@LaineyC94: June is Pride Month & @taylorswift13 gave a really great speech!! We’ve come so far, but we’ve still got a long way to go… #repTourChicago #PrideMonth
DEAR READER
PUT YOUR BEARD IN MY MOUTH
NASA

if i look back, i am lost
wallacepolsom
Sade Olutola

pixel skylines

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$LAYYYTER

@theartofmadeline
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"I'm Dorothy Gale from Kansas"

Love Begins

izzy's playlists!

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Jules of Nature
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
will byers stan first human second
Game of Thrones Daily

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@beeslyscully
@LaineyC94: June is Pride Month & @taylorswift13 gave a really great speech!! We’ve come so far, but we’ve still got a long way to go… #repTourChicago #PrideMonth
Reputation Tour Santa Clara, 05/12/18
long live the walls we crashed through
I Did Something Bad (May 11, 2018)
big gay mood
I’m so embarrassed. I’m not a real person yet.
Frances Ha (2012) dir. Noah Baumbach
Our tattoos 🤠
“Different things can be sad. It’s not all war.”
Lady Bird (2017) dir. Greta Gerwig
car seat headrest - famous prophets (stars)
but i remember you you had a body you had hands and arms and legs and et cetera
The past scenes in Blue Valentine were all shot on film to achieve a more nostalgic feel, like looking back on fond memories. This also meant fewer takes as they only had a certain amount of film to shoot with, and only used one camera. This results in the couple always being in the frame together for majority of the shots. These moments are almost always accompanied by the soundtrack too. A lot of the scenes were unscripted and improvised by the actors, as the director Derek Cianfrance used various method techniques to create these moments, which is why all the scenes are hand held, adding to the spontaneous feeling of the past section of the film.
The future/present scenes were shot with digital cameras, mostly on tripods and long lenses, creating a more distant feeling. These scenes are shot in a traditional shot, reverse shot way, meaning we don’t see the couple in the same frames anymore. The soundtrack never accompanies these moments until the end, making the future/present section of the film feel more empty. In between filming the past and present parts of the film, Ryan Gosling and Michelle Williams stayed in a house together for a month, encouraged by the director to pick fights and argue with each other, so when it came to filming these scenes, the arguments would feel real, tiring and repetitive. Shooting on digital also meant they had more time for more takes, which would really emphasize the worn out feeling of the dialogue exchanged, opposed to the fresher, unrehearsed performances of the past.
Tetsushi Tsuruki
one of the best songs of our generation honestly
Timothée Chalamet Collier Schorr | VMAN Magazine
Letitia Wright photographed by Olivia Malone for Glamour US October 2017
Stylist: Gro Curtis Hair: Takashi Yusa Makeup: Kali Kennedy
Natalia Dyer by Max Cornwall for Clash Magazine Issue 106, Winter 2017/2018
Don’t you think maybe they are the same thing? Love and attention?
I know I’m funny. I know everything about myself. That’s why I can’t do therapy.
Mistress America (2015) Dir. Noah Baumbach