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simone weil
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ursula k. leguin
Monterey Bay Aquarium

Origami Around
TVSTRANGERTHINGS
occasionally subtle

Kaledo Art

pixel skylines

tannertan36

ellievsbear
art blog(derogatory)
wallacepolsom
Alisa U Zemlji Chuda

izzy's playlists!

oozey mess
Show & Tell

Discoholic 🪩

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Product Placement
Game of Thrones Daily

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seen from T1

seen from Malaysia

seen from Germany

seen from United States

seen from Suriname
seen from T1

seen from Indonesia
seen from T1
seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States

seen from Australia

seen from Spain

seen from United States

seen from Thailand

seen from Canada

seen from Brazil

seen from Malaysia
@asherinfinity
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simone weil
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ursula k. leguin
grass weaving by Giedražolė
EmbalmingMyself11!!
hold me in contempt but hold me
Ain’t It Strange
"Heres how I'll start my manifesto: My mother's a fish; I'm a ship in a bottle. But somewhere there's a grotto of the broken painted white like wedding cake"
Owe Zerge
In today's state of hyperactivity, where boredom is not allowed to emerge, we never reach the state of deep mental relaxation. The information society is an age of heightened mental tension, because the essence of information is surprise and the stimulus it provides. The tsunami of information means that our perceptual apparatus is permanently stimulated. It can no longer enter into contemplation. The tsunami of information fragments our attention. It prevents the contemplative lingering that is essential to narrating and careful listening . . . In the process of digitalization, . . . information acquires an altogether different status. Reality itself takes on the form of information and data. For the most part, we perceive reality in terms of information or through the lens of information. Information is an idea—that is, a re-representation. When reality takes the form of information, the immediate experience of presence withers. When digitalization gives everything the form of information, reality is flattened.
Byung-Chul Han, The Crisis of Narration
Like ya
When the second beer activates the first beer
richard hell's apartment (via)
If desire was a meal what utensil would you eat it with? How would you plate it? Salt and pepper?
Would you work in her restaurant?