The Bright Sessions
noise dept.
Keni
Mike Driver
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ
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if i look back, i am lost
art blog(derogatory)
YOU ARE THE REASON
Cosmic Funnies

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Product Placement
One Nice Bug Per Day
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Love Begins
ojovivo
Monterey Bay Aquarium

Jar Jar Binks Fan Club
Cookie Run:Kingdom Official!
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@awesome-inspiring-shit
#684
explain it to a duck
No writing is wasted. Did you know that sourdough from San Francisco is leavened partly by a bacteria called lactobacillus sanfrancisensis? It is native to the soil there, and does not do well elsewhere. But any kitchen can become an ecosystem. If you bake a lot, your kitchen will become a happy home to wild yeasts, and all your bread will taste better. Even a failed loaf is not wasted. Likewise, cheese makers wash the dairy floor with whey. Tomato gardeners compost with rotten tomatoes. No writing is wasted: the words you can’t put in your book can wash the floor, live in the soil, lurk around in the air. They will make the next words better.
Erin Bow (via writersrelief)
Traits of Effective Writing
Always keep the following traits in mind when you write. If you follow them, you will do your best work.
Stimulating Ideas: Good writing includes important ideas, accurate information, and interesting details. It also has a clear message or purpose.
Logical Organization: Good writing is well organized. The opening catches the reader’s attention. The middle is well developed and answers the reader’s questions. The ending ties things together and leaves the reader with something to think about.
Personal Voice: In the best writing, you can hear the writer’s voice. Voice is the special way a writer expresses ideas and feelings. Voice depends on who you are writing to: the audience.
Original Word Choice: Good writing contains well-chosen words, including vivid verbs (fizzle, cringe, wheeze), specific nouns (Dalmation, shack, mango), and colorful adjectives (clumsy, brilliant, tender).
Smooth Sentences: Good writing flows smoothly from one sentence to the next. Sentences begin in different ways; some are short and others are long.
Correct, Accurate Copy: Good writing is free of errors in capitalization, punctuation, spelling, and grammar.
— Writers Express: A Handbook for Young Writers, Thinkers, and Learners by Dave Kemper, Patrick Sebranek
Creativity Takes No Excuses (via Writing)
Submission: "Young Blood"
I spend nearly every evening after I get off of work in my car parked by the elementary school just a few blocks away from my house. I tell myself that I park there because it’s conveniently close, but it’s really because being by an elementary school, and seeing the swings, and the slides, and the jungle-gyms, makes me feel like I’m still a kid.
As I sit there and smoke a cigarette, I look back at the past seven months. I think about how things are so different, but really just the same, and I think about the last Friday night of my high school career.
It was a damp night, I remember--like most nights in Oregon. I was wound up on angst and the potential of what was to come. I had just gotten into another fight with my parents, this time about smoking. I remember so distinctly what my father yelled at me as I stormed out our front door, “Smoking seems cool now, and so does being miserable, but if you keep this going, they’ll both rot you from the inside-out, Sam!”
I remember getting into my best friend’s car and driving to ‘our spot’. I staggered out her car, a white 2000 Chrysler Voyager, and scratched my head under the flickering street lamp that hovered over me like a spotlight.
Sometimes it’s okay to act your age, I said to her.
I picked off the old cigarette papers that stuck to the soles of my shoes, and lit another. I had made her a mixed CD earlier that year, and it was playing in the background.
Sonic Youth began to play as we both inhaled and stared out at the rain, then Jeff Buckley, Mazzy Star, Radiohead, and Stone Roses. We would look at each other, and we were both aware of how cliche our lives seemed. It made us smile.
If I look back at the past year, I saw countless trips in my best friends van to our spot where we would hold frivolous conversations about what awaited us after graduation--our eyes watery with contemplation, and fear, and excitement--and now that day was right in front of us.
Graduation was a blur, along with the few months that followed.
It was countless summers evenings spent scrounging coins, bills, and whatever we could for another fix of what we could get our hands on. We would walk the streets, fluorescent-lit paths, and recite lyrics like bible verses. Each night ended with us laying in the grass at Avery Park; the air seemed to smell sweet and sticky like the oils from a leaf on eucalyptus tree. We would look up at the sky, sobering up; it always seemed forged, like a sheer covering, if you could just reach up there, and pull it down, what do you think would be there, I remember my best friend’s voice sounding like a human question mark.
I would say, Nothing. Nothing would be there, then we would look at each other and laugh.
I fast-forward to now, sitting in my car, and remember feeling so hopeful. In high schoolI thought to myself, “I can’t wait until I get out there, to start my life.” They don’t prepare you for the ‘in-between’ in high school, the feeling of being in-limbo between being a kid, and an adult. It could be because I didn’t really change anything--I still live at home, I go to a community college, and I live in the same town with the same people--I’m essentially the same person I was six months ago, except I no longer have the pleasure of blaming my misery on being in high school.
In high school you’re allowed to think that your misery is other people’s problem, that they have some sort influence on it, but now I realize that everyone has their own misery-inducing baggage, and that other people don’t care. If you hold onto it, it’s your own to carry and to deal with it.
Sometimes I miss high school, but just because I miss feeling like my anger, angst, and confusion were justified. Now I’m not sure they’ll ever go away.
The rain hits my windshield, and it’s just above freezing temperature as Modest Mouse’s “Float On” is playing: I see this image of a highway as I sit here. This image of people’s lives, their souls, floating past me in this highway, like rushing cars, and I just stay where I am, I can’t move. Everyone around me has a sense of direction, or do they?
When you’re in high school, you think, “I can’t wait to start my life”, but then you’re in college and you think the same thing, then again when you have a career, and a family, and then one day you wake up and you’re forty, and think, “Wait. What was that all before? Was that my life?”
