there's this song i like and has been on one of my frequently listened to playlists for months now. i like the sound of the instruments and the artists voices and all that but, for the first time i just caught myself listening the lyrics and finding meaning and now i'm sick to my stomach because of the very first line. i know that everyone perceives music and lyrics in their own way but like hahahahahahaha wow when music reads you and you can find yourself in the words and in the story it's such a beautiful, delicate and crushing thing.
i think i am both the mouse and the cat and i don't know what to do with that.
Argue over ships all you want, but everyone at least agrees that there was nothing straight or platonic about that friend group. And that gives me immense joy.
“i never see you at the club” ok well i never see you on ao3 at 2am reading about the same two bitches falling in love for the 1000th time in the 500th way
who needs a valentine when we have cold!reader and Spencer kissing on the 14th
𝐫𝐞𝐜𝐤𝐥𝐞𝐬𝐬 𝐢𝐦𝐩𝐮𝐥𝐬𝐢𝐨𝐧𝐬.
spencer thinks you’re too reckless sometimes. too impulsive. you don’t exactly prove him wrong.
spencer reid x cold!reader ❅ 3.4k ❅ cold!reader masterlist.
main masterlist.
A/N | and thus, the romance arc begins. the amount of requests for this is so funny 😭
The air is thick with tension as the team moves through the abandoned office, the only sounds the distant creak of shifting metal and the quiet shuffle of boots against concrete.
Flashlight beams slice through the dim light, illuminating dust swirling in the air. The unsub is here. You know it like you know the feeling of a storm coming—an electric charge beneath your skin, a pull in your gut.
Your grip on your gun is steady, but your pulse thrums with anticipation. You keep your breathing measured, sharp eyes scanning the shadowed corners of the room.
The others are moving carefully, methodically, sticking to protocol. Spencer had warned you earlier, voice low but insistent: “Please don’t take unnecessary risks. We don’t know what we’re walking into.”
He worries too much. It’s something you’ve come to expect from him, but it gnaws at you differently than when others do it. With Spencer, it’s not condescending or dismissive—it’s genuine. He cares, and that unsettles you more than it should.
Which is exactly why you ignored him.
Movement flickers at the edge of your vision. A shadow slipping through a half-open door at the far end of the warehouse. Your instincts scream at you to move. To act. The others are too far behind; if you wait, the unsub could disappear.
You don’t hesitate.
“Going left,” you mutter into your comms, but you don’t stop to explain further. You slip through the doorway, gun raised, ignoring the sharp crackle of your earpiece as Spencer’s voice comes through.
"Wait— Don’t go in alone—”
But you’re already inside.
The room is colder than the rest of the building, the air thick with the metallic tang of rust and something else—something sharper. It’s nearly pitch dark, the only light filtering in through a broken window near the ceiling. Your heartbeat is steady, controlled, but your muscles coil tight, ready to spring.
A shift. A whisper of movement.
Then—
Pain.
A white-hot sting tears through your side before you fully register what’s happened. Your breath hitches as you stumble back, your free hand instinctively pressing to your ribs. It comes away slick with blood.
Shit.
Your body reacts before your brain catches up. You fire—once, twice—and the gunshots are deafening in the enclosed space. The figure in front of you jerks and collapses, the dull thud of their body hitting the ground barely registering through the rush of blood in your ears.
The room tilts slightly. The pain sharpens. Your legs feel unsteady beneath you, but you grit your teeth and straighten, forcing yourself to stay upright.
Then—footsteps. Fast, urgent.
A second later, Spencer bursts into the room.
“Oh my god— We need a medic in here!”
His voice is tight, breathless, as he skids to a stop in front of you. His eyes, wide with panic, dart from your face to the growing stain on your shirt. And then he’s moving, closing the distance in an instant, dropping to his knees beside you before you can so much as protest.
His hands replace yours, pressing down on the wound, and you hiss at the sharp pressure.
“Jesus, Reid,” you bite out, trying to push him away, but he doesn’t budge.
“It’s fine,” you grit through clenched teeth, but even you can hear the slight tremor in your voice.
“Fine?” His voice cracks, his breath coming fast, like he’s been running. “You’re bleeding, and you—God, why would you go after him alone?”
You try to roll your eyes, but the action is weaker than you intend. “He’s down, isn’t he?”
Spencer lets out a sharp breath, and you catch the way his jaw clenches, the flicker of something dark and unreadable in his eyes. His fingers press harder against your side, grounding you, keeping you here.
