Basket of Light, Sumpagno, Guatemala, 1989.
Photo by Flor Garduño
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PUT YOUR BEARD IN MY MOUTH
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occasionally subtle
YOU ARE THE REASON

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@bavaduzgi-blog
Basket of Light, Sumpagno, Guatemala, 1989.
Photo by Flor Garduño
“What we think of as our individuality - something given before culture, which we possess as a subject just by being born, after which we learn to use the tools of culture - is quite the reverse. This is part of what I meant by saying that identity is not settled in the past but always also oriented towards the future.”
— Stuart Hall, “Through the Prism of an Intellectual Life” (2007)
“James Baldwin and his mother, Emma Berdis Baldwin, New York,” December 18, 1962 by Richard Avedon Hilton Als’s, “God Made My Face: A Collective Portrait of James Baldwin,” at David Zwirner, is a moving tribute to Baldwin and an attempt to give shape to a man who, in Als’s eyes, is celebrated as a writer-prophet of racial injustice but too often overlooked as an artist and a human being.
What are the sources for your images? I've tried searching for other appearances of them but come back with very few.
It’s the … magic !
How about adding the name of the photographers to each post….. Actual MENA minorities and others could look up more into the photographs that have been taken of their people. Just saying… at least give credit to the photographers
When I know the name of the photographer – I mention and give that credit. Most photographs (especially, the old ones) do not mention the name of the creator and signed as “anonymous” or with nothing at all. The old photographs that include the name of the photographer, the exact place it was taken (the city, province, etc.), the year and the people (Amazigh, Druze etc), – are rare. We are lucky if there is the country in the description. The year range on the old photograph (like Antoin Sevruguin’s) can be as wide as 1880-1930.
Where I get the photographs and other materials I post here, I have answered numerous and numerous times here. Look up in the asks.
I also mention the titles and the authors of the books where I got the image and more: in some cases – even the page number. However, I seriously doubt that anyone got the book and read it. Still, I continue mentioning, although it is a time consuming. Some materials I got from the closed to general public archives and libraries – mentioning them is useless. Other materials I got from people who sent me the photographs from their personal archives and photographic albums, knowing about my interest. Again, all this I have explained numerous times here.
Then there is this that really pisses me. I referred to it many times here in a very unpleasant form. like: https://tanyushenka.tumblr.com/post/179077 Often I post the photograph with all the credits, description, etc., but people remove all the information and share just a pretty image with nothing attached. That “pretty image” with the removed information I included, travels all over the tumblr. And, here I just saw: http://sufiness.tumblr.com/post/182592146081 Someone removed all the information and left only the image: "Lustre details Moscow Cathedral mosque, Russia @Igor Voller" So, now, tell me: WHAT’S A POINT to spend a time and include the information which will be criminally removed ??? When I see something like that, – totally disrespecting me, my work and the creator of the photograph – I simply give up and want to post nothing here. Nothing.
Well, it’s also you who removes information and the source. Official archives usually don’t allow people to share the photos without mentioning the source. Saying that it‘s useless to mention the archives or libraries is ignorant. People may want to look that stuff up - including me.
What kind of „work“ are you doing with that blog? Saving photos of others and sharing them? Not mentioning the source and getting mad about people who do the same with captions... Your blog is useless without giving actual MENA people and others interested the opportunity to look the stuff up
What are the sources for your images? I've tried searching for other appearances of them but come back with very few.
It’s the … magic !
How about adding the name of the photographers to each post..... Actual MENA minorities and others could look up more into the photographs that have been taken of their people. Just saying... at least give credit to the photographers
hand-knit portraits of shirin neshat, eva hesse, claude cahun, & ana mendieta by kate just, 2015-2017
Abbas Kiarostami, from “A Wolf Lying in Wait; Poems,” published c. 2015
Studio Shehrazade, Saida, Lebanon, 1950s. Hashem el Madani 2007
© Akram Zaatari, courtesy Hashem el Madani and Arab Image Foundation, Beirut
Studio Shehrazade, Saida, Lebanon, early 1970s. Hashem el Madani 2007.
© Akram Zaatari, courtesy of Hashem el Madani and Arab Image Foundation, Beirut
AKRAM ZAATARI Saida, Lebanon
Salaam Cinema, Mohsen Makhmalbaf (Iran, 1995)
Left: martyr Fadi Hassan Abu Salah; A disabled Palestinian man killed by Israeli sniper fire during mass protests in Gaza on Monday.
Right: Sculpture by Hisham Alshdaifat, in memory of Fadi Abu Salah.
They took my mind
ANNI ALBERS
THICKLY SETTLED, cotton and jute, 1957 (Yale University Art Gallery, New Haven, Connecticut, Director’s Purchase Fund ©2008 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York)
(via sergey-nikdob)
Repeatedly, the term "Ezdiki" is the subject of countless discussions. But is there really something like a Yezidi language? Our author has
The article „Ezdiki – the language of the Ezidis?“ by Yilmaz Algin I have translated for EP is finally online.
Repeatedly, the term “Ezdiki” is the subject of countless discussions. But is there really something like an “Ezidi language”?
@qozelqort read, understand and learn