Growing up is the hardest thing people have to do. No amount of schooling can prepare you for it, or for the six months after high school graduation; you get a glimpse of the sort of monotonous, bleak truth. There isn’t anything you can do to prepare, all you can really do is sit in your car, completely self-aware, smoke a cigarette, and hope to God this is just a prolonged teenage-angst phase.
--
[Submission by unslakable-thirsting. Submit your own writing or art via our submission button!]
Body Language Cheat Sheet for Writers
As described by Selnick’s article:
Author and doctor of clinical psychology Carolyn Kaufman has released a one-page body language cheat sheet of psychological “tells” (PDF link) fiction writers can use to dress their characters.
AARGH YES PLEASE
(via VectorBelly Webcomics)
For all the artists out there. xoxo
5 Ways to be a Happier Creative We all know the tortured artist schtick. To be honest, I can be a downer sometimes myself, but I think it would be terrible for us to all perpetuate the idea that being creative and miserable are mutually exclusive. So here’s to being creative and actually enjoying it: 1. Refuse to See Your Entire Life Either as a Success or a Failure The idea here is to never buy into the lie that your life is either successful or failing in terms of your creative output. Think of the most successful creative person you can, if you look closely you can see a series of successes and failures. The best way for me to look at the creative life is as a series of projects which can be successful in some ways and fail in other ways. For instance, some projects are really successful in the development of your skill but not financially advantageous. Also, don’t believe that there is some level of success where you have now “arrived” or attained a level of success which can never been denied to you, like being hailed a “creative genius” with endless financial gain, forever. I could tell you many examples of artists and musicians who seem like they have “arrived” with one project and then completely fail the next. 2. Make Something Everyday Will Bryant says something like, “I make stuff because if I don’t I get sad”. A silly and profound statement. Last year I did a daily drawing project where I created a new character every weekday. I found this statement to ring very true. This practice gave me a sense of creative productivity every single day, which is a serious morale booster. Even if you don’t show anyone, it can help you feel prolific and unlimited in your creative abilities, which in turn increases your confidence. 3. Be Authentic This is huge. Many people have done amazing things in creativity and have received many rewards, successes and prizes for them. So there is a lot of incentive for YOU to be THEM. But the trick is knowing the truth: you CAN’T be them. Trying to be something you are not will make you feel like an old sock. You already know this, but I thought I’d remind you. 4. Know Your Purpose Shooting aimlessly into the dark can feel like…shooting aimlessly into the dark. Your purpose doesn’t have to be mind meltingly important. I like the humble yet ambitious purpose the great Debbie Millman has taken upon herself to “try to make the supermarket more beautiful”. Try to clarify what you want to achieve overall so that everything you do has a sense of purpose. Purpose equals meaning, and to most creatives I know, a sense of meaning is why they want to make art and why they DO NOT want to work in a factory. 5. Address and Defeat Your Fears That dreadful fear is a bully that is killing your soul and it should be stood up to. Listen to it, don’t ignore it. Hear what it’s actually saying and then dismantle it. Talk to someone about it openly, if the fear is tied to reality, then face it and take it down with integrity. If it’s all lies, all smoke and mirrors then let it disappear in the cloud of smoke that it is. If you are doing super boring unadventurous work, you won’t have any fears at all…but who wants to do that? Hope this makes you a bit happier today. - Andy J. Miller P.S. To tackle the piling up questions here on this tumblr I have started taking on 1 hour video creative coaching, for more info click here.
Thank you Andy ! I needed these reminders today.
How Are You Supposed to Respond to “My Kid Could Do That”?
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There’s a great response to the close cousin of this remark—“I could do that”—in Babar’s Museum of Art: “I wish you would.”
Comics about teaching comics (done for dw-wp website 2011 dw-wp.com/author/mari-ahokoivu/)
Dear artist
You hate what you’ve created.
You hate how it’s somewhat lopsided. How that eye doesn’t quite line up with the other one, and how the hair looks fake, fabricated. You hate how the colors clash and how the light source is GOD knows where. You hate how your knowledge of anatomy is constantly holding you back, teasing you with a carrot at the end of the long stick; you’re so close to being what you think is pro, but you don’t know QUITE ENOUGH to keep that post from looking wonky. You hate how everyone you admire turns out to be younger than you, or marginally older than you, because that’s when you feel the obligation, the pull of the race to be THE BEST, weighing down your reason.
But before you picked up your paint brush, your tablet pen, your pencil - what was there? A blank canvas, a blank paper, a blank, forbidding photoshop file, and the “responsibility” to get better at art as soon as physically possible.
There was nothing before you put your pencil down. Nothing before you made that first stroke. Every time you think that work is shit, I want you to look at it and remember: before you made that move, before you imagined, created this IDEA, there was nothing. Just a smattering of pixels. A blank page. What remains after you have RECREATED YOUR IDEA, moving it by use of your anatomy studies, your lighting studies, incorporating every single thing you have ever learned about art to make what you see REAL, is the result of you. It is the result of your efforts, and when it comes down to your art, it’s about you. Stop comparing yourself to others. Stop thinking there is a race to win. You can do it - you’ve made it this far. Every thing you create is a culmination of your talents, your will to create. That’s powerful. You’re powerful, and fully capable of creating anything you set your mind to.
THE END good night
If I waited for inspiration to strike, I don’t think I’d ever write another book.
John Green (via mumblybee)
“And finish things. You will learn more from a glorious failure than you ever will from something that you never finished.”
Wise words from Neil Gaiman from last night’s The Evening of Awesome, featuring Hank and John Green.