“You could have died—” His voice is lower now, rougher, and it makes something twist uncomfortably in your chest.
You try to scoff, to deflect. “Wouldn’t be the first time.”
“That’s not funny.”
You freeze.
His voice is raw. Unsteady. And when you meet his eyes, you see something there that you don’t want to see—something that makes the air between you feel too heavy, too charged.
You’ve seen Spencer worried before, but this is different. This is something deeper. Something dangerous.
And for a moment, it’s just the two of you.
His hands are warm, firm but careful. He’s so close, close enough that you can see the way his throat bobs as he swallows, the slight tremor in his fingers despite the pressure he’s applying to your wound.
He’s afraid.
Not in the way most people would be. Not in the way someone fears losing a teammate.
It’s different with him.
And that realisation sends something cold through your chest.
You should push him away. Should tell him to back off, that you don’t need him fussing over you like this. But your head is light, and the pain is making you sluggish, and his hands are keeping you steady in a way that you don’t want to think too hard about.
So, for once, you don’t fight it.
Just for a moment.
Then, the rest of the team rushes in, and the fragile thing between you shatters.
—
The hotel room feels too small. Too bright. Too loud.
You shouldn’t be here—you should still be in the hospital, technically—but the second the doctor said you were stable enough for discharge, you signed the damn papers and got out of there.
You don’t do hospitals. They make you feel trapped, restless, like you’re waiting for something to go wrong. So you took the out, ignored the side-eye from the nurse, and made your way back to the hotel with nothing but a few high-grade painkillers and a warning to take it easy.
Right. Like that was going to happen.
Now, sitting on the edge of the bed, stiff and exhausted, you’re starting to regret it. Not because of the pain—you’ve had worse. Not because of the exhaustion—you can push through it.
But because Spencer won’t stop hovering.
He’s been like this since you walked through the door, tracking your every move with sharp, restless eyes. He won’t sit down, won’t even lean against the desk or the wall—he just stands there, pacing slightly, rubbing his fingers together in that nervous habit of his.
And worst of all? He hasn’t stopped talking.
"You can’t keep doing this,” he says again, voice tight. “One day, you’re going to get yourself killed.”
You sigh, forcing yourself to keep your expression blank. Here we go.
“I’m fine,” you say, each word clipped and deliberate. “I’m sitting here, aren’t I?”
“That’s not the point.”
There’s something sharp in his voice now, an edge you don’t hear often. Spencer doesn’t yell—not really—but this is worse. His frustration is controlled, simmering just under the surface, and it makes your skin prickle in a way you don’t like.
“The point,” he continues, stepping closer, hands moving in short, tense gestures, “is that you ran into a room alone, without backup, without knowing what you were up against—”
“I knew enough,” you cut in, irritation flaring.
Spencer lets out a short, incredulous laugh, but there’s no humour in it. “Enough? Enough that you got stabbed?”
His voice rises slightly at the end, and you swear there’s something like desperation in it.
You exhale through your nose, gripping the edge of the bed. Breathe. Keep your cool. You don’t want to fight with him.
Except, maybe you do.
Maybe it would be easier to push him away, to make him angry enough to stop looking at you like that—like you matter too much. Like you scared him.
“I got nicked.” you say, your voice flat. “That’s part of the job, Reid. We all take risks.”
“This wasn’t just a risk,” he snaps, eyes flashing with something dangerously close to anger. “It was reckless.”
You scoff, shaking your head. “You’re not my minder, Reid.”
His jaw tightens. His whole body goes tense, like he’s holding something back.
“Then stop making me feel like I have to be—”
The words hit you harder than the knife had.
You inhale sharply, but he doesn’t give you a chance to recover.
“Do you even realise how bad it could have been?” he presses, voice lower now, but no less intense. “How bad it was?”
You clench your jaw.
“I know exactly how bad it was,” you say, quieter now, your voice cold. “I was there.”
But he won’t let it go.
He keeps talking, keeps pushing, listing every single thing that could have gone wrong, every possible outcome that ends with you bleeding out on the floor, and it’s too much.
You can’t breathe past the weight of it.
It’s overwhelming—the concern, the intensity, the way he’s looking at you like you’re something fragile. Like you’re something he can’t lose.
Like you matter.
You don’t want to hear it.
You just want him to stop.
But he just keeps talking.
