a fountain of blood in the shape of a girl

[nevver]

Anatomically correct, Jade T Cho

[nevver]

Happy Mondays

[markv5]

Хозяин, смотри, я начертил идеальный круг

[strawberry-princess-aelita]

“Master, look, I drew the perfect circle”

[milf-adjacent]

A good familiar

[joannanewsomtruisms]

WHAT A WOMAN DOES IS OPEN DOORS

[centuriespast]

MICHELANGELO Buonarroti Judith and Holofernes (detail) 1509 Fresco Cappella Sistina, Vatican

[christianholze]

Handkerchief (2016) Render

© Christian Holze

[screenshotsofdespair]

[zestyblog]

[historicalbookimages]

page 27 of “Io. Mercerii I.C. Emblemata” (1592)

[nevver]

Scarfolk Council: Keeping you safe & healthy since 1970

[kleinefreiheiten]

11.2017 Hamburg

[architectureofdoom]

Tysso II Kraftverk, Odda, Geir Grung, 1967

[szobel]

[mythologyofblue]

Frederic Edwin Church, Cotopaxi Erupting, 1853 (via szobel)

[jaw8jaw]

Leonora Carrington, How doth the Little Crocodile, 1998.

[nevver]

Journey to the Center of the Earth

[mythologyofblue]

the sap that I am springtime               makes me want to reread Virgil’s

Georgics while eating cacio              e pepe with fresh-shelled

peas this morning over coffee I              watched a video of spinach

leaves washed of their cellular              information and bathed in stem

cells until they became miniature              hearts vascular hopes capable

of want to roll down a hill              of clover to cold-spoon chrysanthemum

gelato or to stop whenever              their phones autocorrect gps

to god the sublime is a suspension              of disbelief the earth has gotten

sentimental this late in the game              with its smells of gasoline

rosemary and woodsmoke the Rorschach              of vitiligo on my eyes mouth

and throat the ongoing              argument between self

and selfhood the recognition              of the storm the howling

wind I wish I could scream              into someone else’s rain

-Emilia Phillips, “Pathetic Fallacy”

[barnsburntdownnow]

Barometer South Germany, ca. 1710 Carved and gilded wood; mercury barometer

The elaborate scrolling form is mounted with mirrored slips and carved in relief, showing an astronomer, near the bottom, looking through a telescope at gods Mars, Mercury, and Venus under a palanquin near the top.