Matija Bobicic
Magic Man,.2018 acrylic and spray on canvas 100 x 80 cm
VIA
Game of Thrones Daily
RMH
Three Goblin Art
occasionally subtle

if i look back, i am lost

ellievsbear

blake kathryn
Keni
Sweet Seals For You, Always
Show & Tell
TVSTRANGERTHINGS
Stranger Things

tannertan36
almost home

PR's Tumblrdome
NASA
Cosimo Galluzzi
Monterey Bay Aquarium
AnasAbdin
we're not kids anymore.
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@basedpainting
Matija Bobicic
Magic Man,.2018 acrylic and spray on canvas 100 x 80 cm
VIA
Richard Diebenkorn - Untitled (1984)
Nikki Maloof
Through the Lattice 2018 Oil on canvas 48h x 60w in
Nikki Maloof
Begging, Pleading 2018 Oil on canvas 60h x 50w in
William Degouve de Nuncques
.
Mark Rothko, Untitled (Red, Yellow, Blue), 1953
Collection Mr and Mrs Robert Kardon,
© Kate Rothko Prizel & Christopher Rothko; Artists Rights Society
David Shrigley - Untitled (problem), 2015, Oil on canvas , 160 x 120 cm
Frank Weston Benson [1862–1951] Calm Morning [1904]
In the late 1890s Benson began to paint outdoors and over the next two decades he produced many of his most popular plein air paintings, primarily of his family at play during idyllic summers. The setting is the island of North Haven, Maine; the family rented Wooster Farm there, beginning in 1901, and later purchased it. In Calm Morning Benson depicted his three oldest children fishing over the side of a dory—Eleanor, the eldest, to the left in the stern of the boat; Elisabeth to the right; and George standing. Benson’s bright, luminous colors and long varied brush strokes give the effect of warm sun shining on the children and the inside of the boat, contrasting with the cool, quiet ocean. He skillfully captured the reflections on the stern of the boat and the deep green color of the water in its shadow. Although Benson usually composed and painted a finished oil directly on the canvas, for Calm Morning he took a more academic approach, making three oil studies which he combined into this larger work. Benson was pleased with the result, declaring it his “best out of door work.”
Pablo Picasso, La femme qui pleure, Paris, 12 October 1937. Museo Nacional de Arte Reina Sofía, Madrid.
Julian Schnabel - Kabuki Border, 1986.
Van Gogh
KEVIN GOODRICH
Landscape #2, 2015 copy-machine toner on canvas 60 x 48 in
Paul Winstanley (England)
Joan Miro
JACKIE SACCOCCIO
Portrait (InvisibleLight) 2017
Oil and mica on linen
57 x 45 inches
Stanley Whitney