BRIDGERTON 4.03 "The Field Next to the Other Road"
TVSTRANGERTHINGS
Claire Keane
PUT YOUR BEARD IN MY MOUTH
KIROKAZE

ellievsbear
Lint Roller? I Barely Know Her
AnasAbdin
NASA

Discoholic 🪩
h
No title available
i don't do bad sauce passes
No title available
I'd rather be in outer space 🛸
🪼
art blog(derogatory)

Kiana Khansmith
Sade Olutola

@theartofmadeline
Keni

seen from Malaysia

seen from United States
seen from TĂĽrkiye

seen from South Korea
seen from United States
seen from Australia

seen from Malaysia

seen from United States

seen from Singapore
seen from Greece
seen from United States

seen from United Kingdom

seen from United Kingdom
seen from Germany
seen from Portugal

seen from United States
seen from Chile

seen from Canada
seen from United States
seen from United States
@austenfilms
BRIDGERTON 4.03 "The Field Next to the Other Road"
3.5 years until this election and we’re already at the condescendingly blaming voters over HYPOTHETICALLY not voting for this guy over demanding better from the democrats. let’s all explode
"The steps aren’t enough. Feel the music. It’s a feeling— a heartbeat."
DIRTY DANCING (1987) dir. Emile Ardolino
Everything needs to be glass, if it can’t be glass it needs to be ceramic, if it can’t be ceramic it needs to be wood, if it can’t be wood it needs to be stainless steel, if it can’t be stainless steel it needs to be stone, if it can’t be stone it needs to be glass
Jennifer Grey and Patrick Swayze as Frances "Baby" Houseman and Johnny Castle in Dirty Dancing (1987) directed by Emile Ardolino.
Me? I'm scared of everything. I'm scared of what I saw, I'm scared of what I did, of who I am, and most of all I'm scared of walking out of this room and never feeling the rest of my whole life the way I feel when I'm with you.
Severance 1.09 | The We We Are
like yall cannot be stupid enough to scream fuck israel all year (rightfully so) and then go happily vote for kamala and meme the fuck out of her like everybody did trump like she didn’t just get up on that debate stage and say israel has the right to blow the entire levant to smithereens, do notttttt piss me off
Countess Ellen Olenska & Newland Archer | THE AGE OF INNOCENCE (1993) dir. Martin Scorsese.
Don’t you see? I can’t love you unless I give you up.
MICHELLE PFEIFFER as COUNTESS ELLEN OLENSKA | THE AGE OF INNOCENCE (1993) dir. Martin Scorsese.
The thing about The Age of Innocence by Edith Wharton is that every decision and every move was made under the microscope society placed over you. Newland convinced Ellen not to get a divorce because of the scandal, and married May because it was the “safer” choice. There was talk about everyone no matter what they did.
But the thing is, twenty years later at the end of the novel, it was made a point that no one cared anymore. Their society was so surface-level and arbitrary that things that looked like massive scandals that would be remembered for generations literally meant nothing twenty years later.
Hanus Knöchel - On the Seashore 1879 // The Age of Innocence 1993
THE AGE OF INNOCENCE (1993) dir. Martin Scorsese
because they all love and hate each other to varying degrees like patrick loves tennis and tashi and art but art the most and art loves tennis and patrick but he loves tashi the most and tashi loves tennis the most but none of them can have the thing they want most so they use one another to get closer to it and in the aftermath end up resenting each other for what could have been
ZENDAYA as TASHI DONALDSON in CHALLENGERS | Dir. Luca Guadagnino
Israeli Strike on Refaat al-Areer Apparently Deliberate
“The airstrike surgically targeted the apartment on the second floor where Rafaat was in a 3-storey building, and not the entire building; indicating the apartment was the target and not possible collateral damage”
the fact that the idf can do this when they want shows that the immense amount of destruction of civilian infrastructure is the point generally