Not today Justin

blake kathryn
Show & Tell

izzy's playlists!
Lint Roller? I Barely Know Her
Three Goblin Art
Claire Keane

if i look back, i am lost

@theartofmadeline
hello vonnie
NASA

No title available

No title available
Jules of Nature
Cosimo Galluzzi
Misplaced Lens Cap
dirt enthusiast
Stranger Things
noise dept.
wallacepolsom
seen from United States

seen from United States
seen from United States

seen from United States
seen from Saudi Arabia
seen from Mexico

seen from New Zealand
seen from Türkiye
seen from United States
seen from Bolivia

seen from United States

seen from Türkiye
seen from Lithuania

seen from United States

seen from United States
seen from United Kingdom
seen from Philippines
seen from United States

seen from Malaysia

seen from United States
@bc1012class2016
Zadie Smith’s 10 Rules of Writing
When still a child, make sure you read a lot of books. Spend more time doing this than anything else.
When an adult, try to read your own work as a stranger would read it, or even better, as an enemy would.
Don’t romanticise your “vocation.” You can either write good sentences or you can’t. There is no ‘writer’s lifestyle.’ All that matters is what you leave on the page.
Avoid your weaknesses. But do this without telling yourself that the things you can’t do aren’t worth doing. Don’t mask self-doubt with contempt.
Leave a decent space of time between writing something and editing it.
Avoid cliques, gangs, groups. The presence of a crowd won’t make your writing any better than it is.
Work on a computer that is disconnected from the internet.
Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.
Don’t confuse honours with achievement.
Tell the truth through whichever veil comes to hand — but tell it. Resign yourself to the lifelong sadness that comes from never being satisfied.
Jamaica Kincaid on Finding Her Voice
Roxane Gay on Writing Fiction and Nonfiction
Margaret Atwood on Writing Fiction
John Hodgman’s Advice to Writers
Larry Smith on how to write a six-word memoir.
Six-Word Memoirs
Liars, hysterectomy didn’t improve sex life! (Joan Rivers)
Fifteen years since last professional haircut. (Dave Eggers)
Couldn’t cope so I wrote songs. (Aimee Mann)
Danced in fields of infinite possibilities (Deepak Chopra)
Well, I thought it was funny. (Stephen Colbert)
Nobody cared, then they did. Why? (Chuck Klosterman)
Brought it to a boil, often. (Mario Batali)
Yes, you can edit this biography. (Jimmy Wales, Wikipedia founder)
Dad died, mom crazy, me too. (Moby)
Started small, grew, peaked, shrunk, vanished. (George Saunders)
Former boss: “writing’s your worst skill!” (Amy Tam)
The miserable childhood leads to royalties. (Frank McCourt)
Six-Word Memoirs
Liars, hysterectomy didn’t improve sex life! (Joan Rivers)
Fifteen years since last professional haircut. (Dave Eggers)
Couldn’t cope so I wrote songs. (Aimee Mann)
Danced in fields of infinite possibilities (Deepak Chopra)
Well, I thought it was funny. (Stephen Colbert)
Nobody cared, then they did. Why? (Chuck Klosterman)
Brought it to a boil, often. (Mario Batali)
Yes, you can edit this biography. (Jimmy Wales, Wikipedia founder)
Dad died, mom crazy, me too. (Moby)
Started small, grew, peaked, shrunk, vanished. (George Saunders)
Former boss: “writing’s your worst skill!” (Amy Tam)
The miserable childhood leads to royalties. (Frank McCourt)
Jamaica Kincaid reads “Girl”
Peer Review Workshop
Ending the Essay: Conclusions
So much is at stake in writing a conclusion. This is, after all, your last chance to persuade your readers to your point of view, to impress yourself upon them as a writer and thinker. And the impression you create in your conclusion will shape the impression that stays with your readers after they've finished the essay.
The end of an essay should therefore convey a sense of completeness and closure as well as a sense of the lingering possibilities of the topic, its larger meaning, its implications: the final paragraph should close the discussion without closing it off.
To establish a sense of closure, you might do one or more of the following:
Conclude by linking the last paragraph to the first, perhaps by reiterating a word or phrase you used at the beginning.
Conclude with a sentence composed mainly of one-syllable words. Simple language can help create an effect of understated drama.
Conclude with a sentence that's compound or parallel in structure; such sentences can establish a sense of balance or order that may feel just right at the end of a complex discussion.
To close the discussion without closing it off, you might do one or more of the following:
Conclude with a quotation from or reference to a primary or secondary source, one that amplifies your main point or puts it in a different perspective. A quotation from, say, the novel or poem you're writing about can add texture and specificity to your discussion; a critic or scholar can help confirm or complicate your final point. For example, you might conclude an essay on the idea of home in James Joyce's short story collection, Dubliners, with information about Joyce's own complex feelings towards Dublin, his home. Or you might end with a biographer's statement about Joyce's attitude toward Dublin, which could illuminate his characters' responses to the city. Just be cautious, especially about using secondary material: make sure that you get the last word.
