The tomato soup runestone!
Soup tomato
tomato butter garlic onion basil salt pepper broth cream
Based of Runestone DR 280 from Sweden
The source If you want to learn about the original runestone
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@ash-witch-hart
The tomato soup runestone!
Soup tomato
tomato butter garlic onion basil salt pepper broth cream
Based of Runestone DR 280 from Sweden
The source If you want to learn about the original runestone
Studying these until my eyes fall out
More strawberries. Two out of five done
settlers are always so enthusiastic about ''foraging'' and then you'll start talking to them about indigenous horticulture & sustainable harvesting practices and they quickly reveal that they're more interested in the aesthetic of being a Crunchy Woodland Creature than like reducing their reliance on exploitative industrial agriculture or rebuilding their local foodshed
This is not true and it is in fact neither very simple nor very plain to forage sustainably. This kind of flippant "it's such an easy hobby" attitude when it comes to harvesting is exactly *why* there are so many problems with once-abundant traditional foods being depleted. Every plant is different, has different needs, and can support a different intensity of gathering. Foraging isn't just some fun hobby, and shouldn't be treated like one. It is a method of intentionally working land to gather resources meant to sustain oneself, whether those resources be food, medicine, or something else. It requires conscious maintenance of the land you are working, and active monitoring of not just your own gathering, but the gathering of your entire community. It requires experiential, often generational knowledge. You cannot boil a resource-gathering operation down to a simple truism and expect others to be able to do it respectfully and sustainably.
This seems like a take from someone who is looking for fault within people. Itâs very likely that they were on step one of a foraging journey and you, in your eagerness to connect, gave them pressure and information overload from someone on step nine or ten of their foraging journey. Let people be new at things and donât pressure them to go all in too quickly. Sometimes people start with the crunchy woodland creature aesthetic and develops into an indigenous horticulture hyperfixation. But itâs never gonna get there if you try to force it or shame people for being new and inexperienced.
this is a take by an indigenous woman tired of settler foraging destroying the world I live in. don't tone police me with your "let people enjoy things" bullshit. "trying to find fault within people" stfu and go back to self help tiktok.
"Let people be new at things" and the thing they're doing is damaging their local ecosystem and spreading misinformation that will lead to more ecological damage.
This isn't sewing or some other hobby where if you fuck it up its "just a learning experience :)"
Your mistakes can lead to real harm to the environment around you
"don't pressure people to go all in" and the "going all in" in question is doing the bare minimum of research into real sustainable foraging practices rather than repeating useless overgeneralized rules-of-thumb
đ«Ș hard part is over
Time to go get the car fixed
Nettle Part 2
Part 1
The Native American Herbalism Encyclopedia :
The Herbal Apothecary:
Do you work magic with herbs? Do you use them in spells, for talismans or simply use their innate powers? If you don't have Cunningham's Enc
Making progress on the big zig zag rug
"Sys how is your decent into fiber arts hell going"
Glad you asked. I have arrived at 'modern flax is Bullshit compared to what we had in historical textiles, the flax widely available for handspinning is basically the tow that would be discarded from textile creation and used with tar to caulk ships back in the day'
This naturally led me down a hole of 'why is the staple length of this stuff a bullshit 6 inches' and the answer is 'we have bred modern flax more for the oil than the fiber because cotton usurped the place of everyday textile thanks to slavery and the cotton gin'
Anyway, THIS led me to a rabbit hole that culminated in me finding flax seed bred for proper 30 inch tall plants for fiber, sold by some fellow minded nerds on a website that has not been updated since 1998 and you have to email them to buy anything.
Anyway how are all of you doing.
I FAILED YOU ALL here is the site. You can also buy flax fiber from them. The PROPER shit, not the hot garbage ass tow fiber sold as flax top for handspinners.
the haunted tarot spread with the little ghost found it during Halloween and rely like it
Omg I think I found it- is it this one?
If so, it looks really nice and iâll have to try it for sure. The ghost is so cute too hehe
the boys and I all line up for the new robin wall kimmerer book like ants and one by one we all say Thank you dr kimmerer for your service
Dr Kimmererâs website links to the bookshop.org listing for purchase!
From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitu
Incorporating natural cordage into witchcraft
Natural cordage is easy, quick, and an amazing component to make. It can easily add a boost to any spell requiring string or rope.
