Shit Happens

NY

[bled]

[foreheadxkisses]

[marci1900]

[3blush]

[olearypoetry]

[noelbadgespugh]

[wordsnquotes]

“When two people meet, each one is changed by the other so you’ve got two new people.”

— John Steinbeck

[imovedblogs56878437655-blog]

[fehyesvintagemanga]

Kamimura Kazuo

[we-love-rain]

[calm--reposed]

Visit Original Link

No Good Before Noon - Into It. Over It.

You could have told me from the start I could have kept you safe from harm I could have left you alone

[rosespell]

[hirxeth]

“Life goes on. It always does, until it doesn’t.”

Eyes Wide Shut (1999) dir. Stanley Kubrick

[wordsnquotes]

‘I’m beginning to know myself. I don’t exist. I’m the space between what I’d like to be and what others made of me. Just let me be at ease and all by myself in my room.

Fernando Pessoa, The Book of Disquiet 

[vi0lettae]

[marci1900]

[hayaosmiyazaki-deactivated20150]

When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that his peers were using to make action blockbusters, Wong started making very personal and extremely poetic films, disregarding the rules of narrative storytelling and challenging traditional Chinese mores. Few of his contemporaries have dared tackle homosexuality as directly as he did in Happy Together. From the dizzying Chungking Express to the hypnotizing In the Mood for Love, Wong’s work is incredibly modern and particularly powerful.

—Laurent Tirard