Conclude by setting your discussion into a different, perhaps larger, context. For example, you might end an essay on nineteenth-century muckraking journalism by linking it to a current news magazine program like 60 Minutes.
Conclude by redefining one of the key terms of your argument. For example, an essay on Marx's treatment of the conflict between wage labor and capital might begin with Marx's claim that the "capitalist economy is . . . a gigantic enterprise ofdehumanization"; the essay might end by suggesting that Marxist analysis is itself dehumanizing because it construes everything in economic -- rather than moral or ethical-- terms.
Conclude by considering the implications of your argument (or analysis or discussion). What does your argument imply, or involve, or suggest? For example, an essay on the novel Ambiguous Adventure, by the Senegalese writer Cheikh Hamidou Kane, might open with the idea that the protagonist's development suggests Kane's belief in the need to integrate Western materialism and Sufi spirituality in modern Senegal. The conclusion might make the new but related point that the novel on the whole suggests that such an integration is (or isn't) possible.
Finally, some advice on how not to end an essay:
Don't simply summarize your essay. A brief summary of your argument may be useful, especially if your essay is long--more than ten pages or so. But shorter essays tend not to require a restatement of your main ideas.
Avoid phrases like "in conclusion," "to conclude," "in summary," and "to sum up." These phrases can be useful--even welcome--in oral presentations. But readers can see, by the tell-tale compression of the pages, when an essay is about to end. You'll irritate your audience if you belabor the obvious.
Resist the urge to apologize. If you've immersed yourself in your subject, you now know a good deal more about it than you can possibly include in a five- or ten- or 20-page essay. As a result, by the time you've finished writing, you may be having some doubts about what you've produced. (And if you haven't immersed yourself in your subject, you may be feeling even more doubtful about your essay as you approach the conclusion.) Repress those doubts. Don't undercut your authority by saying things like, "this is just one approach to the subject; there may be other, better approaches. . ."
(Copyright 1998, Pat Bellanca, for the Writing Center at Harvard University)
Debate Questions
Debate Question #1: Should Public Colleges and Universities in America be Tuition Free?
Debate Question #2: Does the United States Have an Obligation to Provide New Parents With Government-Paid Family Leave?
Scandinavia is less perfect, and a lot weirder, than you’d imagine
Writing a Thesis and Making an Argument
What is an Argument?
An argument takes a stand on an issue. It seeks to persuade an audience of a point of view in much the same way that a lawyer argues a case in a court of law. It is NOT a description or a summary.
This is an argument: "This paper argues that the movie JFK is inaccurate in its portrayal of President Kennedy."
This is not an argument: "In this paper, I will describe the portrayal of President Kennedy that is shown in the movie JFK."
What is a Thesis?
A thesis statement is a sentence in which you state an argument about a topic and then describe, briefly, how you will prove your argument.
This is an argument, but not yet a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy."
This is a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy because of the way it ignores Kennedy’s youth, his relationship with his father, and the findings of the Warren Commission."
A thesis makes a specific statement to the reader about what you will be trying to argue. Your thesis can be a few sentences long, but should not be longer than a paragraph. Do not begin to state evidence or use examples in your thesis paragraph.
Refine
As you work on your essay, your ideas will change and so will your thesis. Here are examples of weak and strong thesis statements.
Unspecific thesis: "Eleanor Roosevelt was a strong leader as First Lady." This thesis lacks an argument. Why was Eleanor Roosevelt a strong leader?
Specific thesis: "Eleanor Roosevelt recreated the role of the First Lady by her active political leadership in the Democratic Party, by lobbying for national legislation, and by fostering women’s leadership in the Democratic Party." The second thesis has an argument: Eleanor Roosevelt "recreated" the position of First Lady, and a three-part structure with which to demonstrate just how she remade the job.
Unspecific thesis: "At the end of the nineteenth century French women lawyers experienced difficulty when they attempted to enter the legal profession." No historian could argue with this general statement and uninteresting thesis.
Specific thesis: "At the end of the nineteenth century French women lawyers experienced misogynist attacks from male lawyers when they attempted to enter the legal profession because male lawyers wanted to keep women out of judgeships." This thesis statement asserts that French male lawyers attacked French women lawyers because they feared women as judges, an intriguing and controversial point.
(From the University of Wisconsin Writing Center)