Balazs Juszt

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Recording the score for The Man Who Was Thursday, ProTools generates beat counts for the main session. As it turns out, this image happened to land on that particular beat. Go figure...

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ADR with Los Angeles is done from my study in Budapest with a bottle of Devil wine. I love technology!

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Our composer's kitchen on day 2. #moviepeoplearenasty

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The way we were this autumn.

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It's been awhile, but in this long while we locked picture on The Man Who Was Thursday and handed over the work to the talented guys at Anarchy Post in LA to do sound design, foley and dialogue editing. Our composer is hard at work in Budapest, scheduled to record the music with a big orchestra and choir in the beginning of January and our visual effects team is busy at Bucharest's MME. Me? I had the picture lock flu (apparently every director passes out at the end of the process) and then slept for a week. I know, lame. Thanks for all your support though, keep it coming, please! It's the main fuel that keeps us going.

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We had a wonderful time shooting Thursday in Rome. A once in a lifetime experience, superb acting, exceptional crew. Eternally thankful!

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Charles (Jordi Mollá) in #thursday

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The very first shot of François Arnaud Fanpage as Thursday during the camera test last summer. Just hang on a few more months, we'll go public towards the end of this summer...

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Editing room with a view. #thursday in the making in Bucharest's MME.

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Our amazing art department, headed by two-time Emmy nominee Judit Varga as production designer created jaw-dropping sets, designs and props for #thursday. 

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Editing with the amazing Danny Rafic. #thursday

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It wasn't only work and no play on the set of #thursday. This one's from the wrap party.

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Saturday (Ana Ularu) on the set of #thursday.

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Friday (Theo Alexander) on the set of #thursday.

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Thursday (François Arnaud) on the set of #thursday. 

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Wednesday (Federico Galavis) on the set of #thursday.

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Tuesday (Emanuela Postacchini) on the set of #thursday.