What you shall do:
1: Grab two plant fibers and twist the one on top away from you.
2: Fold the the top fiber on top of the bottom fiber, therefore bringing the bottom fiber to the top.
3: Do the same with the bottom fiber, now on top, and continue to do this repetitive gesture until the desired length of cordage is made.
Cordage and uses:
Thistle: For this one, you want to grab the thistle plant, and remove the leaves and fruit. Be careful, as those are pretty spiky. Wear gloves if needed. Then, you want to grab a blunt object and hit the stem hard enough for the fibers to start separating, but not hard enough for them to break. Thistle can be used for binding, or to put up a spiky ward.
Nettle:Â Same method as above. Use this one for any curses, or hexes you want to perform.
Grass: Pretty self explanatory, grab the grass blades and twist them into a string. Grass can be used for spirit work, especially sweetgrass, or to make witchâs ladders.
Dogbane: Harvest the plant after its seed pods have developped. You want to scrape the outer bark off and then start gently pressing the plant until it starts seperating. At this point you may want to roll it betweem you palms and get the fibers out. Dogbane can be used for spirit work, protection, or keeping someone or something at bay.
Spell Project: Day 19 Boost (make up)
Okay listen, itâs not a spell in of itself, okay, but it could be. Itâs not that it is right at the description, but it could be. You can do weaving work on top of this, where you bind things into this rope. So for instance, binding wind into the cording is a thing that people have done before for knots. But you could start to bind other things in it.
And then you can bury whatever youâve bound into this working if itâs a particular thing thatâs negative. Otherwise you can continue to boost (heh) the magic around what you are doing. So like a protective cord, bound with protective chants, psalms, or other enchantments as you desire.
But itâs a really physical anchor / physical element of a part of a magical working that you can really start working on. You can also bring this into like a preparation working where you are building these ahead of time for uses later that donât have something immediately prepared. So for instance, you could capture the sunlight on a particular day in a strand, and then use that captured sunlight to flip a different day or improve a different situation at a later time.
Sometimes spellwork is not about what you need immediately, but something youâve built in advance that now has some use.
You can actually make these small pieces as well, so for instance if you need to find a smaller or a thinner piece of plant material, you can find something which is native or is relevant to your needs. So instead of having it be some of the things above, this is more of a technique than a specific you must use this to get this result.
So if you think of that you can also put things in hidden places like above your door, in your potted plants, etc, as like boundary wards as well. Leaning into the passive nature of a type of ward rather than a full spell working. I really think having an idea on making cording for a magical working is so useful beyond like making threads because you can start to think beyond working with a particular fiber to working with a specific plant that youâre weaving that may have a particular significance.
And yes, I will resist the urge to comment about the obvious in relationship to my blog and the things iâve memed before on a particular plant mentioned up here. But that could be a replacement for the thing that you know, Iâve memed about in the past. I get really excited about these kinds of techniques because it can be used in other areas. So if you think about previous post, you could make a cord that increases and boosts that love yourself spell and community collection. So I hope no one is mad that this isnât a spell in of itself per se. But itâs an excellent post, and yall had to see it.
Pet peeve of mine: When it's assumed Norse polytheism works like Greek or Roman polytheism, when it really does not.
Ill -educated, curious eclectic pagan here. Could you clarify that a bit? Is it that the pantheons aren't treated the same? The practice itself is very different or something else?
I'm looking to be educated so I can understand
Absolutely! I love talking about this stuff.
The short answer is that, the Old Norse religions were structured very differently from Greek and Roman ones.
The long answer requires a little bit more anthropological and historical context:
Religion is ultimately a product of culture. The way a given religion is structured emerges from the worldviews, sensibilities, experiences, and priorities of its people.
All of these ancient pagan religions started more or less the same way; they emerged out of people perceiving things about the world and telling stories about it. However, a religion doesn't really centralize until a society grows and develops things like agriculture and cities. Only then do we start to see a "canon" of myths and orthopraxy and orthodoxy emergeâthat is, "how to do the religion."
Regardless of any similar features they may have, all religions have their own unique architecture or "operating system" that they run on. What determines the OS of a religion, is based on what factors shaped the development of the culture it comes from.