His voice is insistent, sharp with frustration but frayed at the edges with something softer, something worse. He’s listing probabilities now, rattling off numbers and percentages like they’re supposed to mean something to you.
Like hearing that there was a 42.7% chance of you bleeding out before medics arrived is going to make you rethink everything.
But it’s not the numbers that get to you.
It’s him.
It’s the way his voice wavers, just slightly, like he’s fighting to keep it steady. The way his hands won’t stay still, fingers twitching like he doesn’t know what to do with them. The way his eyes are burning into you, dark and unreadable, except for one thing:
He’s scared.
And you don’t know how to handle that.
The worry in his expression is like a weight on your chest, pressing down hard enough to make it difficult to breathe. It’s too much—his voice, his eyes, the intensity of it all. He won’t stop talking, won’t stop pushing, won’t stop caring—
And you can’t take another second of it.
So you do the one thing that will shut him up.
You kiss him.
It happens so fast, you don’t have time to process it. One second, he’s standing in front of you, mid-sentence, his mouth forming words you don’t want to hear, and then your hands are gripping his face, and your lips are on his, and—
Everything stops.
Spencer goes completely still. Not just still—frozen. His breath catches, his entire body tensing like he’s just been short-circuited.
For the first time since this whole damn argument started, there’s silence.
No words. No numbers. No probabilities.
Just you. And him. And the space where your lips meet.
For a fleeting, desperate second, you think it might actually work. That maybe this is enough to make it stop.
Then, the weight of what you just did slams into you.
Your breath stutters as reality crashes down around you, as you realise that the heat of his skin is real, that his hands have curled slightly at his sides like he doesn’t know whether to push you away or pull you closer.
You pull back abruptly, your fingers slipping from his jaw as you take a step back, your heart hammering against your ribs.
But Spencer doesn’t move.
He just—stares.
Wide-eyed. Breath uneven. Lips parted like he’s trying to form words but can’t quite find them.
Like he doesn’t quite believe it happened.
And the worst part?
You don’t know what the hell to do next.
Your heart is pounding in your chest, too loud in your ears, and every instinct in your body is screaming at you to retreat, to put the walls back up and pretend nothing happened. Pretend it was just some mistake, some impulsive thing you did in the heat of the moment.
It was just a kiss, right?
That’s what you’ll tell yourself. That’s what you have to tell yourself.
Your fingers tremble as you step back, your breath coming in shallow bursts. You can already feel the walls sliding back into place, the emotional armour rising to shield you from whatever this is. From the mess you just created.
You weren’t supposed to care this much about Spencer. You weren’t supposed to let yourself get wrapped up in him—not when your instincts always screamed at you to push people away, to keep things simple, to keep yourself safe. But now, standing here in the wake of your impulsive decision, you feel anything but safe.
And that terrifies you.
But before you can finish shoving the walls back up, before you can even start to deflect or pretend it didn’t mean anything—he moves.
It’s almost too fast, a blur of motion that catches you off guard. One second, you’re standing there, heart still hammering, and the next, Spencer is right there in front of you, his hands gently cupping your face, his gaze holding yours with an intensity that pins you to the spot.
You barely have time to think before he closes the distance again and kisses you—again.
But this time, it’s different.
This kiss is slow, deliberate. It’s not impulsive, not reactionary, not a desperate attempt to silence the chaos between you.
This time, it’s a choice. His choice.
His lips move against yours with purpose, as though he’s trying to tell you something with every brush of his mouth, something he couldn’t say before. Something you’re too scared to hear.
And for a second, you want to pull away. You want to tell him this was a mistake, that you don’t have time for this, for the complication, for the mess that’s swirling between you both. But your body won’t listen to your mind. It won’t let you run this time.
Instead, you lean into it.
You let your hands reach for him, sliding up his chest to rest against his shoulders, feeling the warmth of his skin underneath the fabric of his shirt. The kiss deepens, and you realise with a sinking feeling that you’re not pulling away because you don’t want this—you’re pulling away because you do.
Because you knew. You knew this was inevitable.
This moment, this connection, this tension between you both that’s been building for so long, simmering just beneath the surface. You could feel it in every glance, in every touch that lingered a second too long.
You’ve both ignored it, buried it under layers of professional distance, under the constant chatter and the mission-driven focus that keeps you moving forward.
But it doesn’t work anymore.
You can’t ignore it anymore.
And as his lips press against yours, as you finally, fully allow yourself to feel what’s been there all along, you realise that there’s no going back from this.
