Okay... So I'm in a way right now with the red tide and hormones..... But I did want to say some things about SINNERS while I have a little bit of mental energy.
Stack and Smoke are two sides of the same coin, yin and yang, red and blue, Italian and Irish gang clothing style... etc.
Some people are getting carried away with analysis and it's giving more projection of what you want it to be vs. what is.... Coogler himself has cited great fun tropey horror films and pop culture touchstones like Salem's Lot (the book not the movie) and Puss in Boots: The Last Wish (which I love that that's a reference) he has said his most important takeaway is "ownership of art."
The act structure that gave us that classic "caper" set-up of all kinds of characters listening to the plan and then going "you sonavabitch, I'm in." for the juke joint was my favorite part of this TBH.
It is NOT a Christian "Come to Jesus" movie and I LOVE that about it. In fact, it's the opposite.
It's a "be true to self and your gifts in the face of any god or devil", movie.
BOTH women love interests (white presenting and full-figured and unambiguously Black ,--back to that yin and yang of the twins) were beloved by a twin, both fit the elemental nature of said twin, and both had to traverse death to be with their love.
As an aside.... loved hearing a southern accent from our Asian cousins, seeing the "not my problem" energy from the Choctaw hunters, and the reminder that there was actual ancestral cultural community before "whiteness" for white people too, and why many no longer have it...
LOVED LOVED LOVED the cultural details in the character work, setting, energy, etc.... ESPECIALLY Delroy Lindo's vocal cadence.
I loved what Coogler chose to NOT show to make the energy more impactful and palpable in both sensuality and scares.
I'll be the weirdo who prefers the pure blues vs. the remix but I LOVED seeing all the ancestors and descendents come and vibe with the music...(I used to have recurring dreams of a multicultural ancestral world jam session, so "that scene" hit me hard.
Remmick just follows in the tradition of Coogler villains being compelling af, but ultimately WRONG because of an essential flaw in their logic (i.e. Killmonger's misogynoir and colonizing techniques and funnily enough Remmick's colonizing techniques klan and black vampire telepathy for a faux community peace)
I have seen no one else mention this, but I chuckled at Saul "List of Demands" Williams playing the preacher, aka Sammie's dad
the vampire nerd part of me absolutely rejoiced at all the "traditional" vampire warding aspects, ESPECIALLY the silver, something that is often wrongly asserted as being just for werewolves
loved how filthy and raunchy the language was when it came to desire... because that's real and I hate purity culture which is very much now tied to the alt-right white Chisto-fascist pipeline right now AND centering women's pleasure and, in many case audacious initiative. (ahem, I see you Ryan and I see how Zinzi's in the current state she's in, congrats!! *cough* this is the healthiest type of straight man sexual energy BTW)
BE WARY of the takes out there that are overly-projecting. It's neither religious nor hotepy. It's a Southern Gothic fable/folktale about a musician with a gift surviving a magical night....
YES it's full of ancestral energy, but ultimately the central message is about being true to self when it comes to ancestral gifts and community
kianamaiart
germansingergirl
theartofmadeline
blakekathryn
