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wallacepolsom
he wasn't even looking at me and he found me
dirt enthusiast
AnasAbdin
tumblr dot com
⁂
One Nice Bug Per Day
almost home
Origami Around
oozey mess
Three Goblin Art
sheepfilms
hello vonnie
occasionally subtle
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Sade Olutola
YOU ARE THE REASON
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seen from Maldives
seen from United States
seen from Finland
seen from United States
seen from Malaysia
seen from Türkiye
seen from Germany
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@beaucadeau
THE INNOCENTS (1961) THE OTHERS (2001) CRIMSON PEAK (2015) THE GHOST AND MRS. MUIR (1947) THE VVITCH (2015) THE BLOOD ROSE (1970) BEAUTY AND THE BEAST (1946) THE HOUSE THAT SCREAMED (1969) THE HORRIBLE DR. HICHCOCK (1962) THE SPIRAL STAIRCASE (1946)
carl jung girl you were so right about avoidance
“if we don't accept our own destiny, a different kind of suffering takes its place: a neurosis develops, and I believe that that life which we have to live is not as bad as a neurosis. if I have to suffer, then let it be from my reality. a neurosis is a much greater curse! in general, a neurosis is a replacement for an evasion, an unconscious desire to cheat life, to avoid something. one cannot do more than live what one really is. and we are all made up of opposites and conflicting tendencies. after much reflection, I have come to the conclusion that it is better to live what one really is and accept the difficulties that arise as a result-because avoidance is much worse.”
GET ON THE MELLIS TRAIN
Finally, when shame has been completely internalized, nothing about you is okay. You feel flawed and inferior; you have the sense of being a failure. There is no way you can share your inner self because you are an object of contempt to yourself. When you are contemptible to yourself, you are no longer in you. To feel shame is to feel seen in an exposed and diminished way. When you're an object to yourself, you turn your eyes inward, watching and scrutinizing every minute detail of behavior. This internal critical observation is excruciating. It generates a tormenting self-consciousness which Kaufman describes as, "creating a binding and paralyzing effect upon the self." This paralyzing internal monitoring causes withdrawal, passivity and inaction.
John Bradshaw, Healing the Shame that Binds You
When people justify using gen AI by talking about how it allows them to do (insert creative hobby) it sends me into a blind rage. The whole point of the creative hobby is to use your brain. Having a machine do it for you defeats the purpose. That’s like saying you’re getting into running marathons then just driving the 42km
Muppet Frankenstein, where the only human actor is the Monster, and he has no prosthetics. Everyone just reacts to the one human in their world as a horrific monster. The body parts before the animation are even visibly felt Muppet limbs, but the creature rises as a human.
Hacks Season 5 | Inside Episode 3 Hannah Einbinder & Jean Smart
a man and a woman can be strictly platonic friends. but a man and a man can’t be that. they have to have violent gay sex and be obsessed with each other. it’s the yaoi rule
Jacob Anderson & Sam Reid The Vampire Lestat Premiere Concert
Happy Pride Month!!! 🌈💕🌼✨
Mutiny (1983), dir. Abigail Child
'why does lestat see claudia as a romantic rival when louis is gay it makes no sense' girl because he is insane. because he is fucking insane. because he is stephen king amy dunne last ten minutes of hereditary crazy. because he is mommy dearest the shining silence of the lambs hitchcock blonde norman bates unwell.
Claude Monet by Thomas Bossard
Man no one even remembers laptop in bed. It was laptop in bed for years. Now it's just phone in bed. Maybe tablet. But usually phone. So much has changed
the spirit is willing but the flesh is experiencing technical difficulties
Frankenstein (2025) dir. Guillermo del Toro
photographs are a kind of corpse if you think about it
they warp. they fade. they're eaten away by time and rot until they're unrecognisable. we inter them in mausoleums of albums and frames to preserve them, but this only slows the inevitable process. they're relics of a moment that will never exist again, and in capturing them in an attempt to prolong their memory, we only invite ourselves to witness their decay. a camera is a medium for communing with ghosts.
