
blake kathryn
i don't do bad sauce passes
PUT YOUR BEARD IN MY MOUTH
tumblr dot com
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DEAR READER
Cosmic Funnies
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
No title available

Kiana Khansmith
AnasAbdin
we're not kids anymore.
he wasn't even looking at me and he found me
d e v o n
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

@theartofmadeline
Keni

seen from United States
seen from United States
seen from Türkiye

seen from Spain

seen from United States
seen from China

seen from Czechia
seen from United States

seen from Germany

seen from Colombia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Brazil
seen from United States

seen from Spain
seen from United States
@bby181
F. Scott Fitzgerald, The Beautiful and Damned
Fifteenth century medieval camp pavilion
Hideaki Kodama (1981)
In the Mood for Love, Wong Kar-wai, 2000. (photography by Wing Shya)
BOY HOWDY
Hubble Sees Galaxy in a Ghostly Haze by NASA Hubble
Hausu (1977) // dir. Nobuhiko Ōbayashi
René Magritte (1898 – 1967) , Untitled
What now?
In the Mood for Love (2000)dir. Wong Kar-wai
Gloria Hendry as Rosie Carver in LIVE AND LET DIE 1973
Slumber was a performance/installation: whenever it was shown, the artist lived in the gallery, weaving during the day and sleeping with an EEG machine recording her Rapid Eye Movement (REM) at night. The REM is an analogue to Antoni’s dreams, and she weaves this pattern into the blanket that covers her bed while she sleeps. In this piece, an uneasy truce exists between contemporary medical technology, ancient myths of weaving and the mysterious world of dreams.