Take Rome, for example. Rome was shaped by the environment of conflict pretty much since its conception. Rome's neighboring societies constantly threatened invasion due to Rome's coveted position in the dead-center of the Mediterranean peninsula, which meant Rome started to value control over the land as a result. Religio Romano reflects this: All of the Roman gods are characterized as lords (read: land-owners) of the different "domains" of the world (i.e. "that which you hold dominion over"). A society that did not develop conquest as a value would not have a pantheon of gods that works like this.
Now here's where it gets interesting with the Norse people: Their society never actually got to the point where their religion could centralize, before Christianity swept through. Despite having multiple named gods, its overall structure was and is still mostly animistic, because it was only just starting to develop the characteristics of polytheism by the time of the Christian conversion. However, this late conversion means what remains is not as garbled and corroded as it could have been, giving us this impression that it was more centralized than it actually was.
There's still an issue of USAmerican pagans making the mistake that we almost always make when approaching old European form of paganism: Assuming that we can restore what has been lost by modeling them after Roman/Greek polytheism.
Why we have this assumption is pretty simple: Whenever our nation doesn't know how to do something, we turn to models of antiquity to guide us. After all, our entire democratic republic is based on Ancient Greek and Rome, so the structures found in Grecco-Roman societies are what feel the most familiar and sensible for us.
Unfortunately, this unchecked assumption is the mechanism behind the Imperialization of a lot of these old pagan practices. It's not something we're intentionally doing, of course, but it's something that emerges due to lacking methodology for switching religions; we think switching religions is just a matter of switching gods, rather than a process of changing our entire patterns of thinking.
Rome was very good at giving people the impression that everything about it represents the baseline default for "how to do society," including religion. This is evidenced in the way we discuss religion as a whole, using terms that derive from Grecco-Roman models: Theology. Religion. Cosmology. Pantheon. Deity. Orthopraxy. Orthodoxy. These are all Latin words, and truthfully they only accurately apply to Latin-derived belief-systems.
Heathenry is not one of those, and let me give some examples why:
Take the Old Norse word that we commonly translate into "god" in English: Ăs. The actual implied meaning of this is "member of the Ăsir." The Ăsir are a family of people who live on the other side of the veilâin what we'd call "the Astral" or "the Otherworld" or "the Heavens", etc.âin a sphere called Asgard. But they are not the only kind of people there, for there's also the Vanir, who live in their own sphere called Vanaheim. (If you want to complicate things further, these spheres were not seen as separate from the material world, but rather nested within it, and how this works would take me too long to explain for the scope of this post.)
The names "Ăsir" and "Vanir" do not actually describe different "species" of divine powers, but describe affiliations, similar to how we say "the Bloods" or "the Crips" when identifying those gangs. As far as I'm aware, there isn't a word like "god" in Old Norse because the Norse people did not identify these beings as anything other than people. We just gloss these terms as "god" in order to make it clear what their function is to Western readers, who are coming at this from a Latin paradigm.
Same goes with the word jötun, which is often translated as "giant" in English. At first we'd assume jötnar are similar to "titans" by virtue of this descriptor, but they're not. It's more accurate to say that they are "the powers that dwell in environments human beings can potentially visit, but not stay in forever."
Jötnar live in the "countries" we can't tame, such as on the peaks of mountains, in the depths of volcanoes, in the torrential oceans, etc, but this also applies to more abstract countries: For example, the god Loki is also a jötun, but he typically dwells in the "country" of parties, mischief, and entertainment. This is a realm we adore visiting and often invite into our lives, but just like how we invite fire into our lives, it needs a specific designation and cannot engulf our entire existence without harming us.
Compare this to, perhaps, Frigg's hall, which is the "hall" we visit whenever we work on fibercrafting and textile arts. Frigg is not jötun, but she also wouldn't be one because her hall emerges from domestic life, vs. Loki's nonsense, which is a wild thing we invite into the domestic sphere.
"Giant" is typically accepted as a gloss for jötnar because it's not exactly inaccurateâjötnar have energy that feels noisy and big compared to the usual hum of our livesâbut this word is once again a gloss.
