"God is distant, difficult," writes Geoffrey Hill, a contemporary religious poet whose work—distant, difficult— might be said to have grown out of the seed of that assumption. But in fact distance from God—the assumption of it—is often not the terror and scourge we make it out to be, but the very opposite: it is false comfort, for it asks nothing immediate of us, or what it asks is interior, intellectual, self-enclosed. The result is a moment of meditative communion, perhaps, or even a work of art, or even—O my easy, hazy God—one more little riff on the Ineffable.
To believe in—to serve—Christ, on the other hand, is quite difficult, and precisely because of how near he is to us at all times. In Seattle once, when I was twenty-one and working at some crap temp job downtown, I used to spend my lunch hours near the docks. One particular day when everything was crisp, blue, new—and even the molten men emerging from the metal with which they were working, and the bickering gulls buoyed up in gusts, and my own release of numbing office efficiency seemed to verge on some mysterious, tremendous articulation of light and time—suddenly a tattered, gangrenous man staggered toward me with his arms out like a soul in hell.
Modern spiritual consciousness is predicated upon the fact that God is gone, and spiritual experience, for many of us, amounts mostly to an essential, deeply felt and necessary, but ultimately inchoate and transitory feeling of oneness or unity with existence. It is mystical and valuable, but distant. Christ, though, is a shard of glass in your gut. Christ is God crying I am here, and here not only in what exalts and completes and uplifts you, but here in what appalls, offends, and degrades you, here in what activates and exacerbates all that you would call not-God. To walk through the fog of God toward the clarity of Christ is difficult because of how unlovely, how "ungodly" that clarity often turns out to be.
I thrust my lunch into the man's hands, one of which was furred green as if a mold were growing on it, and fled.
from My Bright Abyss, Christian Wiman