The world feels like it’s holding its breath as you separate, suspended in the space between you both. Neither of you speaks for a long, heavy moment.
There’s a tension now, a thick, unspoken understanding that pulses between you, a thread that has always been there, but now it’s too palpable to ignore. You can’t pretend like it’s not there anymore.
His hands are still on you, a soft warmth, but not quite enough to distract from the fire that lingers in the air. His fingertips hover at your waist, just shy of touching, as though he’s afraid if he holds you too tightly, something will break—something more than the fragile tension that’s just been shattered.
You’re still so close. So close to something you’re not sure you can name.
You pull away slowly, reluctantly, when your body reminds you of the injury. It’s a sharp, jarring pain—nothing too severe, but enough to make your muscles protest, enough to make you wince and break the moment.
You’re trying to hide it, but the slight catch in your breath gives you away. Spencer’s gaze sharpens immediately, eyes flicking down to your side, where the bandage is just barely visible under your shirt.
“Hey,” he says softly, voice quieter now, as if he’s finally realising the full weight of the situation. His hand moves to your elbow, guiding you carefully down to the bed, but not without a lingering touch. His fingers brush against your skin just a little too long, a quiet caress that makes your pulse spike again.
You sit down with a soft sigh, the sharp throb in your side a welcome distraction from the mess of feelings still swirling inside you. You try to focus on your breathing, but Spencer is still standing there, just a few inches away, looking at you like you’ve just cracked the universe wide open.
Your eyes meet, and his expression is a mix of something you can’t quite place—concern, sure, but there’s something else there. Something that burns hotter, deeper, just beneath the surface.
He doesn’t speak at first. He just watches you, like he’s waiting for you to do something. Maybe waiting for you to tell him this was a mistake, or to push him away again, or to tell him it didn’t mean anything.
But you don’t say anything. Neither of you do.
And then, as if testing the weight of the silence between you, he speaks your name—just your name, soft and careful, like he’s unsure of how to even say it after everything that’s happened.
It’s barely a whisper, like he’s afraid of what will happen if he says it too loudly. Or maybe he’s just unsure of what to do with the name now that it’s hanging in the air, heavy with the implications of everything you’ve just shared.
You swallow hard, eyes flicking away from his, suddenly unsure of what to do with yourself. The walls you’d worked so hard to put up feel like they’ve crumbled, but you’re too proud—or too scared—to admit it.
“Are you okay?” he asks, his eyes tracing the line of your jaw, as though trying to gauge how much of you is still the same, how much has shifted.
You don’t answer right away.
Instead, you look at him, at the softness in his expression, the way he’s waiting for you to tell him what happens next. And in that moment, it’s impossible to pretend this didn’t happen, that things are just fine, that the walls you’ve so carefully built around yourself are still in place.
Because they’re not.
This—whatever this is—is real. And it’s not going away.
So you exhale, steadying yourself, and look back at him, finally allowing yourself to face what’s there between you. “Yeah,” you say, voice quiet, but steady. “I’m okay, I’m fine—”
But whatever happens next, there’s one thing you know for sure:
You can’t pretend this didn’t happen.
Not when everything between you has shifted so suddenly, so irrevocably. Not when you’re feeling more exposed than you’ve ever been in your life, and the weight of Spencer’s gaze is both comforting and terrifying.
“I think I need to lie down,”
“Yeah—” Spencer nods a little too quickly, hesitating before helping you under the sheets. “Yeah of course, I’ll uh— come and check on you in a few hours,”
You press your lips together, the phantom sensation of his still present. “Thanks,”
I don’t really fuck with that genre of pjo fic that’s like “what if only Percy fell into Tartarus??” “What if Percy saved Annabeth and fell alone???” because I don’t think there’s a reality where one falls and the other doesn’t immediately jump in after them
so i remember seeing a post somewhere here talking about how if joey richter had a mustache on a stick/stick-on mustache he could easily play both ted and pete in the same scene, and i love that idea, but if it were to happen i do want one part to be included about pete wanting a mustache, something like
Pete: You know, I've been thinking about growing a mustache.
Ted, while smoothing out his mustache: You? (he turns to face pete) With a mustache? (he laughs) Like you could ever pull off a mustache.
Pete: Hey! I would look great with a mustache!
basically i want a scene where pete and ted talk about how pete would look terrible with a mustache aka joey richter putting on and taking off a mustache while telling himself he would look stupid with a mustache and arguing with himself