So...yeah. It's more complicated than we typically want to admit. A lot of people coming into paganism are looking to get a foundation beneath their feet as fast as possible, so they reach out for the most accessible paradigm they can find. But just because a tool is accessible doesn't automatically make it the right tool for the job. Many people end up recreating the Latin and Imperial structures of religion they were trying to get away from this way, and are left wondering why they do not feel fulfilled.
So what resources would you recommend to learn more about the Norse paradigm for someone who is genuinely interested?
Honestly, when it comes to understanding what comes out of the horse's mouth, it's best to just ask the horse.
It's what I did, anyway. When I couldn't figure out how Heathenry worked, I tracked down Scandinavians and asked them about it directly.
Experiencing their responses and thinking about things the way they thought about thingsârather than just memorizing what they say to mimic laterâis how I know so much about their paradigm now. I started to apply that modality of thought to my life and can now actually start to view life from a more animistic paradigm; that is, viewing all forces as an interrelating ecosystem.
One day I hope to write a book about it, because as far as I'm aware, no book like this exists right now.
More medieval dyes for y'all!
I am on my way to being the best auntie ever or the worst sister-in-law that ever lived. Possibly both.
I am making my 2-year-old niece a plushy for her birthday. She is very hands-on baby and wants to help with everything and be involved in the center of attention. A few weeks after her birthday everyone is going dipnetting. She is two and can not help with dip netting or do anything but watch.
So I am making her a toy salmon. And I am making it so she can filet it. It has guts. It has bones. It is all one piece and child friendly, and I am debating using embedded magnets or velcro to hold the filets on.
She has a kitchen set with a little wooden knife at her grandparents house, who have already heard about this and think its a great idea. We are gonna teach this kid to clean and process fish. She already knows where meat comes from and she will want to get in and do what everyone else is doing which she can not do because the fish are only slightly smaller than she is.
So, salmon plushy
BTW, I make plushies by winging it. Actually I make all my art by winging it. If you would like to comment on the fine art of making shit up as you go, feel free. If you wanna ask for a pattern, uhh,
Progress! On to bones! On to guts! Be the unhinged fairy godmother!
One sad looking headless inside out fishy đ
And the much happier right-side out headless fishy đ
I have weird priorities for this fish. I want the gill plates to be shaped like a real fish so she can learn how to pick a fish up correctly and develop the fine motor skills to do so. But thats turning out to be a bitch and a half.
Also I have no googly eyes anywhere in the house and thus far I've been able to do this entire project with material on hand. I've used 4 old tee shirts and a pair of jeans, but I will need to buy velcro and eyeballs.
the head/jaw/gill plate got a lil wonky and honestly I'd like to take it apart and try again but I'm running out of time.
But we have eyeballs! We have guts! We have a gill pocket and oddly attached pectoral fins! I just need to get ahold of some white velcro for a spine and I'll have a completed plushy.
I'm actually quite proud of the velcro arrangement I've come up with, because to peel it apart with the toy knife she'll be mimicking the motion of actually fileting a fish.
He's done! He's adorable! He's filetable! I had to hide my phone from my niece because she wanted to see the pictures I was showing her grandma.
I think I may try and make another one that's less child friendly and more accurate, because I had a great time solving topology problems, but I did sacrifice alot of anatomical details in the name of practical toy construction. I like what it says as an art peice, the junstiposition of a medium associated with simplified design and the details biological reality. There's also a fun parallel that comes up when sewing and food processing (specifically fish processing) are both pretty heavily gendered labor, but when you put them together they almost cancel each other out conceptually.
@wizardarchetypes LOOOOOOK THIS IS SO FUCKING COOL
I was thinking about making a rainbow spread based on the pride flag colours, but Interrobang Tarot beat me to it! Not only that, it's part of a free e-book with seven queer inspired spreads! Go check it out
For the curious, this chap is processing flax, then spinning it into cordage, then twisting those cords into rope.
when youâre at the end of your rope but must carry on regardless
This is from Eugenio Monesma, a man who has dedicated his life to making documentaries about all the living traditions and craftsmen that still live in Spain, is not the first time Iâve seen his stuff uncredited on Tik Tok, which is a shame because he has over 20 years worth of videos of his work for free on his channel.
Even if you donât understand Spanish do give it a look please, very interesting stuff, youâre sure to find something interesting across his 1000+ videos.
Luckyly this video comes with subtitles so please enjoy seeing the process more in depth