Taisiia Onofriichuk from Ukraine performs her hoop routine to the sound of "Thriller" by Michael Jackson at the 2024 Paris Olympics Rhythmic Gymnastics Individual Qualifiers
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Aqua Utopia|海の底で記憶を紡ぐ
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Taisiia Onofriichuk from Ukraine performs her hoop routine to the sound of "Thriller" by Michael Jackson at the 2024 Paris Olympics Rhythmic Gymnastics Individual Qualifiers
Michael, 1978.
August 10, 1979: Michael Jackson releases Off the Wall
oh emma
Zendaya as Emma Harwood in ‘THE DRAMA’ (2026) for Vogue Weddings
Lenin in the Tretyakov Gallery
Aleksandr Vasílievich Semyashkin (1957)
moonstruck - 1987
a little doodle in my sketchbook with ink!! an exercise to try and gain more confidence while drawing by using a perminant material on paper. I really need to get over my drawing anxiety 😩
Cher in Moonstruck (1987) dir. Norman Jewison
My ghosts go
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Chase Infinti, One Battle After Another
capoeira white belts
Repost from @moyoafrika
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#repost• @whatsculture History Class: Tracing the roots of Capoeira. The Afro-Brazilian martial art form incorporates acrobatics, dance, folklore, and music. Two opponents play each other inside a circle (Roda) formed by the other players, who create rhythm for the game by clapping, singing, and playing traditional instruments. It’s the second most popular sport in Brazil and is practiced in different parts of the world today. To understand the significance, we look at how it is a phenomenon born out of migration.
“Capoeira was conceived in Africa and born in Brazil,’’ Mestre Jelon Vieira once said. As a colony of the Portuguese Crown, millions of Africans were shipped and sold in Brazil. There, enslaved Africans shared their cultural traditions, including dances, rituals, and fighting techniques, which eventually evolved into capoeira. Many elements and traditions that would inform capoeira are said to have originated in Angola. At that time, 80% of all enslaved Africans in Rio de Janeiro came from Central West Africa from countries that are now known as Gabon, Angola and both Congos.
People from Angola were prominent among the enslaved Africans who played the game on the streets and squares of Rio de Janeiro, Salvador and other Brazilian port cities at the beginning of the nineteenth century. With many enslaved Africans revolting against slavery, they would soon form communities in villages called quilombos in which they could sustain different expressions of African culture. They used capoeira to defend themselves and resist capture, disguising its martial intent with music, song, and dance.
Capoeira became illegal after the abolition of slavery in 1888. Practitioners were socially ostracised for more 40 years, until the legendary capoeira master, Mestre Bimba, opened the first capoeira school in Bahia in 1932. From there, the martial art would reach all parts of the world. At its core, capoeira is born out of a mix of African and Brazilian indigenous cultures and it represents resistance and resilience 🇧🇷🌍
#moyoafrika #brazil #angola🇦🇴 #africanculture #africanculture #africandiaspora #african
Musician : Manami Kaudo.
Article by Audio-Technica.
https://www.audio-technica.co.jp/always-listening/articles/manami-kakudo/
Zelda II: The Adventure of Link Nintendo Entertainment System 1988
The Legend of Zelda Famicom Disk System 1986
Nai Barghouti: A Young Woman’s Quest for a New Voice in Middle Eastern Music
Nai Barghouti: A Young Woman’s Quest for a New Voice in Middle Eastern Music
I find that the influence of Middle Eastern sounds on jazz is never discussed, but it exists. Now, I’m not trying just to mix the two together. I’m working on creating a third sound that harmonizes the two sounds from their roots instead of forcing them together [superficially]. Other people are doing it, like Ibrahim Maalouf and Ziad Rahbani, but I’m more interested in the voice itself as an instrument, to see how much the voice can make music instead of just being used for storytelling. But it takes a lot of time. My father calls it “Nainstrumenting,” from my name.
#Gaza #Palestine
Read more: http://bit.ly/2OH7NWi