cais

Mariana. Brasil. Leave me where I lie

[namedvesta]

A Private World by Tim Walker for Vogue Italia, 𝟤𝟢𝟢𝟪

[gingerbronson]

[zegalba]

Adit Priscilla for Harper’s Bazaar (2022) Photography: Pieter Hugo

[watchoutforintellect]

Everything is change, he said, and everything is connected. Also everything returns, but what returns is not what went away.

Louise Gluck, from “Denial of Death” featured in Winter Recipes from the Collective: Poems (via watchoutforintellect)

[cats-on-cocaine]

[idotravel]

[canufeelthesilence]

Misery has come home, and men appear to me as monsters thirsting for each other’s blood. Mary Shelley (2018) dir. Haifaa Al-Mansour

[poisonedsequin]

adut akech || jacquemus spring 2021 menswear

[dearscience-blog]

[whateverisrealised]

Sambucus Canadensis. Common, Sweet, or American Elder - Edwin Hale Lincoln (1904)

[slimetony]

*doing a tarot card reading* uh oh… this guy has a sword… better watch out for that…

[a-joyfuljourney]

[treasures-and-beauty]

Jewelry set made by Vilhelm Christesen, ca. 19th century, Denmark. Silver filigree and pressed silver.

[violentwavesofemotion-deactivat]

I look for you everywhere; small gestures made by all kinds of people in the street remind me of you, by their similarity as much as by their differences, but I cannot say what is obsessing me; it obsesses me utterly and leaves no strength to express it.

Franz Kafka, from Letters To Felice (via violentwavesofemotion)

[danielodowd-deactivated20170124]

[tarmairons]

THE LORD OF THE RINGS: RETURN OF THE KING (2003) — dir. Peter Jackson

[weltenwellen]

Fariha Róisín, How to Cure a Ghost