sunlight (as well as skin cancer hazards, etc.). Remember that these people from The Ward don’t look upon their test subjects as people, as human. No, they see them as numbers, as things, as test scores, as a statistic.
So, in fighting someone/something like that, is there really a wrong way? There probably are ways better than others, but they’re not always accessible to people. Plus, sometimes only the “wrong” ways will get you anywhere, because oppressors won’t listen unless they are forced to.
When portraying this Black man, don’t write him as a villain. Write him as a hero (or maybe an anti-hero if you will), because in the end he is just that. And don’t use any black=evil symbolism, since it’ll add to him being perceived as a villain by your readers. You’ll find more tips in our villains tag or search “black villains” on our page.
Some other things to think about
I don’t know what type of competitions you’re writing about, but how are those talents chosen in the contestants? Are they intensely screened? What exactly are they looking for, and what are they trying to leave out?
I trust you will deal with the racism respectfully, but I’d also like to point you in the direction of the ableist aspects. In a lot of dystopias and other stories which deal with eugenics people forget about disabled and mentally ill people. They exist and deserve to have a share in these stories because they are about them too. They deserve to live just as much as everyone else.
So where are the disabled/mentally ill people in your story? I assume that they won’t get picked for these competitions, so what happens to these people? Are they left alone on their home planets or is something done to them? What if someone becomes disabled/mentally ill during the competition? What then?
Please give them a voice.
~ Mod Alice
Intersectionality: The Next Step in Diverse Books - Saturday at 11:10am
We live in an either/or world that prefers to put people into simple, separate boxes. But identity is fluid, not fixed, and books can help to reveal just how rich and complex our identities really are.
Understanding intersectionality begins by examining one’s own identity. Privilege has enabled many in the dominant group(s) to avoid considering the multiple ways in which individuals can experience—and perpetuate—oppression. At the same time, the preference for “single-issue books” can limit an author’s ability to explore/expose the various, overlapping systems that create the unfair advantages and disadvantages that shape our lives.
Many authors are developing stories that engage intersectionality, yet those books are not always well received by reviewers who feel “burdened” by complex characters. Together we’ll discuss the strategies authors use to create authentic identities that resonate with readers. We’ll also share tips for reviewers who are ready to take “the next step” in evaluating diverse books.
Intersectionality: The Next Step in Diverse Books will be a round-table discussion between:
Mary Fan sci-fi/fantasy author, first-generation American, lifelong nerd, advocate for women in tech, and nobody’s Asian trophy wife.
Dynamic twin bloggers and debut authors: Guinevere and Libertad Tomas of Twinja Book Reviews. What’s it like to both create and critique diverse speculative fiction for teens? How does being Afro-Latina inform their open-minded approach to all diverse representation?
And me, Zetta Elliott – middle-aged author, educator, scholar, immigrant, self-publisher, and fierce Black feminist advocate for greater diversity AND equity in kid lit.
Register today to join us for this engaging conversation about writing and reviewing books about the intersecting experiences of diversity!
Photo of Zetta Elliott by Valerie Caesar
If you’re at New York Comic Con, come get prints from Cammy at booth 1483, hear about all the best events & parties from SkinTightUSA and pick up awesome lgbtqia comics from Northwest Press & Prism Comics!
That’s the whole point of speculative fiction for me, really — playing the “what-if” game. What if, all other things being equal and people being people, the apocalypse happened every few hundred years? What if, all other things being equal and people being people, gods lived among us, and were sometimes real assholes? Those what-ifs don’t work without the people being people part. Which means I need to understand people, in the real world, in all their glory and grotesquerie. So, for those of you who get frustrated by how often I post about Ferguson, or bigotry in video games, or whatever, and who wish I would just stick to writing… well. I get that you might not be interested in the stuff that interests me. But you might want to expand your definition of what’s relevant to writing, is all I’m saying. For the worldbuilder, all the world is necessary fuel.
N. K. Jemisin, Why I Talk So Damn Much About Non-Writing Stuff (via beyondvictoriana)
Art students be like
This was the dance of things, the cric-crac as the storytellers said in Jessaline’s land. Everyone needed something from someone. Glorious France needed money, to recover from the unlamented Napoleon’s endless wars. Upstart Haiti had money from the sweet gold of its sugarcane fields, but needed guns — for all the world, it seemed, wanted the newborn country strangled in its crib. The United States had guns but craved sugar, as its fortunes were dependent upon the acquisition thereof. It alone was willing to treat with Haiti, though Haiti was the stuff of American nightmare: a nation of black slaves who had killed off their white masters. Yet Haitian sugar was no less sweet for its coating of blood, and so everyone got what they wanted, trading ’round and ’round, a graceful waltz — only occasionally devolving into a knife-fight.
from N.K. Jemisin, “The Effluent Engine” (via dangerousvisions170)
“Writing a book is so easy.”
Yes. Writing a book is the easiest thing in the whole world. In fact, let me show you just how easy it is!
Goal: change all this paper into a book.
Eh, not that hard. I mean, you just have to read, right?
Maybe scratch a few notes in the margins as reminders.
Yeah, writing and editing isn’t time consuming or painstaking at all.
In fact, I find it quite relaxing. Good meditation. No stress whatsoever!
I mean, it’s not like writing a book involves any train of thought or decision making, like when to cut scenes, because whatever you write is perfect and there to stay!
I mean, come on, it’s not like I’m going to rewrite the first chapter 51 TIMES to make sure it’s how I want it, right? That’d be crazy.
And no, it’s not like I spent over 3,000 HOURS READING AND REVISING 14 DRAFTS OF THE BOOK to make this book readable.
No sweat, no tears, no blood, and DEFINITELY no coffee stains.
Nope, writing is the easiest job in the world. I don’t see why anyone thinks otherwise. I mean, all we do is scribble words and take a few out, right?
We feel no satisfaction AT ALL when we receive a shipment of the final product for a book signing. *yawn* BOR–ING.
Nope, we don’t get excited at all. It’s just another day in the life.
And the sequels? Bitch, please. That’s child’s play.
You’re right. Writing a book is so easy. It’s not stressful, not exciting, and it’s definitely not worth the reward of holding something that USED TO BE EXCLUSIVELY IN YOUR HEAD AND NOW YOU GET TO SHARE IT WITH THE WHOLE WORLD.
Im not sure this scares me or inspires me…
It both scared and inspires me
Valaida Snow, renowned musician and composer (1904-1956), conducting an orchestra in London in October 1934. I was proud to be able to include this photo in my book, Vintage Black Glamour and even more thrilled that Ms. Snow was one of the inspirations for the black tie gala of I hope to see you in October at one of my favorite cities in the world, Charleston, South Carolina for the third annual Colour of Music Festival. Colour of Music celebrates current and historic Black classical musicians. This year, the festival will have various events from October 21-25 celebrating Black classical musicians, Charleston’s contribution to classical music and much more. I am honored that Vintage Black Glamour was part of the inspiration for the festival’s Inaugural Gala and Benefit Performance on Saturday, October 24th at the brand new Gaillard Center. Tickets for the performances and/or the black-tie gala are on sale via The Gaillard Center http://bit.ly/VBGColourofMusic
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#WeAreWakanda
Jackee was the first Black woman to win an Emmy for Outstanding Supporting Actress in a Comedy Series. Sadly, since that day in 1987 no other black woman has been honored with that award.
Video
Okay, I’ve got a story. It's a sort of scary one. I think independent/self-publishing authors need to know about it...
not by a poc but something to look at.